Katie van Scherpenberg - olamapá:
Katie van Scherpenberg was born in São Paulo in 1940. Her cosmopolitan formation took place in an intense traffic between Europe and Brazil with times spent in England, Germany and sometimes on the Island of Santana in Amapá, in the Amazon, where his father Pieter Cornelis van Scherpenberg, was a Ge...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Portuguese English |
| Veröffentlicht: |
Rio de Janeiro
Gryphus
2020
|
| Ausgabe: | 1a edição |
| Schriftenreihe: | Coleção Arte e tecnologia
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| Schlagworte: | |
| Zusammenfassung: | Katie van Scherpenberg was born in São Paulo in 1940. Her cosmopolitan formation took place in an intense traffic between Europe and Brazil with times spent in England, Germany and sometimes on the Island of Santana in Amapá, in the Amazon, where his father Pieter Cornelis van Scherpenberg, was a German diplomat naturalized Dutch. In Austria, Katie studied with the painter Oscar Kokoschka (1886-1980) with whom he learned the essential elements of European painting. In Brazil she developed research on natural pigments, creating a method that allowed her to articulate these two visual universes, Europe and Brazil. Her work has as a center of reflection the basic matter of constitution of the painting, both the pigments used in the manufacture of paints and the fabric and wood of the chassis that form the canvas. Her research caused output movements from the screen to the landscape, from landscape to body, and from body to landscape, considering all the spatial implications that extrapolate the surface of the screen - the pictorial plane - until it reaches the immersion of the body in the landscape as an integral element of pictorial materiality. The book presents this development chronologically so that the reader can follow the artist's reflections in its most diverse phases to the present day. Um panorama of his work with the organization of José Alberto Gomes Saraiva (Manaus, Amazonas, 1967) and texts of Paulo Herkenhoff, Gabriel Perez-Barreiro and Alberto Saraiva. |
| Beschreibung: | Ausstellungsdaten ermittelt |
| Beschreibung: | 199 Seiten 26 cm |
| ISBN: | 6586061008 9786586061000 |
Internformat
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| 520 | 3 | |a Katie van Scherpenberg was born in São Paulo in 1940. Her cosmopolitan formation took place in an intense traffic between Europe and Brazil with times spent in England, Germany and sometimes on the Island of Santana in Amapá, in the Amazon, where his father Pieter Cornelis van Scherpenberg, was a German diplomat naturalized Dutch. In Austria, Katie studied with the painter Oscar Kokoschka (1886-1980) with whom he learned the essential elements of European painting. In Brazil she developed research on natural pigments, creating a method that allowed her to articulate these two visual universes, Europe and Brazil. Her work has as a center of reflection the basic matter of constitution of the painting, both the pigments used in the manufacture of paints and the fabric and wood of the chassis that form the canvas. Her research caused output movements from the screen to the landscape, from landscape to body, and from body to landscape, considering all the spatial implications that extrapolate the surface of the screen - the pictorial plane - until it reaches the immersion of the body in the landscape as an integral element of pictorial materiality. The book presents this development chronologically so that the reader can follow the artist's reflections in its most diverse phases to the present day. Um panorama of his work with the organization of José Alberto Gomes Saraiva (Manaus, Amazonas, 1967) and texts of Paulo Herkenhoff, Gabriel Perez-Barreiro and Alberto Saraiva. | |
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Datensatz im Suchindex
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| building | Verbundindex |
| bvnumber | BV048810259 |
| ctrlnum | (OCoLC)1371318990 (DE-599)BVBBV048810259 |
| edition | 1a edição |
| format | Book |
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| genre_facet | Ausstellungskatalog Oi Futuro 05.02.2019-31.03.2019 Rio de Janeiro Bildband |
| id | DE-604.BV048810259 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:30:09Z |
| indexdate | 2024-07-10T09:46:35Z |
| institution | BVB |
| institution_GND | (DE-588)10169295-X |
| isbn | 6586061008 9786586061000 |
| language | Portuguese English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034076200 |
| oclc_num | 1371318990 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 199 Seiten 26 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Gryphus |
| record_format | marc |
| series2 | Coleção Arte e tecnologia |
| spelling | Scherpenberg, Katie van 1940- (DE-588)174268017 art Katie van Scherpenberg - olamapá organização: Alberto Saraiva Olamapá 1a edição Rio de Janeiro Gryphus 2020 199 Seiten 26 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Coleção Arte e tecnologia Ausstellungsdaten ermittelt Katie van Scherpenberg was born in São Paulo in 1940. Her cosmopolitan formation took place in an intense traffic between Europe and Brazil with times spent in England, Germany and sometimes on the Island of Santana in Amapá, in the Amazon, where his father Pieter Cornelis van Scherpenberg, was a German diplomat naturalized Dutch. In Austria, Katie studied with the painter Oscar Kokoschka (1886-1980) with whom he learned the essential elements of European painting. In Brazil she developed research on natural pigments, creating a method that allowed her to articulate these two visual universes, Europe and Brazil. Her work has as a center of reflection the basic matter of constitution of the painting, both the pigments used in the manufacture of paints and the fabric and wood of the chassis that form the canvas. Her research caused output movements from the screen to the landscape, from landscape to body, and from body to landscape, considering all the spatial implications that extrapolate the surface of the screen - the pictorial plane - until it reaches the immersion of the body in the landscape as an integral element of pictorial materiality. The book presents this development chronologically so that the reader can follow the artist's reflections in its most diverse phases to the present day. Um panorama of his work with the organization of José Alberto Gomes Saraiva (Manaus, Amazonas, 1967) and texts of Paulo Herkenhoff, Gabriel Perez-Barreiro and Alberto Saraiva. Text portugiesisch und englisch Scherpenberg, Katie van 1940- (DE-588)174268017 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Oi Futuro 05.02.2019-31.03.2019 Rio de Janeiro gnd-content (DE-588)4145395-5 Bildband gnd-content Scherpenberg, Katie van 1940- (DE-588)174268017 p DE-604 Saraiva, Alberto 1967- edt Oi Futuro (Rio de Janeiro) (DE-588)10169295-X his isb |
| spellingShingle | Katie van Scherpenberg - olamapá Scherpenberg, Katie van 1940- (DE-588)174268017 gnd |
| subject_GND | (DE-588)174268017 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Katie van Scherpenberg - olamapá |
| title_alt | Olamapá |
| title_auth | Katie van Scherpenberg - olamapá |
| title_exact_search | Katie van Scherpenberg - olamapá |
| title_exact_search_txtP | Katie van Scherpenberg - olamapá |
| title_full | Katie van Scherpenberg - olamapá organização: Alberto Saraiva |
| title_fullStr | Katie van Scherpenberg - olamapá organização: Alberto Saraiva |
| title_full_unstemmed | Katie van Scherpenberg - olamapá organização: Alberto Saraiva |
| title_short | Katie van Scherpenberg - olamapá |
| title_sort | katie van scherpenberg olamapa |
| topic | Scherpenberg, Katie van 1940- (DE-588)174268017 gnd |
| topic_facet | Scherpenberg, Katie van 1940- Ausstellungskatalog Oi Futuro 05.02.2019-31.03.2019 Rio de Janeiro Bildband |
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