Oriental, Black, and White: the formation of racial habits in American theater
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 331 Seiten Illustrationen Breite 155 mm, Hoehe 235 mm |
| ISBN: | 9781469669618 9781469669625 |
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Datensatz im Suchindex
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| adam_text | List of Illustrations vii Acknowledgments ix introduction Oriental, Black, and White i The Racial Refashioning of Aladdin 21 2 The Lesser Roles of Ira Aldridge 44 3 Blackface Minstrelsy’s Japanese Turns бо The Tricky Servant in Blackface and Yellowface 79 5 The Chinese Laundry Sketch IOO V
6 “Maybe Now and Then a Chinaman”: African American Impersonators and Chinese Specialties n8 7 Divas and Dancers: Oriental Femininity and African American Performance 137 8 Oriental Frolics and Racial Uplift in the Early African American Musical 165 9 Pleasure Domes and Journeys Home: In Dahomey, Abyssinia, The Children of the Sun, and Shuffle Along 191 10 Fantasy Islands: Staging the Philippines, 1900-1914 224 Racial Puzzles, Chop Suey, and Juanita Long Hall in Flower Drum Song 253 conclusion Notes 271 Selected Bibliography 313 Index 327 vi Contents
Josephine Lee looks at the intertwined racial representations of nineteenth- and early twentieth-century American theater. In minstrelsy, melo drama, vaudeville, and musicals, both white and African American performers enacted blackface characterizations alongside oriental stereotypes of opulence and deception, comic servitude, and exotic sexuality. Lee shows how blackface types were often associated with working-class masculinity and the development of a nativist white racial identity for European immigrants, while the oriental marked what was culturally coded as foreign, feminized, and ornamental. These conflict ing racial connotations were often intermingled in actual stage performance, as stage productions contrasted nostalgic characterizations of plantation slavery with the figures of the despotic sultan, the seductive dancing girl, and the comic Chi nese laundryman. African American performers also performed common oriental themes and characterizations, repurposing them for their own commentary on Black racial progress and aspiration. The juxtaposition of orientalism and black fig uration became standard fare for American theatergoers at a historical moment in which the color line was rigidly policed. These interlocking cross-racial imperson ations offer fascinating insights into habits of racial representation both inside and іііІіііІіііііі^
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| adam_txt |
List of Illustrations vii Acknowledgments ix introduction Oriental, Black, and White i The Racial Refashioning of Aladdin 21 2 The Lesser Roles of Ira Aldridge 44 3 Blackface Minstrelsy’s Japanese Turns бо The Tricky Servant in Blackface and Yellowface 79 5 The Chinese Laundry Sketch IOO V
6 “Maybe Now and Then a Chinaman”: African American Impersonators and Chinese Specialties n8 7 Divas and Dancers: Oriental Femininity and African American Performance 137 8 Oriental Frolics and Racial Uplift in the Early African American Musical 165 9 Pleasure Domes and Journeys Home: In Dahomey, Abyssinia, The Children of the Sun, and Shuffle Along 191 10 Fantasy Islands: Staging the Philippines, 1900-1914 224 Racial Puzzles, Chop Suey, and Juanita Long Hall in Flower Drum Song 253 conclusion Notes 271 Selected Bibliography 313 Index 327 vi Contents
Josephine Lee looks at the intertwined racial representations of nineteenth- and early twentieth-century American theater. In minstrelsy, melo drama, vaudeville, and musicals, both white and African American performers enacted blackface characterizations alongside oriental stereotypes of opulence and deception, comic servitude, and exotic sexuality. Lee shows how blackface types were often associated with working-class masculinity and the development of a nativist white racial identity for European immigrants, while the oriental marked what was culturally coded as foreign, feminized, and ornamental. These conflict ing racial connotations were often intermingled in actual stage performance, as stage productions contrasted nostalgic characterizations of plantation slavery with the figures of the despotic sultan, the seductive dancing girl, and the comic Chi nese laundryman. African American performers also performed common oriental themes and characterizations, repurposing them for their own commentary on Black racial progress and aspiration. The juxtaposition of orientalism and black fig uration became standard fare for American theatergoers at a historical moment in which the color line was rigidly policed. These interlocking cross-racial imperson ations offer fascinating insights into habits of racial representation both inside and іііІіііІіііііі^ |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1800-1920 gnd |
| era_facet | Geschichte 1800-1920 |
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| spelling | Lee, Josephine D. 1960- Verfasser (DE-588)14240845X aut Oriental, Black, and White the formation of racial habits in American theater Josephine Lee Chapel Hill The University of North Carolina Press [2022] © 2022 x, 331 Seiten Illustrationen Breite 155 mm, Hoehe 235 mm txt rdacontent n rdamedia nc rdacarrier Geschichte 1800-1920 gnd rswk-swf Rasse (DE-588)4048440-3 gnd rswk-swf Darstellung (DE-588)4200624-7 gnd rswk-swf Stereotyp (DE-588)4057329-1 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Theater (DE-588)4059702-7 s Rasse (DE-588)4048440-3 s Stereotyp (DE-588)4057329-1 s Darstellung (DE-588)4200624-7 s Geschichte 1800-1920 z DE-604 Erscheint auch als Online-Ausgabe, ebook 978-1-4696-6963-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034075534&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034075534&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Lee, Josephine D. 1960- Oriental, Black, and White the formation of racial habits in American theater Rasse (DE-588)4048440-3 gnd Darstellung (DE-588)4200624-7 gnd Stereotyp (DE-588)4057329-1 gnd Theater (DE-588)4059702-7 gnd |
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| title | Oriental, Black, and White the formation of racial habits in American theater |
| title_auth | Oriental, Black, and White the formation of racial habits in American theater |
| title_exact_search | Oriental, Black, and White the formation of racial habits in American theater |
| title_exact_search_txtP | Oriental, Black, and White the formation of racial habits in American theater |
| title_full | Oriental, Black, and White the formation of racial habits in American theater Josephine Lee |
| title_fullStr | Oriental, Black, and White the formation of racial habits in American theater Josephine Lee |
| title_full_unstemmed | Oriental, Black, and White the formation of racial habits in American theater Josephine Lee |
| title_short | Oriental, Black, and White |
| title_sort | oriental black and white the formation of racial habits in american theater |
| title_sub | the formation of racial habits in American theater |
| topic | Rasse (DE-588)4048440-3 gnd Darstellung (DE-588)4200624-7 gnd Stereotyp (DE-588)4057329-1 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Rasse Darstellung Stereotyp Theater USA |
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