The lyric subject: a reconceptualization
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English Slovenian |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2022]
|
| Schriftenreihe: | Literary and cultural theory
volume 59 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 305 Seiten 21 cm, 471 g |
| ISBN: | 9783631833636 3631833636 |
Internformat
MARC
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| 100 | 1 | |a Balžalorsky Antić, Varja |d 1979- |e Verfasser |0 (DE-588)1243210133 |4 aut | |
| 240 | 1 | 0 | |a Lirski subjekt |
| 245 | 1 | 0 | |a The lyric subject |b a reconceptualization |c Varja Balžalorsky Antić ; translated by: Erica and Lukas Debeljak |
| 264 | 1 | |a Berlin ; Bern ; Bruxelles |b Peter Lang |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 305 Seiten |c 21 cm, 471 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Literary and cultural theory |v volume 59 | |
| 650 | 0 | 7 | |a Lyrisches Ich |0 (DE-588)4126561-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Lyrisches Ich |0 (DE-588)4126561-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Debeljak, Erica |4 trl | |
| 700 | 1 | |a Debeljak, Lukas |4 trl | |
| 710 | 2 | |a Peter Lang GmbH |0 (DE-588)1065711506 |4 pbl | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-3-631-87207-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-3-631-87208-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, MOBI |z 978-3-631-87209-3 |
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Datensatz im Suchindex
| _version_ | 1804184889614925824 |
|---|---|
| adam_text | PARTI
CHAPTER
1
THE
QUESTION
OF
DISCOURSE:
TOWARD
A
LITERARY
DISCOURSE
....................................................
19
ENUNCIATION,
THE
SEMANTIC
AND
THE
SEMIOTIC
MODE
..................
23
CHAPTER
2
THE
QUESTION
OF
THE
SUBJECT
IN
PHILOSOPHY
AND
SOCIAL
SCIENCES
............................................
29
THE
SUBJECT
IN
PHILOSOPHY
............................................................
30
THE
SUBJECT
IN
THE
SOCIAL
SCIENCES
................................................
32
CHAPTER
3
THE
QUESTION
OF
THE
LYRIC
.............................................
35
CHANGES
IN
MODERN
GENRE
THEORY
..............................................
35
GENRE
AS
THE
REALITY
OF
DISCOURSE
................................................
36
THE
LYRIC
........................................................................................
37
THE
LYRIC
SUBJECT
AND
MODERN
GENRE
THEORY
............................
43
PART
II
CHAPTER
4
A
NOTE
ON
TERMINOLOGY
.................................................
47
CHAPTER
5
HISTORICAL
FRAGMENTS:
TWO
TENDENCIES
......................
51
CHARLES
BATTEUX:
LES
BEAUX-ARTS
REDUITS
D
UN
MEME
PRINCIPE
....
51
HEGEL
ON
THE
LYRIC
.........................................................................
53
THE
RENAISSANCE
AND
FUROR
DIVINUS
.............................................
55
THE
ROMANTIC
PARADIGM
...............................................................
56
NIETZSCHE
S
THE
BIRTH
OF
TRAGEDY
FROM
THE
SPIRIT
OF
MUSIC
...........
59
THE
EMERGENCE
OF
THE
CONCEPT
OF
LYRISCHES
ICH
.........................
60
CHAPTER
6
THE
LYRIC
SUBJECT
IN
MODERN
LITERARY
THEORY
...........
63
THE
LYRIC
SUBJECT
IN
THE
LOGIC
OF
LITERATURE
BY
K.
HAMBURGER
(A
REVISED
READING)
........................................
63
THE
LYRIC
AND
THE
LYRIC
SUBJECT
.................................................
65
KARLHEINZ
STIERLE:
THE
IDENTITY
OF
DISCOURSE
AND
THE
TRANSGRESSIVITY
OF
THE
LYRIC
AND
ITS
SUBJECT
................
71
ANTHONY
EASTHOPE
S
POETRY
AS
DISCOURSE
.....................................
73
PROCEEDINGS
ON
THE
LYRIC
SUBJECT
IN
THE
FRANCOPHONE
WORLD
....
75
TRANSGENERIC
NARRATOLOGICAL
APPROACHES
IN
THE
ENGLISH
AND
GERMAN-SPEAKING
WORLDS
...........................................
77
THE
LYRIC
SUBJECT
IN
SLOVENIAN
LITERARY
STUDIES:
JANKO
KOS
......
79
CHAPTER
7
MODERN
VIEWS
ON
THE
SUBJECT
OF
THE
POEM
................
83
THE
PHENOMENOLOGY
OF
THE
AFFECTIVE:
THE
POETIC
SUBJECT
AS
AN
AFFECTIVE-PATHIC
SUBJECT
.........................................
84
EMIL
STAIGER
................................................................................
84
ANTONIO
RODRIGUEZ:
A
SYNTHESIS
OF
PHENOMENOLOGIES
OF
THE
AFFECTIVE
..............................................................
85
SENSING,
FLESH,
STIMMUNG
..........................................................
86
JULIA
KRISTEVA
S
SEMANALYSIS:
THE
PROCESS
OF
SIGNIFYING
THE
PROCESS
OF
THE
SUBJECT
..................................................
88
FROM
THE
SIGN
TO
THE
TEXT
AS
AN
ACTIVITY
OF
SIGNIFYING
............
88
THE
SUBJECT-IN-PROCESS:
THE
FRAGMENTATION
OF
THE
UNITARY
SUBJECT
........................................................................
89
SEMIOTIC
CHORA,
SEMIOTIC,
THETIC,
AND
SYMBOLIC
........................
90
THE
GENOTEXT
AND
THE
PHENOTEXT
...............................................
92
A
FINAL
NOTE
ON
KRISTEVA
S
SEMANALYSIS
....................................
93
PART
III
CHAPTER
8
THE
PROCESS
OF
THE
TEXT
AND
SUBJECTIFYING:
AN
INITIAL
SKETCH
............................................
97
CHAPTER
9
RICOEUR
S
DIALECTIC
OF
IPSE
AND
IDEM
IN
THE
LYRIC
PERSONA
..................................................
103
CHAPTER
10
A
REREADING
OF
BAKHTIN
S
THESES
ABOUT
POETRY
.....
ILL
CHAPTER
11
DUCROT
S
POLYPHONIC
THEORY
OF
ENUNCIATION
.........
121
CHAPTER
12
BENVENISTE:
SUBJECTIFYING
IN
LANGUAGE
..................
127
BENVENISTE
S
NOTES
ABOUT
BAUDELAIRE
AS
THE
BEGINNINGS
OF
HIS
THEORY
OF
POETIC
LANGUAGE
................................................
130
CHAPTER
13
HENRI
MESCHONNIC
S
POETICS
OF
DISCOURSE
..............
135
REFERENCES
OF
THE
POETICS
OF
DISCOURSE
...................................
137
CRITIQUE
OF
THE
LINGUISTIC
SIGN:
SIGNIFIANCE,
MULTIPLE
SIGNIFIER,
RECITATIVE,
CONTINUOUS,
HISTORICITY
................
139
THE
RECONCEPTUALIZATION
OF
RHYTHM
.......................................
141
THE
SUBJECT
IN
THE
POETICS
OF
DISCOURSE
..................................
143
THE
TRANSSUBJECT
AS
A
SPACE
OF
INDIVIDUAL
AND
COLLECTIVE
DIALOGIC
SUBJECTIVATION
...........................................
146
CONCLUSION
...............................................................................
148
CHAPTER
14
THE
NONEGOLOGICAL
THEORIES
OF
THE
INDIVIDUAL
......
151
THE
INDIVIDUAL
...........................................................................
152
IMMEDIATE
CONSCIOUSNESS
.......................................................
154
PARALLELS
BETWEEN
BENVENISTE
S
LINGUISTICS
OF
DISCOURSE
AND
MESCHONNIC
S
POETICS
OF
DISCOURSE
AND
NONEGOLOGICAL
THEORIES
...................................................
158
SCHLEIERMACHER S
STYLE
AND
PREREFLEXIVE
CONSCIOUSNESS
........
163
THE
PREREFLEXIVE
AND
REFLEXIVE
IN
(POETIC)
DISCOURSE
............
165
PART
IV
CHAPTER
15
THE
POETIC
SUBJECT
AND
SUBJECT
CONFIGURATION
OF
THE
POEM
................................................
173
CHAPTER
16
CASE
STUDY
1:
THE
POETIC
SUBJECT
IN
TROUBADOUR
POETRY
..........................................................................
177
REFERENCE
WORKS
ABOUT
THE
SUBJECT
IN
TROUBADOUR
POETRY
...
177
ELEMENTS
OF
SUBJECTIVATION
IN
MEDIEVAL
PHILOSOPHY
..............
180
THE
LYRIC
PERSONA
AND
INTERTEXTUALITY
.....................................
182
THE
LEVEL
OF
ENUNCIATION
AND
THE
ENOUNCED;
METAPOEM,
PERFORMATIVE
.............................................................
187
THE
ORCHESTRATION
OF
FOCALIZATIONS
AND
VOICES
......................
191
MEANING-MAKING
IN
ENUNCIATION:
FORM-MEANING
BODY-SUBJECT
............................................................
201
THE
INTERTWINEMENT
OF
POEMS
AND
MUSIC:
THE
MELODIC
SUBJECT,
THE
COLLECTIVE
SUBJECT
........................................
205
CONCLUSION
................................................................................
206
CHAPTER
17
CASE
STUDY
2:
ANALYSIS
OF
THE
POETIC
SUBJECT
IN
HENRI
MICHAUX
S
POEM
THE
SLOWED
DOWN
..........
209
THE
MATRIX
OF
MICHAUX
S
FEMALE
POETICS
................................
209
BETWEEN
THE
FULLNESS
AND
EMPTINESS
OF
THE
EGO
....................
210
FLOW,
FUSION,
DIVISION:
THE
SUBJECT
OF
THE
ENOUNCED
AND
FOCALIZATIONS
.....................................................................
213
ENUNCIATION
...............................................................................
217
COHERENCE:
ISOTOPIES
................................................................
220
RECITATIVE
IN
THE
SLOWED
DOWN
............................................
221
RHYTHM
AND
SEMANTIC
PROSODY
................................................
221
ACCENTUAL
RHYTHM
..................................................................
223
SEMANTIC
PROSODY
....................................................................
225
CONCLUSION
..................................................................................
231
CHAPTER
18
RECAPITULATION
AND
SYSTEMATIZATION
OF
SUBJECT
CONFIGURATION
........................................
233
LEVEL
OF
TEXT
ORGANIZATION:
THE
TEXTUAL
SUBJECT,
RECITATIVE
..
236
THE
DIMENSION
OF
ENUNCIATION
AS
THE
MEDIATIVE
DIMENSION
OF
THE
STORYWORLD:
THE
SUBJECT
OF
ENUNCIATION
240
THE
LEVEL
OF
THE
STORYWORLD
AND
THE
ENOUNCED:
THE
LYRIC
PERSONA,
FOCAL
POINTS
OF
SUBJECTIVITY
.....................
243
PERSPECTIVE
AND
FOCALIZATION
...................................................
244
ADDITIONAL
PARAMETERS
IN
THE
ESTABLISHMENT
AND
ANALYSIS
OF
SUBJECT
CONFIGURATION
.........................................
247
DIMENSIONS
OF
DISCURSIVE
SITUATIONS
...................................
247
PERSONAL
PRONOUNS
.........................................................
:
.....
248
TEMPORALITY
...........................................................................
250
TEMPORAL
AND
SPATIAL
DEICTICS
..............................................
251
APPENDIX
I
HENRI
MICHAUX:
LA
RALENTIE
...................................
253
HENRI
MICHAUX:
THE
SLOWED
DOWN
......................................
259
APPENDIX
II
BASIC
SCHEMA
OF
THE
SUBJECT
CONFIGURATION
.........
267
SUBJECT
CONFIGURATION
IN
THE
POEM
.......................................
270
PERSPECTIVES
AND
FOCALIZATIONS
..............................................
274
BIBLIOGRAPHY
......................................................................................
277
INDEX
OF
SUBJECTS
...............................................................................
291
INDEX
OF
NAMES
..................................................................................
301
|
| adam_txt |
PARTI
CHAPTER
1
THE
QUESTION
OF
DISCOURSE:
TOWARD
A
LITERARY
DISCOURSE
.
19
ENUNCIATION,
THE
SEMANTIC
AND
THE
SEMIOTIC
MODE
.
23
CHAPTER
2
THE
QUESTION
OF
THE
SUBJECT
IN
PHILOSOPHY
AND
SOCIAL
SCIENCES
.
29
THE
SUBJECT
IN
PHILOSOPHY
.
30
THE
SUBJECT
IN
THE
SOCIAL
SCIENCES
.
32
CHAPTER
3
THE
QUESTION
OF
THE
LYRIC
.
35
CHANGES
IN
MODERN
GENRE
THEORY
.
35
GENRE
AS
THE
REALITY
OF
DISCOURSE
.
36
THE
LYRIC
.
37
THE
LYRIC
SUBJECT
AND
MODERN
GENRE
THEORY
.
43
PART
II
CHAPTER
4
A
NOTE
ON
TERMINOLOGY
.
47
CHAPTER
5
HISTORICAL
FRAGMENTS:
TWO
TENDENCIES
.
51
CHARLES
BATTEUX:
LES
BEAUX-ARTS
REDUITS
D
UN
MEME
PRINCIPE
.
51
HEGEL
ON
THE
LYRIC
.
53
THE
RENAISSANCE
AND
FUROR
DIVINUS
.
55
THE
ROMANTIC
PARADIGM
.
56
NIETZSCHE
'
S
THE
BIRTH
OF
TRAGEDY
FROM
THE
SPIRIT
OF
MUSIC
.
59
THE
EMERGENCE
OF
THE
CONCEPT
OF
LYRISCHES
ICH
.
60
CHAPTER
6
THE
LYRIC
SUBJECT
IN
MODERN
LITERARY
THEORY
.
63
THE
LYRIC
SUBJECT
IN
THE
LOGIC
OF
LITERATURE
BY
K.
HAMBURGER
(A
REVISED
READING)
.
63
THE
LYRIC
AND
THE
LYRIC
SUBJECT
.
65
KARLHEINZ
STIERLE:
THE
IDENTITY
OF
DISCOURSE
AND
THE
TRANSGRESSIVITY
OF
THE
LYRIC
AND
ITS
SUBJECT
.
71
ANTHONY
EASTHOPE
'
S
POETRY
AS
DISCOURSE
.
73
PROCEEDINGS
ON
THE
LYRIC
SUBJECT
IN
THE
FRANCOPHONE
WORLD
.
75
TRANSGENERIC
NARRATOLOGICAL
APPROACHES
IN
THE
ENGLISH
AND
GERMAN-SPEAKING
WORLDS
.
77
THE
LYRIC
SUBJECT
IN
SLOVENIAN
LITERARY
STUDIES:
JANKO
KOS
.
79
CHAPTER
7
MODERN
VIEWS
ON
THE
SUBJECT
OF
THE
POEM
.
83
THE
PHENOMENOLOGY
OF
THE
AFFECTIVE:
THE
POETIC
SUBJECT
AS
AN
AFFECTIVE-PATHIC
SUBJECT
.
84
EMIL
STAIGER
.
84
ANTONIO
RODRIGUEZ:
A
SYNTHESIS
OF
PHENOMENOLOGIES
OF
THE
AFFECTIVE
.
85
SENSING,
FLESH,
STIMMUNG
.
86
JULIA
KRISTEVA
'
S
SEMANALYSIS:
THE
PROCESS
OF
SIGNIFYING
THE
PROCESS
OF
THE
SUBJECT
.
88
FROM
THE
SIGN
TO
THE
TEXT
AS
AN
ACTIVITY
OF
SIGNIFYING
.
88
THE
SUBJECT-IN-PROCESS:
THE
FRAGMENTATION
OF
THE
UNITARY
SUBJECT
.
89
SEMIOTIC
CHORA,
SEMIOTIC,
THETIC,
AND
SYMBOLIC
.
90
THE
GENOTEXT
AND
THE
PHENOTEXT
.
92
A
FINAL
NOTE
ON
KRISTEVA
'
S
SEMANALYSIS
.
93
PART
III
CHAPTER
8
THE
PROCESS
OF
THE
TEXT
AND
SUBJECTIFYING:
AN
INITIAL
SKETCH
.
97
CHAPTER
9
RICOEUR
'
S
DIALECTIC
OF
IPSE
AND
IDEM
IN
THE
LYRIC
PERSONA
.
103
CHAPTER
10
A
REREADING
OF
BAKHTIN
'
S
THESES
ABOUT
POETRY
.
ILL
CHAPTER
11
DUCROT
'
S
POLYPHONIC
THEORY
OF
ENUNCIATION
.
121
CHAPTER
12
BENVENISTE:
SUBJECTIFYING
IN
LANGUAGE
.
127
BENVENISTE
'
S
NOTES
ABOUT
BAUDELAIRE
AS
THE
BEGINNINGS
OF
HIS
THEORY
OF
POETIC
LANGUAGE
.
130
CHAPTER
13
HENRI
MESCHONNIC
'
S
POETICS
OF
DISCOURSE
.
135
REFERENCES
OF
THE
POETICS
OF
DISCOURSE
.
137
CRITIQUE
OF
THE
LINGUISTIC
SIGN:
SIGNIFIANCE,
MULTIPLE
SIGNIFIER,
RECITATIVE,
CONTINUOUS,
HISTORICITY
.
139
THE
RECONCEPTUALIZATION
OF
RHYTHM
.
141
THE
SUBJECT
IN
THE
POETICS
OF
DISCOURSE
.
143
THE
TRANSSUBJECT
AS
A
SPACE
OF
INDIVIDUAL
AND
COLLECTIVE
DIALOGIC
SUBJECTIVATION
.
146
CONCLUSION
.
148
CHAPTER
14
THE
NONEGOLOGICAL
THEORIES
OF
THE
INDIVIDUAL
.
151
THE
INDIVIDUAL
.
152
IMMEDIATE
CONSCIOUSNESS
.
154
PARALLELS
BETWEEN
BENVENISTE
'
S
LINGUISTICS
OF
DISCOURSE
AND
MESCHONNIC
'
S
POETICS
OF
DISCOURSE
AND
NONEGOLOGICAL
THEORIES
.
158
SCHLEIERMACHER'S
STYLE
AND
PREREFLEXIVE
CONSCIOUSNESS
.
163
THE
PREREFLEXIVE
AND
REFLEXIVE
IN
(POETIC)
DISCOURSE
.
165
PART
IV
CHAPTER
15
THE
POETIC
SUBJECT
AND
SUBJECT
CONFIGURATION
OF
THE
POEM
.
173
CHAPTER
16
CASE
STUDY
1:
THE
POETIC
SUBJECT
IN
TROUBADOUR
POETRY
.
177
REFERENCE
WORKS
ABOUT
THE
SUBJECT
IN
TROUBADOUR
POETRY
.
177
ELEMENTS
OF
SUBJECTIVATION
IN
MEDIEVAL
PHILOSOPHY
.
180
THE
LYRIC
PERSONA
AND
INTERTEXTUALITY
.
182
THE
LEVEL
OF
ENUNCIATION
AND
THE
ENOUNCED;
METAPOEM,
PERFORMATIVE
.
187
THE
ORCHESTRATION
OF
FOCALIZATIONS
AND
VOICES
.
191
MEANING-MAKING
IN
ENUNCIATION:
FORM-MEANING
BODY-SUBJECT
.
201
THE
INTERTWINEMENT
OF
POEMS
AND
MUSIC:
THE
MELODIC
SUBJECT,
THE
COLLECTIVE
SUBJECT
.
205
CONCLUSION
.
206
CHAPTER
17
CASE
STUDY
2:
ANALYSIS
OF
THE
POETIC
SUBJECT
IN
HENRI
MICHAUX
'
S
POEM
"
THE
SLOWED
DOWN
"
.
209
THE
MATRIX
OF
MICHAUX
'
S
FEMALE
POETICS
.
209
BETWEEN
THE
FULLNESS
AND
EMPTINESS
OF
THE
EGO
.
210
FLOW,
FUSION,
DIVISION:
THE
SUBJECT
OF
THE
ENOUNCED
AND
FOCALIZATIONS
.
213
ENUNCIATION
.
217
COHERENCE:
ISOTOPIES
.
220
RECITATIVE
IN
"
THE
SLOWED
DOWN
"
.
221
RHYTHM
AND
SEMANTIC
PROSODY
.
221
ACCENTUAL
RHYTHM
.
223
SEMANTIC
PROSODY
.
225
CONCLUSION
.
231
CHAPTER
18
RECAPITULATION
AND
SYSTEMATIZATION
OF
SUBJECT
CONFIGURATION
.
233
LEVEL
OF
TEXT
ORGANIZATION:
THE
TEXTUAL
SUBJECT,
RECITATIVE
.
236
THE
DIMENSION
OF
ENUNCIATION
AS
THE
MEDIATIVE
DIMENSION
OF
THE
STORYWORLD:
THE
SUBJECT
OF
ENUNCIATION
240
THE
LEVEL
OF
THE
STORYWORLD
AND
THE
ENOUNCED:
THE
LYRIC
PERSONA,
FOCAL
POINTS
OF
SUBJECTIVITY
.
243
PERSPECTIVE
AND
FOCALIZATION
.
244
ADDITIONAL
PARAMETERS
IN
THE
ESTABLISHMENT
AND
ANALYSIS
OF
SUBJECT
CONFIGURATION
.
247
DIMENSIONS
OF
DISCURSIVE
SITUATIONS
.
247
PERSONAL
PRONOUNS
.
:
.
248
TEMPORALITY
.
250
TEMPORAL
AND
SPATIAL
DEICTICS
.
251
APPENDIX
I
HENRI
MICHAUX:
"LA
RALENTIE
"
.
253
HENRI
MICHAUX:
"
THE
SLOWED
DOWN
"
.
259
APPENDIX
II
BASIC
SCHEMA
OF
THE
SUBJECT
CONFIGURATION
.
267
SUBJECT
CONFIGURATION
IN
THE
POEM
.
270
PERSPECTIVES
AND
FOCALIZATIONS
.
274
BIBLIOGRAPHY
.
277
INDEX
OF
SUBJECTS
.
291
INDEX
OF
NAMES
.
301 |
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| any_adam_object_boolean | 1 |
| author | Balžalorsky Antić, Varja 1979- |
| author2 | Debeljak, Erica Debeljak, Lukas |
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| author_role | aut |
| author_sort | Balžalorsky Antić, Varja 1979- |
| author_variant | a v b av avb |
| building | Verbundindex |
| bvnumber | BV048807788 |
| ctrlnum | (OCoLC)1313916246 (DE-599)DNB1256567418 |
| dewey-full | 808.1 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.1 |
| dewey-search | 808.1 |
| dewey-sort | 3808.1 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| format | Book |
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| id | DE-604.BV048807788 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:29:22Z |
| indexdate | 2024-07-10T09:46:31Z |
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| isbn | 9783631833636 3631833636 |
| language | English Slovenian |
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| physical | 305 Seiten 21 cm, 471 g |
| publishDate | 2022 |
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| publisher | Peter Lang |
| record_format | marc |
| series | Literary and cultural theory |
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| spelling | Balžalorsky Antić, Varja 1979- Verfasser (DE-588)1243210133 aut Lirski subjekt The lyric subject a reconceptualization Varja Balžalorsky Antić ; translated by: Erica and Lukas Debeljak Berlin ; Bern ; Bruxelles Peter Lang [2022] © 2022 305 Seiten 21 cm, 471 g txt rdacontent n rdamedia nc rdacarrier Literary and cultural theory volume 59 Lyrisches Ich (DE-588)4126561-0 gnd rswk-swf Lyrisches Ich (DE-588)4126561-0 s DE-604 Debeljak, Erica trl Debeljak, Lukas trl Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-87207-9 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-87208-6 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-87209-3 Literary and cultural theory volume 59 (DE-604)BV011655943 59 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=68d0b708a19d412da2d37f96ced6205c&prov=M&dok_var=1&dok_ext=htm Inhaltstext B:DE-101 application/pdf https://d-nb.info/1256567418/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034073798&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20230125 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Balžalorsky Antić, Varja 1979- The lyric subject a reconceptualization Literary and cultural theory Lyrisches Ich (DE-588)4126561-0 gnd |
| subject_GND | (DE-588)4126561-0 |
| title | The lyric subject a reconceptualization |
| title_alt | Lirski subjekt |
| title_auth | The lyric subject a reconceptualization |
| title_exact_search | The lyric subject a reconceptualization |
| title_exact_search_txtP | The lyric subject a reconceptualization |
| title_full | The lyric subject a reconceptualization Varja Balžalorsky Antić ; translated by: Erica and Lukas Debeljak |
| title_fullStr | The lyric subject a reconceptualization Varja Balžalorsky Antić ; translated by: Erica and Lukas Debeljak |
| title_full_unstemmed | The lyric subject a reconceptualization Varja Balžalorsky Antić ; translated by: Erica and Lukas Debeljak |
| title_short | The lyric subject |
| title_sort | the lyric subject a reconceptualization |
| title_sub | a reconceptualization |
| topic | Lyrisches Ich (DE-588)4126561-0 gnd |
| topic_facet | Lyrisches Ich |
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