Charleston on the Bauhaus roof:
"The world, Bertrand Russell wrote in 1935, has changed more 'in the last one hundred and fifty years than in the previous four thousand'. The nineteenth and early twentieth centuries brought an array of inventions that boosted the speed of transport and communication.Fast expanding t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amorica Uitgevers
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The world, Bertrand Russell wrote in 1935, has changed more 'in the last one hundred and fifty years than in the previous four thousand'. The nineteenth and early twentieth centuries brought an array of inventions that boosted the speed of transport and communication.Fast expanding technologies accelerated the pulse of artistic modification. Art moved in frantic tempo. Critics feared that the velocity of happenings was detrimental to the stability of civilization, but young and emerging artists grasped the new opportunities that motion opened up to them in the field of aesthetics.The term modernism refers to a succession of artistic movements that co-existed simultaneously, sometimes complementing but more frequently opposing one another, but they shared principles such as the dismissal of historicism; the rejection of Academic rules; a preference for experimentation; and an emphasis on technique and process. The modernist idea was announced in numerous manifestos that were diffused in a flow of 'little magazines'. Modernist art was spontaneous rather than 'programmed'.In a series of blog-like chapters the reader is invited to enter the cafés, restaurants, jazz clubs, cellars, bookshops, galleries, concert halls, ballet classes, publishing houses, sanatoria, boxing rings, brothels, and cinemas that inspired modernist thinking and revolutionized art. The main aim of the undertaking is to lay out a topography of modernism and pinpoint its psychological and physical infrastructure". |
| Beschreibung: | 398 Seiten 24 cm |
| ISBN: | 9789491039058 9491039059 |
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| 520 | 3 | |a "The world, Bertrand Russell wrote in 1935, has changed more 'in the last one hundred and fifty years than in the previous four thousand'. The nineteenth and early twentieth centuries brought an array of inventions that boosted the speed of transport and communication.Fast expanding technologies accelerated the pulse of artistic modification. Art moved in frantic tempo. Critics feared that the velocity of happenings was detrimental to the stability of civilization, but young and emerging artists grasped the new opportunities that motion opened up to them in the field of aesthetics.The term modernism refers to a succession of artistic movements that co-existed simultaneously, sometimes complementing but more frequently opposing one another, but they shared principles such as the dismissal of historicism; the rejection of Academic rules; a preference for experimentation; and an emphasis on technique and process. The modernist idea was announced in numerous manifestos that were diffused in a flow of 'little magazines'. Modernist art was spontaneous rather than 'programmed'.In a series of blog-like chapters the reader is invited to enter the cafés, restaurants, jazz clubs, cellars, bookshops, galleries, concert halls, ballet classes, publishing houses, sanatoria, boxing rings, brothels, and cinemas that inspired modernist thinking and revolutionized art. The main aim of the undertaking is to lay out a topography of modernism and pinpoint its psychological and physical infrastructure". | |
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Datensatz im Suchindex
| _version_ | 1804184880524820480 |
|---|---|
| adam_text | CHAPTERS
I?
PREFACE
19
TERMS AND CONDITIONS (INTRODUCTION)
28
CREATION VERSUS INVENTION - ROYAL ACADEMY
(LONDON)
32
FAUST AND FRANKENSTEIN REVISITED - FIRST OF TAY BRIDGE
(DUNDEE)
37
NERVES AND BICEPS - INSTITUTE OF PHYSICAL CULTURE
(LONDON)
44
THE URBANIZATION OF ART - PETIT GENNEVILLIERS
(LIE DE FRANCE)
50
ARTIST IN DEMOLITION - RUE DE LA MORTELLERIC
(PARIS)
55
PRIDE AND PUNISHMENT - EARLS COURT ROAD
(LONDON)
60
EXHIBITION OF REJECTS - RUE DES BATIGNOLLES
(PARIS)
66
THE DEATH MASK OF OLD PARIS - QUAI DU MARCHE-NEUF
(PARIS)
7
1
STRANDS OF MODERNISM - RUE MOSNIER & RUE MONTORGUEIL
(PARIS)
74
A DICTIONARY OF CLASSICAL QUOTATION - GROVE END ROAD
(LONDON)
79
CELEBRATING CITY LIFE - BOULEVARD DES ITALIENS
(PARIS)
86
CELEBRATING CITY LIFE - BOULEVARD DES ITALIENS
(PARIS)
91
COSMOPOLITANS AND PATRIOTS - PRINS HENDRIKKADE (AMSTERDAM)
95
THE MAN WHO ENTERED A HAREM - AVENUE ROAD
(LONDON)
IOI
BATTLE OF THE BUILDERS - EIFFEL TOWER
(PARIS)
106
PILGRIMS AND SLUMMERS - WHITECHAPEL
(LONDON)
114
BROTHELS OF ART - RUE DES MOULINS
(PARIS)
II8
BOHEMIA AND BUSINESS- BOULEVARD DE ROCHECHOUART
(PARIS)
121
CREATIVITY AND INFERIORITY - PROSPECT STREET
(GLOUCESTER, MASS)
STRANDGADE
(COPENHAGEN)
127
THE DIVINE RESTLESSNESS OF YOUTH - RUE METCALFE
(MONTREAL)
131
HOTEL DE PAIVA - CHAMPS-ELYSEES
(PARIS)
138
CENSOR BUSTERS - DEAN STREET
(LONDON)
141
EXPLOSIVE ANARCHISM - FITZROY SQUARE
(LONDON)
146
HOUSE OF HORROR - THEATRE DU GRAND-GUIGNOL
(PARIS)
150
A POCKET CATHEDRAL - UPPER MALL
(LONDON)
153
OF BOOKS AND BIKES - RUE THIEBAND
(MARLY-LE-ROI)
158
DOG AND DECO - NIPPER ALLEY
(LONDON)
163
TAHITIAN TATTOOS - MAISON-DU-JOUIR
(ATUONA)
171
MASKS OF MODERNISM - RUE RAVIGNAN
(PARIS)
176
THE SWEET SCIENCE OF BRUISING - REGENT STREET
(LONDON)
181
CABARET S GOLDEN CALF - HEDDON STREET
(LONDON)
183
THE END OF TOLERANCE - TOLERANZHAUS
(VIENNA)
188
KERSTEN & TUTEUR - LEIPZIGER STRASSE
(BERLIN)
192
CAFFE GIUBBE ROSSE - PIAZZA DELLA REPUBBLICA
(FLORENCE)
197
MODERNISM IN A BOTTLE - BOULEVARD SAINT-MICHEL
(PARIS)
202
JAMES JOYCE AND THE BERGSON BROTHERS - ORDNANCE ROAD
(LONDON)
208
MODERNISM AND NOSTALGIA - PLAZA DORREGO
(BUENOS AIRES)
213
TRAUMA AND CREATIVITY - SCHLOSS NIEDERSCHONHAUSEN
(BERLIN)
216
PLAYGROUND OF CRAZY EMOTIONS - SPIEGELGASSE
(ZURICH)
221
THE URBAN SOUNDSCAPE - LARGO GARIBALDI
(MODENA)
227
BLUE BOOKS AND BLUES - BASIN STREET
(NEW ORLEANS)
238
MOVE LIKE MONDRIAN - KORTE GALGEWATER
(LEIDEN)
242
THE MATTRESS OF MODERNISM - TAVISTOCK SQUARE
(LONDON)
247
THE TOMBSTONE OF ARCHITECTURE - MICHAELERPLATZ
(VIENNA)
252
THE SICKNESS OF THE WORLD - ZONNESTRAAL
(HILVERSUM)
257
THE AESTHETIC AND THERAPEUTIC - PROMENADE DES ANGL
(NICE)
261
CAVE OF HARMONY - CHENIES MEWS
(LONDON)
264
A MODERNIST PLOT - CHARING CROSS ROAD
(LONDON)
267
GRUBB GROUP - DEAN STREET
(LONDON)
271
THE PICASSO OF PRINTING - PEPERSTRAAT
(GRONINGEN)
278
JAZZ AND JONNY - STADTTHEATER
(LEIPZIG)
282
ART AND BRANDING - MORNINGTON CRESCENT
(LONDON)
286
PORN AND PANSIES- RED LION STREET
(LONDON)
290
GODDESS OF SPEED - VIA GATTAMELATA
(MILAN)
295
BLISS AND BLITZ - GERRARD STREET
(LONDON)
299
BLISS AND BLITZ - GERRARD STREET
(LONDON)
305
LITANY OF BITTERNESS - GEORGE STREET
(LONDON)
308
PORTRAIT OF THE ARTIST AS ACROBAT - CIRCUS-KRONE-BAU
(MUNICH)
315
BIBLE TO BIBENDUM - ROQUEBRUN
(MONACO)
318
CANNIBALS AND CARICATURES - VLAANDERENSTRAAT
(OSTEND)
323
BALLET AT BARONS COURT - TALGARTH ROAD
(LONDON)
328
WOMEN UNSHACKLED - RAMILLIES STREET
(LONDON)
333
MIGRANTS OF THE MIND - CECIL COURT
(LONDON)
338
A PILE OF DIRTY LINEN - WINTERGARTEN
(BERLIN)
342
A SONG AND DANCE - LAMBETH WALK
(LONDON)
345
THE URBAN CANVAS - CABLE STREET
(LONDON)
350
FLAG FRENZY - FIFTH AVENUE
(NEW YORK)
356
FITZROVIAN BOHEMIANS - RATHBONE PLACE
(LONDON)
360
BOOST, BASTE AND LAMBAST - AMERICAN COUNTRY CLUB OF FRANCE
(OZOIR-K FERRIERE)
3^5
CHARLESTON ON THE BAUHAUS ROOF
BAUHAUS SCHOOL
(DESSAU)
372
AGE OF MONSTERS - LOCH NESS
(INVERNESS)
380
SUMMARY
377
INDEX
381
|
| adam_txt |
CHAPTERS
I?
PREFACE
19
TERMS AND CONDITIONS (INTRODUCTION)
28
CREATION VERSUS INVENTION - ROYAL ACADEMY
(LONDON)
32
FAUST AND FRANKENSTEIN REVISITED - FIRST OF TAY BRIDGE
(DUNDEE)
37
NERVES AND BICEPS - INSTITUTE OF PHYSICAL CULTURE
(LONDON)
44
THE URBANIZATION OF ART - PETIT GENNEVILLIERS
(LIE DE FRANCE)
50
ARTIST IN DEMOLITION - RUE DE LA MORTELLERIC
(PARIS)
55
PRIDE AND PUNISHMENT - EARLS COURT ROAD
(LONDON)
60
EXHIBITION OF REJECTS - RUE DES BATIGNOLLES
(PARIS)
66
THE DEATH MASK OF OLD PARIS - QUAI DU MARCHE-NEUF
(PARIS)
7
1
STRANDS OF MODERNISM - RUE MOSNIER & RUE MONTORGUEIL
(PARIS)
74
A DICTIONARY OF CLASSICAL QUOTATION - GROVE END ROAD
(LONDON)
79
CELEBRATING CITY LIFE - BOULEVARD DES ITALIENS
(PARIS)
86
CELEBRATING CITY LIFE - BOULEVARD DES ITALIENS
(PARIS)
91
COSMOPOLITANS AND PATRIOTS - PRINS HENDRIKKADE (AMSTERDAM)
95
THE MAN WHO ENTERED A HAREM - AVENUE ROAD
(LONDON)
IOI
BATTLE OF THE BUILDERS - EIFFEL TOWER
(PARIS)
106
PILGRIMS AND SLUMMERS - WHITECHAPEL
(LONDON)
114
BROTHELS OF ART - RUE DES MOULINS
(PARIS)
II8
BOHEMIA AND BUSINESS- BOULEVARD DE ROCHECHOUART
(PARIS)
121
CREATIVITY AND INFERIORITY - PROSPECT STREET
(GLOUCESTER, MASS)
STRANDGADE
(COPENHAGEN)
127
THE DIVINE RESTLESSNESS OF YOUTH - RUE METCALFE
(MONTREAL)
131
HOTEL DE PAIVA - CHAMPS-ELYSEES
(PARIS)
138
CENSOR BUSTERS - DEAN STREET
(LONDON)
141
EXPLOSIVE ANARCHISM - FITZROY SQUARE
(LONDON)
146
HOUSE OF HORROR - THEATRE DU GRAND-GUIGNOL
(PARIS)
150
A POCKET CATHEDRAL - UPPER MALL
(LONDON)
153
OF BOOKS AND BIKES - RUE THIEBAND
(MARLY-LE-ROI)
158
DOG AND DECO - NIPPER ALLEY
(LONDON)
163
TAHITIAN TATTOOS - MAISON-DU-JOUIR
(ATUONA)
171
MASKS OF MODERNISM - RUE RAVIGNAN
(PARIS)
176
THE SWEET SCIENCE OF BRUISING - REGENT STREET
(LONDON)
181
CABARET'S GOLDEN CALF - HEDDON STREET
(LONDON)
183
THE END OF TOLERANCE - TOLERANZHAUS
(VIENNA)
188
KERSTEN & TUTEUR - LEIPZIGER STRASSE
(BERLIN)
192
CAFFE GIUBBE ROSSE - PIAZZA DELLA REPUBBLICA
(FLORENCE)
197
MODERNISM IN A BOTTLE - BOULEVARD SAINT-MICHEL
(PARIS)
202
JAMES JOYCE AND THE BERGSON BROTHERS - ORDNANCE ROAD
(LONDON)
208
MODERNISM AND NOSTALGIA - PLAZA DORREGO
(BUENOS AIRES)
213
TRAUMA AND CREATIVITY - SCHLOSS NIEDERSCHONHAUSEN
(BERLIN)
216
PLAYGROUND OF CRAZY EMOTIONS - SPIEGELGASSE
(ZURICH)
221
THE URBAN SOUNDSCAPE - LARGO GARIBALDI
(MODENA)
227
BLUE BOOKS AND BLUES - BASIN STREET
(NEW ORLEANS)
238
MOVE LIKE MONDRIAN - KORTE GALGEWATER
(LEIDEN)
242
THE MATTRESS OF MODERNISM - TAVISTOCK SQUARE
(LONDON)
247
THE TOMBSTONE OF ARCHITECTURE - MICHAELERPLATZ
(VIENNA)
252
THE SICKNESS OF THE WORLD - ZONNESTRAAL
(HILVERSUM)
257
THE AESTHETIC AND THERAPEUTIC - PROMENADE DES ANGL
(NICE)
261
CAVE OF HARMONY - CHENIES MEWS
(LONDON)
264
A MODERNIST PLOT - CHARING CROSS ROAD
(LONDON)
267
GRUBB GROUP - DEAN STREET
(LONDON)
271
THE PICASSO OF PRINTING - PEPERSTRAAT
(GRONINGEN)
278
JAZZ AND JONNY - STADTTHEATER
(LEIPZIG)
282
ART AND BRANDING - MORNINGTON CRESCENT
(LONDON)
286
PORN AND PANSIES- RED LION STREET
(LONDON)
290
GODDESS OF SPEED - VIA GATTAMELATA
(MILAN)
295
BLISS AND BLITZ - GERRARD STREET
(LONDON)
299
BLISS AND BLITZ - GERRARD STREET
(LONDON)
305
LITANY OF BITTERNESS - GEORGE STREET
(LONDON)
308
PORTRAIT OF THE ARTIST AS ACROBAT - CIRCUS-KRONE-BAU
(MUNICH)
315
BIBLE TO BIBENDUM - ROQUEBRUN
(MONACO)
318
CANNIBALS AND CARICATURES - VLAANDERENSTRAAT
(OSTEND)
323
BALLET AT BARONS COURT - TALGARTH ROAD
(LONDON)
328
WOMEN UNSHACKLED - RAMILLIES STREET
(LONDON)
333
MIGRANTS OF THE MIND - CECIL COURT
(LONDON)
338
A PILE OF DIRTY LINEN - WINTERGARTEN
(BERLIN)
342
A SONG AND DANCE - LAMBETH WALK
(LONDON)
345
THE URBAN CANVAS - CABLE STREET
(LONDON)
350
FLAG FRENZY - FIFTH AVENUE
(NEW YORK)
356
FITZROVIAN BOHEMIANS - RATHBONE PLACE
(LONDON)
360
BOOST, BASTE AND LAMBAST - AMERICAN COUNTRY CLUB OF FRANCE
(OZOIR-K' FERRIERE)
3^5
CHARLESTON ON THE BAUHAUS ROOF
BAUHAUS SCHOOL
(DESSAU)
372
AGE OF MONSTERS - LOCH NESS
(INVERNESS)
380
SUMMARY
377
INDEX
381 |
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| author | Harskamp, Jacob Teunis 1946- |
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| author_sort | Harskamp, Jacob Teunis 1946- |
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| id | DE-604.BV048803637 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:28:35Z |
| indexdate | 2024-07-10T09:46:22Z |
| institution | BVB |
| isbn | 9789491039058 9491039059 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034069720 |
| oclc_num | 1369564953 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 398 Seiten 24 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Amorica Uitgevers |
| record_format | marc |
| spelling | Harskamp, Jacob Teunis 1946- Verfasser (DE-588)153138246 aut Charleston on the Bauhaus roof by Jaap Harskamp Amsterdam Amorica Uitgevers 2022 398 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier "The world, Bertrand Russell wrote in 1935, has changed more 'in the last one hundred and fifty years than in the previous four thousand'. The nineteenth and early twentieth centuries brought an array of inventions that boosted the speed of transport and communication.Fast expanding technologies accelerated the pulse of artistic modification. Art moved in frantic tempo. Critics feared that the velocity of happenings was detrimental to the stability of civilization, but young and emerging artists grasped the new opportunities that motion opened up to them in the field of aesthetics.The term modernism refers to a succession of artistic movements that co-existed simultaneously, sometimes complementing but more frequently opposing one another, but they shared principles such as the dismissal of historicism; the rejection of Academic rules; a preference for experimentation; and an emphasis on technique and process. The modernist idea was announced in numerous manifestos that were diffused in a flow of 'little magazines'. Modernist art was spontaneous rather than 'programmed'.In a series of blog-like chapters the reader is invited to enter the cafés, restaurants, jazz clubs, cellars, bookshops, galleries, concert halls, ballet classes, publishing houses, sanatoria, boxing rings, brothels, and cinemas that inspired modernist thinking and revolutionized art. The main aim of the undertaking is to lay out a topography of modernism and pinpoint its psychological and physical infrastructure". Geschichte 1840-1950 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Künste (DE-588)4033422-3 s Moderne (DE-588)4039827-4 s Geschichte 1840-1950 z DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034069720&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Harskamp, Jacob Teunis 1946- Charleston on the Bauhaus roof Moderne (DE-588)4039827-4 gnd Künste (DE-588)4033422-3 gnd |
| subject_GND | (DE-588)4039827-4 (DE-588)4033422-3 |
| title | Charleston on the Bauhaus roof |
| title_auth | Charleston on the Bauhaus roof |
| title_exact_search | Charleston on the Bauhaus roof |
| title_exact_search_txtP | Charleston on the Bauhaus roof |
| title_full | Charleston on the Bauhaus roof by Jaap Harskamp |
| title_fullStr | Charleston on the Bauhaus roof by Jaap Harskamp |
| title_full_unstemmed | Charleston on the Bauhaus roof by Jaap Harskamp |
| title_short | Charleston on the Bauhaus roof |
| title_sort | charleston on the bauhaus roof |
| topic | Moderne (DE-588)4039827-4 gnd Künste (DE-588)4033422-3 gnd |
| topic_facet | Moderne Künste |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034069720&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT harskampjacobteunis charlestononthebauhausroof |