Caught in-between: intermediality in contemporary Eastern European and Russian cinema
Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike Sera. -- S. 147-162: Trauma, memori...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2020]
© 2020 |
| Schriftenreihe: | Edinburgh studies in film and intermediality
|
| Zusammenfassung: | Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike Sera. -- S. 147-162: Trauma, memorialisation and intermediality in Jasmila Žbanić's For those who can tell no tales / Katalin Sándor. -- S. 163-184: An immersive theatrical journey through media and time in Alexander Sokurov's Russian ark / Fátima Chinita. -- S. 185-202: The real and the internedial in Alexander Sokurov's family trilogy / Malgorzata Bugaj. -- S. 203-218: This is not Magritte: Corneliu Porumboiu's theory of representation / Zsolt Gyenge |
| Beschreibung: | xii, 260 Seiten Illustrationen |
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| index_date | 2024-07-03T22:57:18Z |
| indexdate | 2024-07-10T10:04:32Z |
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| spelling | Caught in-between intermediality in contemporary Eastern European and Russian cinema edited by Ágnes Pethő Edinburgh Edinburgh University Press [2020] © 2020 xii, 260 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Edinburgh studies in film and intermediality Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike Sera. -- S. 147-162: Trauma, memorialisation and intermediality in Jasmila Žbanić's For those who can tell no tales / Katalin Sándor. -- S. 163-184: An immersive theatrical journey through media and time in Alexander Sokurov's Russian ark / Fátima Chinita. -- S. 185-202: The real and the internedial in Alexander Sokurov's family trilogy / Malgorzata Bugaj. -- S. 203-218: This is not Magritte: Corneliu Porumboiu's theory of representation / Zsolt Gyenge Pethö, Ágnes edt |
| spellingShingle | Caught in-between intermediality in contemporary Eastern European and Russian cinema |
| title | Caught in-between intermediality in contemporary Eastern European and Russian cinema |
| title_auth | Caught in-between intermediality in contemporary Eastern European and Russian cinema |
| title_exact_search | Caught in-between intermediality in contemporary Eastern European and Russian cinema |
| title_exact_search_txtP | Caught in-between intermediality in contemporary Eastern European and Russian cinema |
| title_full | Caught in-between intermediality in contemporary Eastern European and Russian cinema edited by Ágnes Pethő |
| title_fullStr | Caught in-between intermediality in contemporary Eastern European and Russian cinema edited by Ágnes Pethő |
| title_full_unstemmed | Caught in-between intermediality in contemporary Eastern European and Russian cinema edited by Ágnes Pethő |
| title_short | Caught in-between |
| title_sort | caught in between intermediality in contemporary eastern european and russian cinema |
| title_sub | intermediality in contemporary Eastern European and Russian cinema |
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