Performing Memories: Media, Creation, Anthropology, and Remembrance
What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle-upon-Tyne
Cambridge Scholars Publisher
2021
©2021 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed |
| Beschreibung: | 1 online resource (439 pages) |
| ISBN: | 9781527568921 |
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| 505 | 0 | |a Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-201 -- Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room -- Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and So | |
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| contents | Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-201 -- Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room -- Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and So |
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| spelling | Biotti, Gabriele Verfasser aut Performing Memories Media, Creation, Anthropology, and Remembrance Newcastle-upon-Tyne Cambridge Scholars Publisher 2021 ©2021 1 online resource (439 pages) txt rdacontent c rdamedia cr rdacarrier Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-201 -- Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room -- Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and So What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed |
| spellingShingle | Biotti, Gabriele Performing Memories Media, Creation, Anthropology, and Remembrance Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-201 -- Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room -- Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and So |
| title | Performing Memories Media, Creation, Anthropology, and Remembrance |
| title_auth | Performing Memories Media, Creation, Anthropology, and Remembrance |
| title_exact_search | Performing Memories Media, Creation, Anthropology, and Remembrance |
| title_exact_search_txtP | Performing Memories Media, Creation, Anthropology, and Remembrance |
| title_full | Performing Memories Media, Creation, Anthropology, and Remembrance |
| title_fullStr | Performing Memories Media, Creation, Anthropology, and Remembrance |
| title_full_unstemmed | Performing Memories Media, Creation, Anthropology, and Remembrance |
| title_short | Performing Memories |
| title_sort | performing memories media creation anthropology and remembrance |
| title_sub | Media, Creation, Anthropology, and Remembrance |
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