Exploring Seriality on Screen: Audiovisual Narratives in Film and Television
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Milton
Taylor & Francis Group
2020
©2021 |
Online-Zugang: | FKWA1 |
Beschreibung: | 1 online resource (285 pages) |
ISBN: | 9781000201253 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048727254 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 231022s2020 |||| o||u| ||||||eng d | ||
020 | |a 9781000201253 |9 9781000201253 | ||
035 | |a (DE-599)BVBBV048727254 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-Po75 | ||
100 | 1 | |a Hudelet, Ariane |e Verfasser |4 aut | |
245 | 1 | 0 | |a Exploring Seriality on Screen |b Audiovisual Narratives in Film and Television |
264 | 1 | |a Milton |b Taylor & Francis Group |c 2020 | |
264 | 1 | |c ©2021 | |
300 | |a 1 online resource (285 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
505 | 0 | |a Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Acknowledgments -- List of Contributors -- Introductio -- Cinematic, Televisual, or Post-Serialities -- Part I: Serial Specificities -- 1.1 Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 -- 1.2 Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions -- 1.3 The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age -- Part II: Marketing Seriality -- 2.1 A Forgotten Episode in the History of Hollywood Cinema, Television, and Seriality: The Case of the Mirisch Company -- 2.2 Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images -- 2.3 Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle -- Part III: Seriality and the Cinematic/Televisual Convergence -- 3.1 The (Re)Making of a Serial Killer: Replaying, "Preplaying," | |
700 | 1 | |a Crémieux, Anne |e Sonstige |4 oth | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034671435 | ||
966 | e | |u https://ebookcentral.proquest.com/lib/filmuniversitaet/detail.action?docID=6319837 |x Aggregator |3 Volltext |l FKWA1 |
Datensatz im Suchindex
_version_ | 1804186017800912896 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Hudelet, Ariane |
author_facet | Hudelet, Ariane |
author_role | aut |
author_sort | Hudelet, Ariane |
author_variant | a h ah |
building | Verbundindex |
bvnumber | BV048727254 |
contents | Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Acknowledgments -- List of Contributors -- Introductio -- Cinematic, Televisual, or Post-Serialities -- Part I: Serial Specificities -- 1.1 Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 -- 1.2 Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions -- 1.3 The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age -- Part II: Marketing Seriality -- 2.1 A Forgotten Episode in the History of Hollywood Cinema, Television, and Seriality: The Case of the Mirisch Company -- 2.2 Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images -- 2.3 Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle -- Part III: Seriality and the Cinematic/Televisual Convergence -- 3.1 The (Re)Making of a Serial Killer: Replaying, "Preplaying," |
ctrlnum | (DE-599)BVBBV048727254 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01936nmm a2200289zc 4500</leader><controlfield tag="001">BV048727254</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231022s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781000201253</subfield><subfield code="9">9781000201253</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048727254</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hudelet, Ariane</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Exploring Seriality on Screen</subfield><subfield code="b">Audiovisual Narratives in Film and Television</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Milton</subfield><subfield code="b">Taylor & Francis Group</subfield><subfield code="c">2020</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (285 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Acknowledgments -- List of Contributors -- Introductio -- Cinematic, Televisual, or Post-Serialities -- Part I: Serial Specificities -- 1.1 Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 -- 1.2 Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions -- 1.3 The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age -- Part II: Marketing Seriality -- 2.1 A Forgotten Episode in the History of Hollywood Cinema, Television, and Seriality: The Case of the Mirisch Company -- 2.2 Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images -- 2.3 Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle -- Part III: Seriality and the Cinematic/Televisual Convergence -- 3.1 The (Re)Making of a Serial Killer: Replaying, "Preplaying,"</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Crémieux, Anne</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034671435</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/filmuniversitaet/detail.action?docID=6319837</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield><subfield code="l">FKWA1</subfield></datafield></record></collection> |
id | DE-604.BV048727254 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:57:12Z |
indexdate | 2024-07-10T10:04:27Z |
institution | BVB |
isbn | 9781000201253 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034671435 |
open_access_boolean | |
owner | DE-Po75 |
owner_facet | DE-Po75 |
physical | 1 online resource (285 pages) |
publishDate | 2020 2021 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Taylor & Francis Group |
record_format | marc |
spelling | Hudelet, Ariane Verfasser aut Exploring Seriality on Screen Audiovisual Narratives in Film and Television Milton Taylor & Francis Group 2020 ©2021 1 online resource (285 pages) txt rdacontent c rdamedia cr rdacarrier Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Acknowledgments -- List of Contributors -- Introductio -- Cinematic, Televisual, or Post-Serialities -- Part I: Serial Specificities -- 1.1 Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 -- 1.2 Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions -- 1.3 The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age -- Part II: Marketing Seriality -- 2.1 A Forgotten Episode in the History of Hollywood Cinema, Television, and Seriality: The Case of the Mirisch Company -- 2.2 Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images -- 2.3 Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle -- Part III: Seriality and the Cinematic/Televisual Convergence -- 3.1 The (Re)Making of a Serial Killer: Replaying, "Preplaying," Crémieux, Anne Sonstige oth |
spellingShingle | Hudelet, Ariane Exploring Seriality on Screen Audiovisual Narratives in Film and Television Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Acknowledgments -- List of Contributors -- Introductio -- Cinematic, Televisual, or Post-Serialities -- Part I: Serial Specificities -- 1.1 Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008 -- 1.2 Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions -- 1.3 The Cinematic-Televisual: Rethinking Medium Specificity in Television's New Golden Age -- Part II: Marketing Seriality -- 2.1 A Forgotten Episode in the History of Hollywood Cinema, Television, and Seriality: The Case of the Mirisch Company -- 2.2 Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images -- 2.3 Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle -- Part III: Seriality and the Cinematic/Televisual Convergence -- 3.1 The (Re)Making of a Serial Killer: Replaying, "Preplaying," |
title | Exploring Seriality on Screen Audiovisual Narratives in Film and Television |
title_auth | Exploring Seriality on Screen Audiovisual Narratives in Film and Television |
title_exact_search | Exploring Seriality on Screen Audiovisual Narratives in Film and Television |
title_exact_search_txtP | Exploring Seriality on Screen Audiovisual Narratives in Film and Television |
title_full | Exploring Seriality on Screen Audiovisual Narratives in Film and Television |
title_fullStr | Exploring Seriality on Screen Audiovisual Narratives in Film and Television |
title_full_unstemmed | Exploring Seriality on Screen Audiovisual Narratives in Film and Television |
title_short | Exploring Seriality on Screen |
title_sort | exploring seriality on screen audiovisual narratives in film and television |
title_sub | Audiovisual Narratives in Film and Television |
work_keys_str_mv | AT hudeletariane exploringserialityonscreenaudiovisualnarrativesinfilmandtelevision AT cremieuxanne exploringserialityonscreenaudiovisualnarrativesinfilmandtelevision |