Classics and Media Theory:
Introducing a largely neglected area of existing interactions between Greco-Roman antiquity and media theory, this volume brings together a range of interdisciplinary studies to address the question of why interactions in this area matter and how they might be developed further
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press USA - OSO
2020
©2020 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | Introducing a largely neglected area of existing interactions between Greco-Roman antiquity and media theory, this volume brings together a range of interdisciplinary studies to address the question of why interactions in this area matter and how they might be developed further |
| Beschreibung: | 1 online resource (382 pages) |
| ISBN: | 9780192584885 |
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| 505 | 0 | |a Cover -- Classics and Media Theory -- Copyright -- Preface -- Contents -- List of Figures -- List of Contributors -- Chapter -- Introduction: Classical Antiquity, Media Histories, Media Theories -- 1.1. What Do Media Do -- 1.2. Transmission and Perception -- 1.3 Classical Studies and Media Studies -- 1.4 Classics in Media Theory -- 1.5. Media Theory in Classics -- 1.6. This Volume -- Chapter 2: Friedrich Kittler's Alphabetic Realism -- 2.1. Is Kittler Really a Media Materialist? -- 2.2. . . . or Is he not Rather a Realist? -- 2.3. The Changing Concept of Media -- 2.4. How Kittler's Media Marginalism Came About -- 2.5 Reality Is in the Letters -- 2.6. The Alphabet: A 'Pure' Medium to 'Sharpen our Senses' -- 2.7. The Perfect Telephone for Language -- 2.8. Kittler's Realism and the 'Reality' of Greece -- Chapter 3: The Seal of Polycrates: A Discourse on Discourse Channel Conditions -- 3.1. The Seal as Medium -- 3.2. Polycrates and the (Meta)physics of Seals -- 3.3. Sphragistic Recursio | |
| 505 | 0 | |a 6.4. What does 'through another' Mean? -- 6.5. Can Touch and Taste have a Medium? -- 6.6 Media as Field Transformers -- 6.7 Mediacy as the Capacity of Taking Form -- Chapter -- The Fable of Arachne: Underweavings of Tactile Mediality -- 7.1. Subtextilis -- 7.2. The Precarious Mediality of the Sense of Touch -- 7.3. Against an Anthropology of Capacity -- 7.4. Teletactility -- 7.5. Antennae -- Chapter 8: The Shards of Zadar: A (Meta-)Archaeology of Cinema -- 8.1. Archaeologies -- 8.2. Ancient Cinema -- 8.3. Ein Stein on the Beach -- 8.4. Coda: The 'Rationality' of Capitalism -- Chapter 9: Parrhasius' Curtain, or, a Media Archaeology of a Metapainting -- 9.1. Ancient Tricks, Modern Gimmicks -- 9.2. Forms of Deception -- 9.3. Drawing a Blank -- 9.4. Angles of Vision -- Chapter 10: White NoiseL Transmitting and Receiving Ancient Elegy -- 10.1. Introduction -- 10.2. In the Beginning: Greek and Hellenistic Elegy -- 10.3. In the Middle: Roman Elegy -- 10.4. In the End: White Noise -- Chapte | |
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Datensatz im Suchindex
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| contents | Cover -- Classics and Media Theory -- Copyright -- Preface -- Contents -- List of Figures -- List of Contributors -- Chapter -- Introduction: Classical Antiquity, Media Histories, Media Theories -- 1.1. What Do Media Do -- 1.2. Transmission and Perception -- 1.3 Classical Studies and Media Studies -- 1.4 Classics in Media Theory -- 1.5. Media Theory in Classics -- 1.6. This Volume -- Chapter 2: Friedrich Kittler's Alphabetic Realism -- 2.1. Is Kittler Really a Media Materialist? -- 2.2. . . . or Is he not Rather a Realist? -- 2.3. The Changing Concept of Media -- 2.4. How Kittler's Media Marginalism Came About -- 2.5 Reality Is in the Letters -- 2.6. The Alphabet: A 'Pure' Medium to 'Sharpen our Senses' -- 2.7. The Perfect Telephone for Language -- 2.8. Kittler's Realism and the 'Reality' of Greece -- Chapter 3: The Seal of Polycrates: A Discourse on Discourse Channel Conditions -- 3.1. The Seal as Medium -- 3.2. Polycrates and the (Meta)physics of Seals -- 3.3. Sphragistic Recursio 6.4. What does 'through another' Mean? -- 6.5. Can Touch and Taste have a Medium? -- 6.6 Media as Field Transformers -- 6.7 Mediacy as the Capacity of Taking Form -- Chapter -- The Fable of Arachne: Underweavings of Tactile Mediality -- 7.1. Subtextilis -- 7.2. The Precarious Mediality of the Sense of Touch -- 7.3. Against an Anthropology of Capacity -- 7.4. Teletactility -- 7.5. Antennae -- Chapter 8: The Shards of Zadar: A (Meta-)Archaeology of Cinema -- 8.1. Archaeologies -- 8.2. Ancient Cinema -- 8.3. Ein Stein on the Beach -- 8.4. Coda: The 'Rationality' of Capitalism -- Chapter 9: Parrhasius' Curtain, or, a Media Archaeology of a Metapainting -- 9.1. Ancient Tricks, Modern Gimmicks -- 9.2. Forms of Deception -- 9.3. Drawing a Blank -- 9.4. Angles of Vision -- Chapter 10: White NoiseL Transmitting and Receiving Ancient Elegy -- 10.1. Introduction -- 10.2. In the Beginning: Greek and Hellenistic Elegy -- 10.3. In the Middle: Roman Elegy -- 10.4. In the End: White Noise -- Chapte |
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| id | DE-604.BV048727237 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:57:12Z |
| indexdate | 2024-07-10T10:04:27Z |
| institution | BVB |
| isbn | 9780192584885 |
| language | English |
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| publisher | Oxford University Press USA - OSO |
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| spelling | Michelakis, Pantelis Verfasser aut Classics and Media Theory Oxford Oxford University Press USA - OSO 2020 ©2020 1 online resource (382 pages) txt rdacontent c rdamedia cr rdacarrier Cover -- Classics and Media Theory -- Copyright -- Preface -- Contents -- List of Figures -- List of Contributors -- Chapter -- Introduction: Classical Antiquity, Media Histories, Media Theories -- 1.1. What Do Media Do -- 1.2. Transmission and Perception -- 1.3 Classical Studies and Media Studies -- 1.4 Classics in Media Theory -- 1.5. Media Theory in Classics -- 1.6. This Volume -- Chapter 2: Friedrich Kittler's Alphabetic Realism -- 2.1. Is Kittler Really a Media Materialist? -- 2.2. . . . or Is he not Rather a Realist? -- 2.3. The Changing Concept of Media -- 2.4. How Kittler's Media Marginalism Came About -- 2.5 Reality Is in the Letters -- 2.6. The Alphabet: A 'Pure' Medium to 'Sharpen our Senses' -- 2.7. The Perfect Telephone for Language -- 2.8. Kittler's Realism and the 'Reality' of Greece -- Chapter 3: The Seal of Polycrates: A Discourse on Discourse Channel Conditions -- 3.1. The Seal as Medium -- 3.2. Polycrates and the (Meta)physics of Seals -- 3.3. Sphragistic Recursio 6.4. What does 'through another' Mean? -- 6.5. Can Touch and Taste have a Medium? -- 6.6 Media as Field Transformers -- 6.7 Mediacy as the Capacity of Taking Form -- Chapter -- The Fable of Arachne: Underweavings of Tactile Mediality -- 7.1. Subtextilis -- 7.2. The Precarious Mediality of the Sense of Touch -- 7.3. Against an Anthropology of Capacity -- 7.4. Teletactility -- 7.5. Antennae -- Chapter 8: The Shards of Zadar: A (Meta-)Archaeology of Cinema -- 8.1. Archaeologies -- 8.2. Ancient Cinema -- 8.3. Ein Stein on the Beach -- 8.4. Coda: The 'Rationality' of Capitalism -- Chapter 9: Parrhasius' Curtain, or, a Media Archaeology of a Metapainting -- 9.1. Ancient Tricks, Modern Gimmicks -- 9.2. Forms of Deception -- 9.3. Drawing a Blank -- 9.4. Angles of Vision -- Chapter 10: White NoiseL Transmitting and Receiving Ancient Elegy -- 10.1. Introduction -- 10.2. In the Beginning: Greek and Hellenistic Elegy -- 10.3. In the Middle: Roman Elegy -- 10.4. In the End: White Noise -- Chapte Introducing a largely neglected area of existing interactions between Greco-Roman antiquity and media theory, this volume brings together a range of interdisciplinary studies to address the question of why interactions in this area matter and how they might be developed further |
| spellingShingle | Michelakis, Pantelis Classics and Media Theory Cover -- Classics and Media Theory -- Copyright -- Preface -- Contents -- List of Figures -- List of Contributors -- Chapter -- Introduction: Classical Antiquity, Media Histories, Media Theories -- 1.1. What Do Media Do -- 1.2. Transmission and Perception -- 1.3 Classical Studies and Media Studies -- 1.4 Classics in Media Theory -- 1.5. Media Theory in Classics -- 1.6. This Volume -- Chapter 2: Friedrich Kittler's Alphabetic Realism -- 2.1. Is Kittler Really a Media Materialist? -- 2.2. . . . or Is he not Rather a Realist? -- 2.3. The Changing Concept of Media -- 2.4. How Kittler's Media Marginalism Came About -- 2.5 Reality Is in the Letters -- 2.6. The Alphabet: A 'Pure' Medium to 'Sharpen our Senses' -- 2.7. The Perfect Telephone for Language -- 2.8. Kittler's Realism and the 'Reality' of Greece -- Chapter 3: The Seal of Polycrates: A Discourse on Discourse Channel Conditions -- 3.1. The Seal as Medium -- 3.2. Polycrates and the (Meta)physics of Seals -- 3.3. Sphragistic Recursio 6.4. What does 'through another' Mean? -- 6.5. Can Touch and Taste have a Medium? -- 6.6 Media as Field Transformers -- 6.7 Mediacy as the Capacity of Taking Form -- Chapter -- The Fable of Arachne: Underweavings of Tactile Mediality -- 7.1. Subtextilis -- 7.2. The Precarious Mediality of the Sense of Touch -- 7.3. Against an Anthropology of Capacity -- 7.4. Teletactility -- 7.5. Antennae -- Chapter 8: The Shards of Zadar: A (Meta-)Archaeology of Cinema -- 8.1. Archaeologies -- 8.2. Ancient Cinema -- 8.3. Ein Stein on the Beach -- 8.4. Coda: The 'Rationality' of Capitalism -- Chapter 9: Parrhasius' Curtain, or, a Media Archaeology of a Metapainting -- 9.1. Ancient Tricks, Modern Gimmicks -- 9.2. Forms of Deception -- 9.3. Drawing a Blank -- 9.4. Angles of Vision -- Chapter 10: White NoiseL Transmitting and Receiving Ancient Elegy -- 10.1. Introduction -- 10.2. In the Beginning: Greek and Hellenistic Elegy -- 10.3. In the Middle: Roman Elegy -- 10.4. In the End: White Noise -- Chapte |
| title | Classics and Media Theory |
| title_auth | Classics and Media Theory |
| title_exact_search | Classics and Media Theory |
| title_exact_search_txtP | Classics and Media Theory |
| title_full | Classics and Media Theory |
| title_fullStr | Classics and Media Theory |
| title_full_unstemmed | Classics and Media Theory |
| title_short | Classics and Media Theory |
| title_sort | classics and media theory |
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