ReFocus: the films of Pedro Costa: producing and consuming contemporary art cinema
This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2020
|
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations |
| Beschreibung: | 1 online resource (185 pages) |
| ISBN: | 9781474444552 |
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| 505 | 0 | |a Intro -- Figures -- Acknowledgements -- Introduction -- CHAPTER 1 Cinema's 'Primitive Beauty -- Pedro Costa's Artistic Formation and the Making of Blood (1989) -- CHAPTER 2 Negotiating Filmmaking: Adaptation, Location and Docufiction -- CHAPTER 3 Digital Filmmaking at the Interstices -- CHAPTER 4 Critical Reception and the International Film Festival -- CHAPTER 5 Between the Black Box and the White Cube -- CHAPTER 6 Renegotiating Circulation: Retrospectives and DVD Releases -- CHAPTER 7 A 'Document of Documents': Authorship, Intertextuality and Politics in Horse Money (2014) -- Conclusion -- Filmography -- Bibliography -- Index | |
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Datensatz im Suchindex
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| author | Barradas Jorge, Nuno |
| author_facet | Barradas Jorge, Nuno |
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| author_sort | Barradas Jorge, Nuno |
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| bvnumber | BV048727234 |
| contents | Intro -- Figures -- Acknowledgements -- Introduction -- CHAPTER 1 Cinema's 'Primitive Beauty -- Pedro Costa's Artistic Formation and the Making of Blood (1989) -- CHAPTER 2 Negotiating Filmmaking: Adaptation, Location and Docufiction -- CHAPTER 3 Digital Filmmaking at the Interstices -- CHAPTER 4 Critical Reception and the International Film Festival -- CHAPTER 5 Between the Black Box and the White Cube -- CHAPTER 6 Renegotiating Circulation: Retrospectives and DVD Releases -- CHAPTER 7 A 'Document of Documents': Authorship, Intertextuality and Politics in Horse Money (2014) -- Conclusion -- Filmography -- Bibliography -- Index |
| ctrlnum | (DE-599)BVBBV048727234 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
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| indexdate | 2024-07-10T10:04:27Z |
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| isbn | 9781474444552 |
| language | English |
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| publishDate | 2020 |
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| publisher | Edinburgh University Press |
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| spelling | Barradas Jorge, Nuno Verfasser aut ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema Edinburgh Edinburgh University Press 2020 ©2020 1 online resource (185 pages) txt rdacontent c rdamedia cr rdacarrier Intro -- Figures -- Acknowledgements -- Introduction -- CHAPTER 1 Cinema's 'Primitive Beauty -- Pedro Costa's Artistic Formation and the Making of Blood (1989) -- CHAPTER 2 Negotiating Filmmaking: Adaptation, Location and Docufiction -- CHAPTER 3 Digital Filmmaking at the Interstices -- CHAPTER 4 Critical Reception and the International Film Festival -- CHAPTER 5 Between the Black Box and the White Cube -- CHAPTER 6 Renegotiating Circulation: Retrospectives and DVD Releases -- CHAPTER 7 A 'Document of Documents': Authorship, Intertextuality and Politics in Horse Money (2014) -- Conclusion -- Filmography -- Bibliography -- Index This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations |
| spellingShingle | Barradas Jorge, Nuno ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema Intro -- Figures -- Acknowledgements -- Introduction -- CHAPTER 1 Cinema's 'Primitive Beauty -- Pedro Costa's Artistic Formation and the Making of Blood (1989) -- CHAPTER 2 Negotiating Filmmaking: Adaptation, Location and Docufiction -- CHAPTER 3 Digital Filmmaking at the Interstices -- CHAPTER 4 Critical Reception and the International Film Festival -- CHAPTER 5 Between the Black Box and the White Cube -- CHAPTER 6 Renegotiating Circulation: Retrospectives and DVD Releases -- CHAPTER 7 A 'Document of Documents': Authorship, Intertextuality and Politics in Horse Money (2014) -- Conclusion -- Filmography -- Bibliography -- Index |
| title | ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema |
| title_auth | ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema |
| title_exact_search | ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema |
| title_exact_search_txtP | ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema |
| title_full | ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema |
| title_fullStr | ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema |
| title_full_unstemmed | ReFocus the films of Pedro Costa: producing and consuming contemporary art cinema |
| title_short | ReFocus |
| title_sort | refocus the films of pedro costa producing and consuming contemporary art cinema |
| title_sub | the films of Pedro Costa: producing and consuming contemporary art cinema |
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