The Question of Class in Contemporary Latin American Cinema:
This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
[Lanham, MD]
Lexington Books
2020
©2018 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen |
| Beschreibung: | 1 online resource (223 pages) |
| ISBN: | 9781498553032 |
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| 505 | 0 | |a Class Relations as Theme and Practice -- Notes -- Bibliography -- Conclusion -- References -- Index -- About the Author | |
| 505 | 0 | |a Cover -- The Question of Classin Contemporary LatinAmerican Cinema -- The Question of Classin Contemporary LatinAmerican Cinema -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter 1 -- Class and Romance in Socialism -- The Contrasting Politics of La clase and Secuestro express -- The Fallen Gods of Cuban Cinema -- Notes -- Chapter 2 -- Space Defining Class -- Political Spaces and Fragmentation in Post Tenebras Lux -- Political Spaces in Que horas ela volta? -- Concluding Remarks -- Notes -- Chapter 3 -- Class and the State -- Global Production and Consumption -- The Cinematic Construction of Social Class and Figuration of Institutions -- Classifying through Narrative Design, Characterization, and Cinematography -- The Role of Institutions -- Conclusion -- Notes -- Chapter 4 -- The Return of the People -- Libertador Morales and Macur -- Constructing Populist Fiction and Reality -- Aesthetic Populism -- Community Engagement: Circ | |
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Datensatz im Suchindex
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| author | Vázquez Vázquez, María Mercedes |
| author_facet | Vázquez Vázquez, María Mercedes |
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| author_sort | Vázquez Vázquez, María Mercedes |
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| contents | Class Relations as Theme and Practice -- Notes -- Bibliography -- Conclusion -- References -- Index -- About the Author Cover -- The Question of Classin Contemporary LatinAmerican Cinema -- The Question of Classin Contemporary LatinAmerican Cinema -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter 1 -- Class and Romance in Socialism -- The Contrasting Politics of La clase and Secuestro express -- The Fallen Gods of Cuban Cinema -- Notes -- Chapter 2 -- Space Defining Class -- Political Spaces and Fragmentation in Post Tenebras Lux -- Political Spaces in Que horas ela volta? -- Concluding Remarks -- Notes -- Chapter 3 -- Class and the State -- Global Production and Consumption -- The Cinematic Construction of Social Class and Figuration of Institutions -- Classifying through Narrative Design, Characterization, and Cinematography -- The Role of Institutions -- Conclusion -- Notes -- Chapter 4 -- The Return of the People -- Libertador Morales and Macur -- Constructing Populist Fiction and Reality -- Aesthetic Populism -- Community Engagement: Circ |
| ctrlnum | (DE-599)BVBBV048727222 |
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| publisher | Lexington Books |
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| spelling | Vázquez Vázquez, María Mercedes Verfasser aut The Question of Class in Contemporary Latin American Cinema [Lanham, MD] Lexington Books 2020 ©2018 1 online resource (223 pages) txt rdacontent c rdamedia cr rdacarrier Class Relations as Theme and Practice -- Notes -- Bibliography -- Conclusion -- References -- Index -- About the Author Cover -- The Question of Classin Contemporary LatinAmerican Cinema -- The Question of Classin Contemporary LatinAmerican Cinema -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter 1 -- Class and Romance in Socialism -- The Contrasting Politics of La clase and Secuestro express -- The Fallen Gods of Cuban Cinema -- Notes -- Chapter 2 -- Space Defining Class -- Political Spaces and Fragmentation in Post Tenebras Lux -- Political Spaces in Que horas ela volta? -- Concluding Remarks -- Notes -- Chapter 3 -- Class and the State -- Global Production and Consumption -- The Cinematic Construction of Social Class and Figuration of Institutions -- Classifying through Narrative Design, Characterization, and Cinematography -- The Role of Institutions -- Conclusion -- Notes -- Chapter 4 -- The Return of the People -- Libertador Morales and Macur -- Constructing Populist Fiction and Reality -- Aesthetic Populism -- Community Engagement: Circ This book sheds light on the aesthetics and politics of class in contemporary filmmaking in Venezuela, Cuba, Brazil, Mexico, and Argentina. Its comparative methodology and combination of close textual and media industrial analyses provides a much-needed update of figurations of class on the screen |
| spellingShingle | Vázquez Vázquez, María Mercedes The Question of Class in Contemporary Latin American Cinema Class Relations as Theme and Practice -- Notes -- Bibliography -- Conclusion -- References -- Index -- About the Author Cover -- The Question of Classin Contemporary LatinAmerican Cinema -- The Question of Classin Contemporary LatinAmerican Cinema -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter 1 -- Class and Romance in Socialism -- The Contrasting Politics of La clase and Secuestro express -- The Fallen Gods of Cuban Cinema -- Notes -- Chapter 2 -- Space Defining Class -- Political Spaces and Fragmentation in Post Tenebras Lux -- Political Spaces in Que horas ela volta? -- Concluding Remarks -- Notes -- Chapter 3 -- Class and the State -- Global Production and Consumption -- The Cinematic Construction of Social Class and Figuration of Institutions -- Classifying through Narrative Design, Characterization, and Cinematography -- The Role of Institutions -- Conclusion -- Notes -- Chapter 4 -- The Return of the People -- Libertador Morales and Macur -- Constructing Populist Fiction and Reality -- Aesthetic Populism -- Community Engagement: Circ |
| title | The Question of Class in Contemporary Latin American Cinema |
| title_auth | The Question of Class in Contemporary Latin American Cinema |
| title_exact_search | The Question of Class in Contemporary Latin American Cinema |
| title_exact_search_txtP | The Question of Class in Contemporary Latin American Cinema |
| title_full | The Question of Class in Contemporary Latin American Cinema |
| title_fullStr | The Question of Class in Contemporary Latin American Cinema |
| title_full_unstemmed | The Question of Class in Contemporary Latin American Cinema |
| title_short | The Question of Class in Contemporary Latin American Cinema |
| title_sort | the question of class in contemporary latin american cinema |
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