A Critical History of German Film, Second Edition:
The most comprehensive, readable history of German cinema now appears in an expanded, up-to-date new edition that is particularly useful for students and teachers of German film history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Melton
Boydell & Brewer, Incorporated
2020
©2020 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | The most comprehensive, readable history of German cinema now appears in an expanded, up-to-date new edition that is particularly useful for students and teachers of German film history |
| Beschreibung: | 1 online resource (692 pages) |
| ISBN: | 9781787448964 |
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| 100 | 1 | |a Brockmann, Stephen |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a A Critical History of German Film, Second Edition |
| 264 | 1 | |a Melton |b Boydell & Brewer, Incorporated |c 2020 | |
| 264 | 1 | |c ©2020 | |
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| 505 | 0 | |a Frontcover -- Contents -- Acknowledgments -- Introductio -- Critical Film History and German Studies -- Part One: Early German Film History 1895-1918 -- 1: Early German Film History 1895-1918: Historical Overview -- 2: Der Student von Prag (1913) and Learning to Look -- Part Two: Weimar Cinema 1919-1933 -- 3: Weimar Cinema 1919-1933: Historical Overview -- 4: Das Cabinet des Dr. Caligari (1920) or Film as Hypnosis -- 5: Der letzte Mann (1924) or Learning to Move -- 6: Die Abenteuer des Prinzen Achmed (1926): The Birth of the Feature-Length Animation Film -- 7: Metropolis (1927) or Technology and Sex -- 8: Der blaue Engel (1930) and Learning to Talk -- 9: M (1931) or Sound and Terror -- Part Three: Nazi Cinema 1933-1945 -- 10: Nazi Cinema 1933-1945: Historical Overview -- 11: Triumph des Willens (1935): Documentary and Propaganda -- 12: Hallo Janine (1939): Dancing and Singing to Happiness -- 13: Die große Liebe (1942) or Love and War -- Part Four: German Cinema at the Zero Hour 1945 | |
| 505 | 0 | |a 2 -- Deutschland im Herbst (1978) or Film and Politics -- 27: Die Ehe der Maria Braun (1979) or West Germany Rebuilds -- 28: Die Blechtrommel (1979) or Coming to Terms with the Nazi Past -- 29: Die bleierne Zeit (1981): Film and Terrorism -- 30: Männer (1985) and the New German Film Comedy -- 31: Der Himmel über Berlin (1987): Berlin, City of Angels -- Part Seven: German Film after Reunification 1990-2019 -- 32: German Film after Reunification 1990-2019: Historical Overview -- 33: Der bewegte Mann (1994) or West German Self-Absorption -- 34: Rossini (1997) or West German Self-Absorption Criticized -- 35: Lola rennt (1998) or Cool Germania -- 36: Good Bye Lenin! (2003) or Farewell to the Socialist Motherland -- 37: Gegen die Wand (2004) or Germany Goes Multicultural -- 38: Das Leben der anderen (2006) or the Power of Art -- 39: Toni Erdmann (2016) and the Passing of a Generation -- Conclusion: The Future of German Cinema? -- Index | |
| 520 | |a The most comprehensive, readable history of German cinema now appears in an expanded, up-to-date new edition that is particularly useful for students and teachers of German film history | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034670805 | ||
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Datensatz im Suchindex
| _version_ | 1804186015602049024 |
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| author | Brockmann, Stephen |
| author_facet | Brockmann, Stephen |
| author_role | aut |
| author_sort | Brockmann, Stephen |
| author_variant | s b sb |
| building | Verbundindex |
| bvnumber | BV048726624 |
| contents | Frontcover -- Contents -- Acknowledgments -- Introductio -- Critical Film History and German Studies -- Part One: Early German Film History 1895-1918 -- 1: Early German Film History 1895-1918: Historical Overview -- 2: Der Student von Prag (1913) and Learning to Look -- Part Two: Weimar Cinema 1919-1933 -- 3: Weimar Cinema 1919-1933: Historical Overview -- 4: Das Cabinet des Dr. Caligari (1920) or Film as Hypnosis -- 5: Der letzte Mann (1924) or Learning to Move -- 6: Die Abenteuer des Prinzen Achmed (1926): The Birth of the Feature-Length Animation Film -- 7: Metropolis (1927) or Technology and Sex -- 8: Der blaue Engel (1930) and Learning to Talk -- 9: M (1931) or Sound and Terror -- Part Three: Nazi Cinema 1933-1945 -- 10: Nazi Cinema 1933-1945: Historical Overview -- 11: Triumph des Willens (1935): Documentary and Propaganda -- 12: Hallo Janine (1939): Dancing and Singing to Happiness -- 13: Die große Liebe (1942) or Love and War -- Part Four: German Cinema at the Zero Hour 1945 2 -- Deutschland im Herbst (1978) or Film and Politics -- 27: Die Ehe der Maria Braun (1979) or West Germany Rebuilds -- 28: Die Blechtrommel (1979) or Coming to Terms with the Nazi Past -- 29: Die bleierne Zeit (1981): Film and Terrorism -- 30: Männer (1985) and the New German Film Comedy -- 31: Der Himmel über Berlin (1987): Berlin, City of Angels -- Part Seven: German Film after Reunification 1990-2019 -- 32: German Film after Reunification 1990-2019: Historical Overview -- 33: Der bewegte Mann (1994) or West German Self-Absorption -- 34: Rossini (1997) or West German Self-Absorption Criticized -- 35: Lola rennt (1998) or Cool Germania -- 36: Good Bye Lenin! (2003) or Farewell to the Socialist Motherland -- 37: Gegen die Wand (2004) or Germany Goes Multicultural -- 38: Das Leben der anderen (2006) or the Power of Art -- 39: Toni Erdmann (2016) and the Passing of a Generation -- Conclusion: The Future of German Cinema? -- Index |
| ctrlnum | (DE-599)BVBBV048726624 |
| format | Electronic eBook |
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| id | DE-604.BV048726624 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:57:10Z |
| indexdate | 2024-07-10T10:04:25Z |
| institution | BVB |
| isbn | 9781787448964 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034670805 |
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| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 1 online resource (692 pages) |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Boydell & Brewer, Incorporated |
| record_format | marc |
| spelling | Brockmann, Stephen Verfasser aut A Critical History of German Film, Second Edition Melton Boydell & Brewer, Incorporated 2020 ©2020 1 online resource (692 pages) txt rdacontent c rdamedia cr rdacarrier Frontcover -- Contents -- Acknowledgments -- Introductio -- Critical Film History and German Studies -- Part One: Early German Film History 1895-1918 -- 1: Early German Film History 1895-1918: Historical Overview -- 2: Der Student von Prag (1913) and Learning to Look -- Part Two: Weimar Cinema 1919-1933 -- 3: Weimar Cinema 1919-1933: Historical Overview -- 4: Das Cabinet des Dr. Caligari (1920) or Film as Hypnosis -- 5: Der letzte Mann (1924) or Learning to Move -- 6: Die Abenteuer des Prinzen Achmed (1926): The Birth of the Feature-Length Animation Film -- 7: Metropolis (1927) or Technology and Sex -- 8: Der blaue Engel (1930) and Learning to Talk -- 9: M (1931) or Sound and Terror -- Part Three: Nazi Cinema 1933-1945 -- 10: Nazi Cinema 1933-1945: Historical Overview -- 11: Triumph des Willens (1935): Documentary and Propaganda -- 12: Hallo Janine (1939): Dancing and Singing to Happiness -- 13: Die große Liebe (1942) or Love and War -- Part Four: German Cinema at the Zero Hour 1945 2 -- Deutschland im Herbst (1978) or Film and Politics -- 27: Die Ehe der Maria Braun (1979) or West Germany Rebuilds -- 28: Die Blechtrommel (1979) or Coming to Terms with the Nazi Past -- 29: Die bleierne Zeit (1981): Film and Terrorism -- 30: Männer (1985) and the New German Film Comedy -- 31: Der Himmel über Berlin (1987): Berlin, City of Angels -- Part Seven: German Film after Reunification 1990-2019 -- 32: German Film after Reunification 1990-2019: Historical Overview -- 33: Der bewegte Mann (1994) or West German Self-Absorption -- 34: Rossini (1997) or West German Self-Absorption Criticized -- 35: Lola rennt (1998) or Cool Germania -- 36: Good Bye Lenin! (2003) or Farewell to the Socialist Motherland -- 37: Gegen die Wand (2004) or Germany Goes Multicultural -- 38: Das Leben der anderen (2006) or the Power of Art -- 39: Toni Erdmann (2016) and the Passing of a Generation -- Conclusion: The Future of German Cinema? -- Index The most comprehensive, readable history of German cinema now appears in an expanded, up-to-date new edition that is particularly useful for students and teachers of German film history |
| spellingShingle | Brockmann, Stephen A Critical History of German Film, Second Edition Frontcover -- Contents -- Acknowledgments -- Introductio -- Critical Film History and German Studies -- Part One: Early German Film History 1895-1918 -- 1: Early German Film History 1895-1918: Historical Overview -- 2: Der Student von Prag (1913) and Learning to Look -- Part Two: Weimar Cinema 1919-1933 -- 3: Weimar Cinema 1919-1933: Historical Overview -- 4: Das Cabinet des Dr. Caligari (1920) or Film as Hypnosis -- 5: Der letzte Mann (1924) or Learning to Move -- 6: Die Abenteuer des Prinzen Achmed (1926): The Birth of the Feature-Length Animation Film -- 7: Metropolis (1927) or Technology and Sex -- 8: Der blaue Engel (1930) and Learning to Talk -- 9: M (1931) or Sound and Terror -- Part Three: Nazi Cinema 1933-1945 -- 10: Nazi Cinema 1933-1945: Historical Overview -- 11: Triumph des Willens (1935): Documentary and Propaganda -- 12: Hallo Janine (1939): Dancing and Singing to Happiness -- 13: Die große Liebe (1942) or Love and War -- Part Four: German Cinema at the Zero Hour 1945 2 -- Deutschland im Herbst (1978) or Film and Politics -- 27: Die Ehe der Maria Braun (1979) or West Germany Rebuilds -- 28: Die Blechtrommel (1979) or Coming to Terms with the Nazi Past -- 29: Die bleierne Zeit (1981): Film and Terrorism -- 30: Männer (1985) and the New German Film Comedy -- 31: Der Himmel über Berlin (1987): Berlin, City of Angels -- Part Seven: German Film after Reunification 1990-2019 -- 32: German Film after Reunification 1990-2019: Historical Overview -- 33: Der bewegte Mann (1994) or West German Self-Absorption -- 34: Rossini (1997) or West German Self-Absorption Criticized -- 35: Lola rennt (1998) or Cool Germania -- 36: Good Bye Lenin! (2003) or Farewell to the Socialist Motherland -- 37: Gegen die Wand (2004) or Germany Goes Multicultural -- 38: Das Leben der anderen (2006) or the Power of Art -- 39: Toni Erdmann (2016) and the Passing of a Generation -- Conclusion: The Future of German Cinema? -- Index |
| title | A Critical History of German Film, Second Edition |
| title_auth | A Critical History of German Film, Second Edition |
| title_exact_search | A Critical History of German Film, Second Edition |
| title_exact_search_txtP | A Critical History of German Film, Second Edition |
| title_full | A Critical History of German Film, Second Edition |
| title_fullStr | A Critical History of German Film, Second Edition |
| title_full_unstemmed | A Critical History of German Film, Second Edition |
| title_short | A Critical History of German Film, Second Edition |
| title_sort | a critical history of german film second edition |
| work_keys_str_mv | AT brockmannstephen acriticalhistoryofgermanfilmsecondedition |