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| 001 | BV048725538 | ||
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| 007 | cr|uuu---uuuuu | ||
| 008 | 231022s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9783030028640 |9 9783030028640 | ||
| 035 | |a (DE-599)BVBBV048725538 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Po75 | ||
| 100 | 1 | |a Heftberger, Adelheid |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Digital Humanities and Film Studies |b Visualising Dziga Vertov's Work |
| 264 | 1 | |a Cham |b Springer |c 2019 | |
| 264 | 1 | |c ©2018 | |
| 300 | |a 1 online resource (316 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
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| 505 | 0 | |a Intro -- Dedication -- Acknowledgements -- Contents -- Chapter -- Introduction -- References -- Chapter 2: The Measurement of Aesthetic Phenomena -- The Sciences and the Humanities: Culture Clash or Interdisciplinary Potential? -- From "Cyberinfrastructure" to the Digital Humanities -- The Digital Humanities in Film Archives and Libraries -- Big Data: Distant Reading -- References -- Chapter 3: Annotation and Statistics -- Annotation in the Project Digital Formalism -- Results of the Annotation -- Shot Type -- Camera Movement -- Statistical Evaluation -- Distribution of Shot Lengths -- Further Studies -- References -- Chapter 4: Dziga Vertov's Films -- The Theory of Kinoglaz -- Vertov's Phrase Model -- Formal Procedures in Vertov's Camera and Editing Work -- Material and Condition of Prints -- Film Prints in Russian and International Archives -- The Individual Works -- Kino-Eye: "An Army of Film Observers" -- Available Film Prints -- Critical Reception in the | |
| 505 | 0 | |a Critical Reception in the 1930s -- Formal Characteristics of the Film -- Lullab -- The Subjective Camera -- Available Film Prints -- Critical Reception in the 1930s -- References -- Archival Documents -- Chapter 5: The Filmic Structure as Visualisation -- Visualisation of Formal Characteristics of Films -- Film Is the Art of Taking Time: The Cinemetrics Project -- Visualisations of Vertov's Film in Cinemetrics -- Detailed Study of Man with a Movie Camera -- The Eleventh Year and In the Shadow of the Machine: A Work Report from the Archive -- Potential of the Cinemetrics Platform -- Visualisations Without Reduction -- The Visualisation of Vertov's Filmic Structures -- Shot Lengths -- Types of Shots -- Motion Types -- Visual Characteristics of the Image -- Representation of Montage -- Combined Image Information and Shot Length -- Combined Image Information and Shot Compositions -- References -- Chapter 6: Charts and Diagrams of Dziga Vertov -- An Artist i | |
| 505 | 0 | |a References -- Index | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034669719 | ||
| 966 | e | |u https://ebookcentral.proquest.com/lib/filmuniversitaet/detail.action?docID=5628139 |x Aggregator |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
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| author | Heftberger, Adelheid |
| author_facet | Heftberger, Adelheid |
| author_role | aut |
| author_sort | Heftberger, Adelheid |
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| building | Verbundindex |
| bvnumber | BV048725538 |
| contents | Intro -- Dedication -- Acknowledgements -- Contents -- Chapter -- Introduction -- References -- Chapter 2: The Measurement of Aesthetic Phenomena -- The Sciences and the Humanities: Culture Clash or Interdisciplinary Potential? -- From "Cyberinfrastructure" to the Digital Humanities -- The Digital Humanities in Film Archives and Libraries -- Big Data: Distant Reading -- References -- Chapter 3: Annotation and Statistics -- Annotation in the Project Digital Formalism -- Results of the Annotation -- Shot Type -- Camera Movement -- Statistical Evaluation -- Distribution of Shot Lengths -- Further Studies -- References -- Chapter 4: Dziga Vertov's Films -- The Theory of Kinoglaz -- Vertov's Phrase Model -- Formal Procedures in Vertov's Camera and Editing Work -- Material and Condition of Prints -- Film Prints in Russian and International Archives -- The Individual Works -- Kino-Eye: "An Army of Film Observers" -- Available Film Prints -- Critical Reception in the Critical Reception in the 1930s -- Formal Characteristics of the Film -- Lullab -- The Subjective Camera -- Available Film Prints -- Critical Reception in the 1930s -- References -- Archival Documents -- Chapter 5: The Filmic Structure as Visualisation -- Visualisation of Formal Characteristics of Films -- Film Is the Art of Taking Time: The Cinemetrics Project -- Visualisations of Vertov's Film in Cinemetrics -- Detailed Study of Man with a Movie Camera -- The Eleventh Year and In the Shadow of the Machine: A Work Report from the Archive -- Potential of the Cinemetrics Platform -- Visualisations Without Reduction -- The Visualisation of Vertov's Filmic Structures -- Shot Lengths -- Types of Shots -- Motion Types -- Visual Characteristics of the Image -- Representation of Montage -- Combined Image Information and Shot Length -- Combined Image Information and Shot Compositions -- References -- Chapter 6: Charts and Diagrams of Dziga Vertov -- An Artist i References -- Index |
| ctrlnum | (DE-599)BVBBV048725538 |
| format | Electronic eBook |
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| id | DE-604.BV048725538 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:57:07Z |
| indexdate | 2024-07-10T10:04:21Z |
| institution | BVB |
| isbn | 9783030028640 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034669719 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 1 online resource (316 pages) |
| publishDate | 2019 2018 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Springer |
| record_format | marc |
| spelling | Heftberger, Adelheid Verfasser aut Digital Humanities and Film Studies Visualising Dziga Vertov's Work Cham Springer 2019 ©2018 1 online resource (316 pages) txt rdacontent c rdamedia cr rdacarrier Intro -- Dedication -- Acknowledgements -- Contents -- Chapter -- Introduction -- References -- Chapter 2: The Measurement of Aesthetic Phenomena -- The Sciences and the Humanities: Culture Clash or Interdisciplinary Potential? -- From "Cyberinfrastructure" to the Digital Humanities -- The Digital Humanities in Film Archives and Libraries -- Big Data: Distant Reading -- References -- Chapter 3: Annotation and Statistics -- Annotation in the Project Digital Formalism -- Results of the Annotation -- Shot Type -- Camera Movement -- Statistical Evaluation -- Distribution of Shot Lengths -- Further Studies -- References -- Chapter 4: Dziga Vertov's Films -- The Theory of Kinoglaz -- Vertov's Phrase Model -- Formal Procedures in Vertov's Camera and Editing Work -- Material and Condition of Prints -- Film Prints in Russian and International Archives -- The Individual Works -- Kino-Eye: "An Army of Film Observers" -- Available Film Prints -- Critical Reception in the Critical Reception in the 1930s -- Formal Characteristics of the Film -- Lullab -- The Subjective Camera -- Available Film Prints -- Critical Reception in the 1930s -- References -- Archival Documents -- Chapter 5: The Filmic Structure as Visualisation -- Visualisation of Formal Characteristics of Films -- Film Is the Art of Taking Time: The Cinemetrics Project -- Visualisations of Vertov's Film in Cinemetrics -- Detailed Study of Man with a Movie Camera -- The Eleventh Year and In the Shadow of the Machine: A Work Report from the Archive -- Potential of the Cinemetrics Platform -- Visualisations Without Reduction -- The Visualisation of Vertov's Filmic Structures -- Shot Lengths -- Types of Shots -- Motion Types -- Visual Characteristics of the Image -- Representation of Montage -- Combined Image Information and Shot Length -- Combined Image Information and Shot Compositions -- References -- Chapter 6: Charts and Diagrams of Dziga Vertov -- An Artist i References -- Index |
| spellingShingle | Heftberger, Adelheid Digital Humanities and Film Studies Visualising Dziga Vertov's Work Intro -- Dedication -- Acknowledgements -- Contents -- Chapter -- Introduction -- References -- Chapter 2: The Measurement of Aesthetic Phenomena -- The Sciences and the Humanities: Culture Clash or Interdisciplinary Potential? -- From "Cyberinfrastructure" to the Digital Humanities -- The Digital Humanities in Film Archives and Libraries -- Big Data: Distant Reading -- References -- Chapter 3: Annotation and Statistics -- Annotation in the Project Digital Formalism -- Results of the Annotation -- Shot Type -- Camera Movement -- Statistical Evaluation -- Distribution of Shot Lengths -- Further Studies -- References -- Chapter 4: Dziga Vertov's Films -- The Theory of Kinoglaz -- Vertov's Phrase Model -- Formal Procedures in Vertov's Camera and Editing Work -- Material and Condition of Prints -- Film Prints in Russian and International Archives -- The Individual Works -- Kino-Eye: "An Army of Film Observers" -- Available Film Prints -- Critical Reception in the Critical Reception in the 1930s -- Formal Characteristics of the Film -- Lullab -- The Subjective Camera -- Available Film Prints -- Critical Reception in the 1930s -- References -- Archival Documents -- Chapter 5: The Filmic Structure as Visualisation -- Visualisation of Formal Characteristics of Films -- Film Is the Art of Taking Time: The Cinemetrics Project -- Visualisations of Vertov's Film in Cinemetrics -- Detailed Study of Man with a Movie Camera -- The Eleventh Year and In the Shadow of the Machine: A Work Report from the Archive -- Potential of the Cinemetrics Platform -- Visualisations Without Reduction -- The Visualisation of Vertov's Filmic Structures -- Shot Lengths -- Types of Shots -- Motion Types -- Visual Characteristics of the Image -- Representation of Montage -- Combined Image Information and Shot Length -- Combined Image Information and Shot Compositions -- References -- Chapter 6: Charts and Diagrams of Dziga Vertov -- An Artist i References -- Index |
| title | Digital Humanities and Film Studies Visualising Dziga Vertov's Work |
| title_auth | Digital Humanities and Film Studies Visualising Dziga Vertov's Work |
| title_exact_search | Digital Humanities and Film Studies Visualising Dziga Vertov's Work |
| title_exact_search_txtP | Digital Humanities and Film Studies Visualising Dziga Vertov's Work |
| title_full | Digital Humanities and Film Studies Visualising Dziga Vertov's Work |
| title_fullStr | Digital Humanities and Film Studies Visualising Dziga Vertov's Work |
| title_full_unstemmed | Digital Humanities and Film Studies Visualising Dziga Vertov's Work |
| title_short | Digital Humanities and Film Studies |
| title_sort | digital humanities and film studies visualising dziga vertov s work |
| title_sub | Visualising Dziga Vertov's Work |
| work_keys_str_mv | AT heftbergeradelheid digitalhumanitiesandfilmstudiesvisualisingdzigavertovswork |