Contemporary Korean cinema: culture, identity and politics
'The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
31 Jan 2019
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| Schlagworte: | |
| Online-Zugang: | DE-Po75 DE-188 Volltext |
| Zusammenfassung: | 'The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea’s major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea' --Back cover |
| Beschreibung: | 1 Online-Ressource (244 Seiten) Illustrationen |
| ISBN: | 9781526141293 |
| DOI: | 10.7765/9781526141293 |
Internformat
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| 505 | 0 | |a Preface --Introduction --Part on -- The creation of national identity: a history of cinema --1. Korean film during the Japanese colonial period --2. The development of North Korean film --3. The development of South Korean film --Part two: Gender and cinematic adaptations of Ch'unhyangjon --4. The origin of Ch'unhyangjon --5. The significance of Ch'unhyangjon in Korean film history --6. The images of Ch'unhyangjon in South Korean films --7. The images of Ch'unhyangjon in North Korean films --8. Ch'unhyangjon and patriarchal gender relations in Korean society --Part three: Nationhood and the cinematic representation of history --9. Anti-imperialism in three North Korean films --10. Anti-commmunism in three South Korean films --11. Familyhood and nationhood --Part four: Class and cultural identities in contemporary Korea --12. Class conflicts in three North Korean films --13. Class dynamics in three South Korean films --14. Class experience and the cultural tradition --Conclusion --Bib | |
| 520 | |a 'The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea’s major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea' --Back cover | ||
| 534 | |c 2000 | ||
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Datensatz im Suchindex
| _version_ | 1809766854479052800 |
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| author | Yi, Hyang-jin |
| author_GND | (DE-588)105772923X |
| author_facet | Yi, Hyang-jin |
| author_role | aut |
| author_sort | Yi, Hyang-jin |
| author_variant | h j y hjy |
| building | Verbundindex |
| bvnumber | BV048724699 |
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| collection | ZDB-201-MGF |
| contents | Preface --Introduction --Part on -- The creation of national identity: a history of cinema --1. Korean film during the Japanese colonial period --2. The development of North Korean film --3. The development of South Korean film --Part two: Gender and cinematic adaptations of Ch'unhyangjon --4. The origin of Ch'unhyangjon --5. The significance of Ch'unhyangjon in Korean film history --6. The images of Ch'unhyangjon in South Korean films --7. The images of Ch'unhyangjon in North Korean films --8. Ch'unhyangjon and patriarchal gender relations in Korean society --Part three: Nationhood and the cinematic representation of history --9. Anti-imperialism in three North Korean films --10. Anti-commmunism in three South Korean films --11. Familyhood and nationhood --Part four: Class and cultural identities in contemporary Korea --12. Class conflicts in three North Korean films --13. Class dynamics in three South Korean films --14. Class experience and the cultural tradition --Conclusion --Bib |
| ctrlnum | (OCoLC)1454745949 (DE-599)BVBBV048724699 |
| dewey-full | 791.43/09519 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/09519 |
| dewey-search | 791.43/09519 |
| dewey-sort | 3791.43 49519 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.7765/9781526141293 |
| format | Electronic eBook |
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| geographic | Korea (DE-588)4032466-7 gnd |
| geographic_facet | Korea |
| id | DE-604.BV048724699 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-09-10T00:29:27Z |
| institution | BVB |
| isbn | 9781526141293 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668880 |
| oclc_num | 1454745949 |
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| owner_facet | DE-Po75 DE-188 |
| physical | 1 Online-Ressource (244 Seiten) Illustrationen |
| psigel | ZDB-201-MGF |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Yi, Hyang-jin Verfasser (DE-588)105772923X aut Contemporary Korean cinema culture, identity and politics Hyangjin Lee Manchester, UK Manchester University Press 31 Jan 2019 1 Online-Ressource (244 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Preface --Introduction --Part on -- The creation of national identity: a history of cinema --1. Korean film during the Japanese colonial period --2. The development of North Korean film --3. The development of South Korean film --Part two: Gender and cinematic adaptations of Ch'unhyangjon --4. The origin of Ch'unhyangjon --5. The significance of Ch'unhyangjon in Korean film history --6. The images of Ch'unhyangjon in South Korean films --7. The images of Ch'unhyangjon in North Korean films --8. Ch'unhyangjon and patriarchal gender relations in Korean society --Part three: Nationhood and the cinematic representation of history --9. Anti-imperialism in three North Korean films --10. Anti-commmunism in three South Korean films --11. Familyhood and nationhood --Part four: Class and cultural identities in contemporary Korea --12. Class conflicts in three North Korean films --13. Class dynamics in three South Korean films --14. Class experience and the cultural tradition --Conclusion --Bib 'The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea’s major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea' --Back cover 2000 Cinéma - Aspect politique - Corée Cinéma - Aspect social - Corée Cinéma - Corée - Histoire Films gtt Film Geschichte Culture in motion pictures Motion pictures Korea History Film (DE-588)4017102-4 gnd rswk-swf Korea (DE-588)4032466-7 gnd rswk-swf Korea (DE-588)4032466-7 g Film (DE-588)4017102-4 s DE-604 Elektronische Reproduktion von Yi, Hyang-jin Contemporary Korean cinema Manchester, UK : Manchester University Press, 2000 0-7190-6007-9 (DE-604)BV013807759 https://doi.org/10.7765/9781526141293 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Yi, Hyang-jin Contemporary Korean cinema culture, identity and politics Preface --Introduction --Part on -- The creation of national identity: a history of cinema --1. Korean film during the Japanese colonial period --2. The development of North Korean film --3. The development of South Korean film --Part two: Gender and cinematic adaptations of Ch'unhyangjon --4. The origin of Ch'unhyangjon --5. The significance of Ch'unhyangjon in Korean film history --6. The images of Ch'unhyangjon in South Korean films --7. The images of Ch'unhyangjon in North Korean films --8. Ch'unhyangjon and patriarchal gender relations in Korean society --Part three: Nationhood and the cinematic representation of history --9. Anti-imperialism in three North Korean films --10. Anti-commmunism in three South Korean films --11. Familyhood and nationhood --Part four: Class and cultural identities in contemporary Korea --12. Class conflicts in three North Korean films --13. Class dynamics in three South Korean films --14. Class experience and the cultural tradition --Conclusion --Bib Cinéma - Aspect politique - Corée Cinéma - Aspect social - Corée Cinéma - Corée - Histoire Films gtt Film Geschichte Culture in motion pictures Motion pictures Korea History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4032466-7 |
| title | Contemporary Korean cinema culture, identity and politics |
| title_auth | Contemporary Korean cinema culture, identity and politics |
| title_exact_search | Contemporary Korean cinema culture, identity and politics |
| title_exact_search_txtP | Contemporary Korean cinema culture, identity and politics |
| title_full | Contemporary Korean cinema culture, identity and politics Hyangjin Lee |
| title_fullStr | Contemporary Korean cinema culture, identity and politics Hyangjin Lee |
| title_full_unstemmed | Contemporary Korean cinema culture, identity and politics Hyangjin Lee |
| title_short | Contemporary Korean cinema |
| title_sort | contemporary korean cinema culture identity and politics |
| title_sub | culture, identity and politics |
| topic | Cinéma - Aspect politique - Corée Cinéma - Aspect social - Corée Cinéma - Corée - Histoire Films gtt Film Geschichte Culture in motion pictures Motion pictures Korea History Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma - Aspect politique - Corée Cinéma - Aspect social - Corée Cinéma - Corée - Histoire Films Film Geschichte Culture in motion pictures Motion pictures Korea History Korea |
| url | https://doi.org/10.7765/9781526141293 |
| work_keys_str_mv | AT yihyangjin contemporarykoreancinemacultureidentityandpolitics |