Daniel Calparsoro:
Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish film...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester, UK
Manchester University Press
2013
©2009 |
Online-Zugang: | FKWA1 |
Zusammenfassung: | Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro’s films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema.This book is the first full-length study of the director’s work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area – the Basque Country – of heightened national and regional sensitivities |
Beschreibung: | Includes bibliographical references, filmography and index |
Beschreibung: | 1 online resource (200 pages) illustrations; digital, PDF file(s) |
ISBN: | 9781847792860 |
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505 | 0 | |a Contents --Acknowledgements --List of illustrations --Part One --1. Introduction --2. Najwa Nimr -- the interaction of director and star --Part Two --3. *Salto al vacío*: opening up the void --4. *Pasajes*: paths through nowhere --5. *A ciegas*: the blind side of terrorism --6. *Asfalto*: violence *à trois* --7. *Guerreros*: Spanish alienation in a foreign landscape --8. *Ausentes*: shining a light on horror --9. Conclusion --Filmography and synopses --Bibliography --Index | |
520 | |a Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro’s films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema.This book is the first full-length study of the director’s work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area – the Basque Country – of heightened national and regional sensitivities | ||
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Davies, Ann |
author_facet | Davies, Ann |
author_role | aut |
author_sort | Davies, Ann |
author_variant | a d ad |
building | Verbundindex |
bvnumber | BV048724684 |
contents | Contents --Acknowledgements --List of illustrations --Part One --1. Introduction --2. Najwa Nimr -- the interaction of director and star --Part Two --3. *Salto al vacío*: opening up the void --4. *Pasajes*: paths through nowhere --5. *A ciegas*: the blind side of terrorism --6. *Asfalto*: violence *à trois* --7. *Guerreros*: Spanish alienation in a foreign landscape --8. *Ausentes*: shining a light on horror --9. Conclusion --Filmography and synopses --Bibliography --Index |
ctrlnum | (DE-599)BVBBV048724684 |
format | Electronic eBook |
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id | DE-604.BV048724684 |
illustrated | Illustrated |
index_date | 2024-07-03T22:57:05Z |
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institution | BVB |
isbn | 9781847792860 |
language | English |
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physical | 1 online resource (200 pages) illustrations; digital, PDF file(s) |
publishDate | 2013 2009 |
publishDateSearch | 2013 |
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publisher | Manchester University Press |
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spelling | Davies, Ann Verfasser aut Daniel Calparsoro Ann Davies Manchester, UK Manchester University Press 2013 ©2009 1 online resource (200 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Contents --Acknowledgements --List of illustrations --Part One --1. Introduction --2. Najwa Nimr -- the interaction of director and star --Part Two --3. *Salto al vacío*: opening up the void --4. *Pasajes*: paths through nowhere --5. *A ciegas*: the blind side of terrorism --6. *Asfalto*: violence *à trois* --7. *Guerreros*: Spanish alienation in a foreign landscape --8. *Ausentes*: shining a light on horror --9. Conclusion --Filmography and synopses --Bibliography --Index Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro’s films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema.This book is the first full-length study of the director’s work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area – the Basque Country – of heightened national and regional sensitivities Manchester University Press Sonstige oth |
spellingShingle | Davies, Ann Daniel Calparsoro Contents --Acknowledgements --List of illustrations --Part One --1. Introduction --2. Najwa Nimr -- the interaction of director and star --Part Two --3. *Salto al vacío*: opening up the void --4. *Pasajes*: paths through nowhere --5. *A ciegas*: the blind side of terrorism --6. *Asfalto*: violence *à trois* --7. *Guerreros*: Spanish alienation in a foreign landscape --8. *Ausentes*: shining a light on horror --9. Conclusion --Filmography and synopses --Bibliography --Index |
title | Daniel Calparsoro |
title_auth | Daniel Calparsoro |
title_exact_search | Daniel Calparsoro |
title_exact_search_txtP | Daniel Calparsoro |
title_full | Daniel Calparsoro Ann Davies |
title_fullStr | Daniel Calparsoro Ann Davies |
title_full_unstemmed | Daniel Calparsoro Ann Davies |
title_short | Daniel Calparsoro |
title_sort | daniel calparsoro |
work_keys_str_mv | AT daviesann danielcalparsoro AT manchesteruniversitypress danielcalparsoro |