The British new wave: a certain tendency?
'This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideolo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2013
©2012 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.' --Back cover |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 online resource (200 pages) digital, PDF file(s) |
| ISBN: | 9781847791931 |
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| 100 | 1 | |a Taylor, B. F. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The British new wave |b a certain tendency? |c B.F. Taylor |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2013 | |
| 264 | 1 | |c ©2012 | |
| 300 | |a 1 online resource (200 pages) |b digital, PDF file(s) | ||
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| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a 1. The British New Wav -- A certain tendency? --2. From microscope to telescope: the films of Tony Richardson --3. A cinema of surfaces: Jack Clayton’s Room at the Top --4. Major themes and minor movements: composition and repetition in John Schlesinger’s Billy Liar --5. The critical forest --6. Straight lines and rigid readings: Arthur Seaton and The Arc of Flight --7. Tries and tribulations: bodies, critics, and This Sporting Life --8. Single vessels and twisting ropes --Bibliography | |
| 520 | |a 'This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.' --Back cover | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668861 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781847791931 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
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| author | Taylor, B. F. |
| author_facet | Taylor, B. F. |
| author_role | aut |
| author_sort | Taylor, B. F. |
| author_variant | b f t bf bft |
| building | Verbundindex |
| bvnumber | BV048724680 |
| contents | 1. The British New Wav -- A certain tendency? --2. From microscope to telescope: the films of Tony Richardson --3. A cinema of surfaces: Jack Clayton’s Room at the Top --4. Major themes and minor movements: composition and repetition in John Schlesinger’s Billy Liar --5. The critical forest --6. Straight lines and rigid readings: Arthur Seaton and The Arc of Flight --7. Tries and tribulations: bodies, critics, and This Sporting Life --8. Single vessels and twisting ropes --Bibliography |
| ctrlnum | (DE-599)BVBBV048724680 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T10:04:19Z |
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| spelling | Taylor, B. F. Verfasser aut The British new wave a certain tendency? B.F. Taylor Manchester, UK Manchester University Press 2013 ©2012 1 online resource (200 pages) digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index 1. The British New Wav -- A certain tendency? --2. From microscope to telescope: the films of Tony Richardson --3. A cinema of surfaces: Jack Clayton’s Room at the Top --4. Major themes and minor movements: composition and repetition in John Schlesinger’s Billy Liar --5. The critical forest --6. Straight lines and rigid readings: Arthur Seaton and The Arc of Flight --7. Tries and tribulations: bodies, critics, and This Sporting Life --8. Single vessels and twisting ropes --Bibliography 'This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Taylor, B. F. The British new wave a certain tendency? 1. The British New Wav -- A certain tendency? --2. From microscope to telescope: the films of Tony Richardson --3. A cinema of surfaces: Jack Clayton’s Room at the Top --4. Major themes and minor movements: composition and repetition in John Schlesinger’s Billy Liar --5. The critical forest --6. Straight lines and rigid readings: Arthur Seaton and The Arc of Flight --7. Tries and tribulations: bodies, critics, and This Sporting Life --8. Single vessels and twisting ropes --Bibliography |
| title | The British new wave a certain tendency? |
| title_auth | The British new wave a certain tendency? |
| title_exact_search | The British new wave a certain tendency? |
| title_exact_search_txtP | The British new wave a certain tendency? |
| title_full | The British new wave a certain tendency? B.F. Taylor |
| title_fullStr | The British new wave a certain tendency? B.F. Taylor |
| title_full_unstemmed | The British new wave a certain tendency? B.F. Taylor |
| title_short | The British new wave |
| title_sort | the british new wave a certain tendency |
| title_sub | a certain tendency? |
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