The cinema of Álex de la Iglesia:
'Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era – Acción mutante, El día de la bestia, Muertos de risa – receives here the...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2013
©2007 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era – Acción mutante, El día de la bestia, Muertos de risa – receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy.This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia’s seven feature films' --Back cover |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 online resource (viii, 225 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781847791665 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048724674 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231022s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9781847791665 |9 9781847791665 | ||
| 035 | |a (DE-599)BVBBV048724674 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Po75 | ||
| 100 | 1 | |a Buse, Peter |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The cinema of Álex de la Iglesia |c Peter Buse, Núria Triana Toribio and Andy Willis |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2013 | |
| 264 | 1 | |c ©2007 | |
| 300 | |a 1 online resource (viii, 225 pages) |b illustrations; digital, PDF file(s) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction --1. Acción mutant -- against the conspiracy of boredom --2. El día de la bestia: comedy, sub-cultures, televisión --3. Perdita Durango: the body, sex, and Mexico --4. Muertos de risa: comedy, television, history --5. La comunidad: modernity and the cinematic past --6. 800 balas: undoing the ignominy of boyhood --7. Crimen ferpecto: the mise-en-scène of mise-en-scène --Conclusion --Filmography | |
| 520 | |a 'Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era – Acción mutante, El día de la bestia, Muertos de risa – receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy.This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia’s seven feature films' --Back cover | ||
| 700 | 1 | |a Triana-Toribio, Núria |4 aut | |
| 700 | 1 | |a Willis, Andrew |4 aut | |
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668855 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781847791665 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
| _version_ | 1804186009356730368 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Buse, Peter Triana-Toribio, Núria Willis, Andrew |
| author_facet | Buse, Peter Triana-Toribio, Núria Willis, Andrew |
| author_role | aut aut aut |
| author_sort | Buse, Peter |
| author_variant | p b pb n t t ntt a w aw |
| building | Verbundindex |
| bvnumber | BV048724674 |
| contents | Introduction --1. Acción mutant -- against the conspiracy of boredom --2. El día de la bestia: comedy, sub-cultures, televisión --3. Perdita Durango: the body, sex, and Mexico --4. Muertos de risa: comedy, television, history --5. La comunidad: modernity and the cinematic past --6. 800 balas: undoing the ignominy of boyhood --7. Crimen ferpecto: the mise-en-scène of mise-en-scène --Conclusion --Filmography |
| ctrlnum | (DE-599)BVBBV048724674 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02454nmm a2200337zc 4500</leader><controlfield tag="001">BV048724674</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231022s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781847791665</subfield><subfield code="9">9781847791665</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048724674</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Buse, Peter</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The cinema of Álex de la Iglesia</subfield><subfield code="c">Peter Buse, Núria Triana Toribio and Andy Willis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Manchester, UK</subfield><subfield code="b">Manchester University Press</subfield><subfield code="c">2013</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">©2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 225 pages)</subfield><subfield code="b">illustrations; digital, PDF file(s)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction --1. Acción mutant -- against the conspiracy of boredom --2. El día de la bestia: comedy, sub-cultures, televisión --3. Perdita Durango: the body, sex, and Mexico --4. Muertos de risa: comedy, television, history --5. La comunidad: modernity and the cinematic past --6. 800 balas: undoing the ignominy of boyhood --7. Crimen ferpecto: the mise-en-scène of mise-en-scène --Conclusion --Filmography</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">'Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era – Acción mutante, El día de la bestia, Muertos de risa – receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy.This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia’s seven feature films' --Back cover</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Triana-Toribio, Núria</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Willis, Andrew</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Manchester University Press</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034668855</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://dx.doi.org/10.7765/9781847791665</subfield><subfield code="3">Volltext</subfield><subfield code="l">FKWA1</subfield></datafield></record></collection> |
| id | DE-604.BV048724674 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:19Z |
| institution | BVB |
| isbn | 9781847791665 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668855 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 1 online resource (viii, 225 pages) illustrations; digital, PDF file(s) |
| publishDate | 2013 2007 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Buse, Peter Verfasser aut The cinema of Álex de la Iglesia Peter Buse, Núria Triana Toribio and Andy Willis Manchester, UK Manchester University Press 2013 ©2007 1 online resource (viii, 225 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction --1. Acción mutant -- against the conspiracy of boredom --2. El día de la bestia: comedy, sub-cultures, televisión --3. Perdita Durango: the body, sex, and Mexico --4. Muertos de risa: comedy, television, history --5. La comunidad: modernity and the cinematic past --6. 800 balas: undoing the ignominy of boyhood --7. Crimen ferpecto: the mise-en-scène of mise-en-scène --Conclusion --Filmography 'Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era – Acción mutante, El día de la bestia, Muertos de risa – receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy.This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia’s seven feature films' --Back cover Triana-Toribio, Núria aut Willis, Andrew aut Manchester University Press Sonstige oth |
| spellingShingle | Buse, Peter Triana-Toribio, Núria Willis, Andrew The cinema of Álex de la Iglesia Introduction --1. Acción mutant -- against the conspiracy of boredom --2. El día de la bestia: comedy, sub-cultures, televisión --3. Perdita Durango: the body, sex, and Mexico --4. Muertos de risa: comedy, television, history --5. La comunidad: modernity and the cinematic past --6. 800 balas: undoing the ignominy of boyhood --7. Crimen ferpecto: the mise-en-scène of mise-en-scène --Conclusion --Filmography |
| title | The cinema of Álex de la Iglesia |
| title_auth | The cinema of Álex de la Iglesia |
| title_exact_search | The cinema of Álex de la Iglesia |
| title_exact_search_txtP | The cinema of Álex de la Iglesia |
| title_full | The cinema of Álex de la Iglesia Peter Buse, Núria Triana Toribio and Andy Willis |
| title_fullStr | The cinema of Álex de la Iglesia Peter Buse, Núria Triana Toribio and Andy Willis |
| title_full_unstemmed | The cinema of Álex de la Iglesia Peter Buse, Núria Triana Toribio and Andy Willis |
| title_short | The cinema of Álex de la Iglesia |
| title_sort | the cinema of alex de la iglesia |
| work_keys_str_mv | AT busepeter thecinemaofalexdelaiglesia AT trianatoribionuria thecinemaofalexdelaiglesia AT willisandrew thecinemaofalexdelaiglesia AT manchesteruniversitypress thecinemaofalexdelaiglesia |