The British working class in postwar film:
'An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2003 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences.With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (230 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141804 |
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| 100 | 1 | |a Gillett, Philip |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The British working class in postwar film |c Philip Gillett |
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| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a 1. Exploring a lost cultures --2. who were the workers? --3. the guns fall silen -- recollections of war --4. People don't lock their doors: the working-class community --5. Family fortunes: portrayals of the working-class family --6. Going up in the world: goodbye to the working-class --7. The wrong side of the law: who were the criminals? --8. Going to the bad: the treatment of the young offender --9. The Janus faces of the dance hall --10. Echoes of applause: from music hall to cellluloid --11. Think of the kids: the postwar child in films --12. The looking-glass world of the cinema --Index | |
| 520 | |a 'An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences.With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works' --Back cover | ||
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Datensatz im Suchindex
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| author | Gillett, Philip |
| author_facet | Gillett, Philip |
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| author_sort | Gillett, Philip |
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| bvnumber | BV048724662 |
| contents | 1. Exploring a lost cultures --2. who were the workers? --3. the guns fall silen -- recollections of war --4. People don't lock their doors: the working-class community --5. Family fortunes: portrayals of the working-class family --6. Going up in the world: goodbye to the working-class --7. The wrong side of the law: who were the criminals? --8. Going to the bad: the treatment of the young offender --9. The Janus faces of the dance hall --10. Echoes of applause: from music hall to cellluloid --11. Think of the kids: the postwar child in films --12. The looking-glass world of the cinema --Index |
| ctrlnum | (DE-599)BVBBV048724662 |
| format | Electronic eBook |
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| id | DE-604.BV048724662 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:19Z |
| institution | BVB |
| isbn | 9781526141804 |
| language | English |
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| physical | 1 online resource (230 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2003 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Gillett, Philip Verfasser aut The British working class in postwar film Philip Gillett Manchester, UK Manchester University Press 2019 ©2003 1 online resource (230 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index 1. Exploring a lost cultures --2. who were the workers? --3. the guns fall silen -- recollections of war --4. People don't lock their doors: the working-class community --5. Family fortunes: portrayals of the working-class family --6. Going up in the world: goodbye to the working-class --7. The wrong side of the law: who were the criminals? --8. Going to the bad: the treatment of the young offender --9. The Janus faces of the dance hall --10. Echoes of applause: from music hall to cellluloid --11. Think of the kids: the postwar child in films --12. The looking-glass world of the cinema --Index 'An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences.With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Gillett, Philip The British working class in postwar film 1. Exploring a lost cultures --2. who were the workers? --3. the guns fall silen -- recollections of war --4. People don't lock their doors: the working-class community --5. Family fortunes: portrayals of the working-class family --6. Going up in the world: goodbye to the working-class --7. The wrong side of the law: who were the criminals? --8. Going to the bad: the treatment of the young offender --9. The Janus faces of the dance hall --10. Echoes of applause: from music hall to cellluloid --11. Think of the kids: the postwar child in films --12. The looking-glass world of the cinema --Index |
| title | The British working class in postwar film |
| title_auth | The British working class in postwar film |
| title_exact_search | The British working class in postwar film |
| title_exact_search_txtP | The British working class in postwar film |
| title_full | The British working class in postwar film Philip Gillett |
| title_fullStr | The British working class in postwar film Philip Gillett |
| title_full_unstemmed | The British working class in postwar film Philip Gillett |
| title_short | The British working class in postwar film |
| title_sort | the british working class in postwar film |
| work_keys_str_mv | AT gillettphilip thebritishworkingclassinpostwarfilm AT manchesteruniversitypress thebritishworkingclassinpostwarfilm |