Realist film theory and cinema: the nineteenth-century Lukácsian and intuitionist realist traditions
‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a ri...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2006 |
Online-Zugang: | FKWA1 |
Zusammenfassung: | ‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films.The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 1 online resource (246 pages) digital, PDF file(s) |
Zielpublikum: | Scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy |
ISBN: | 9781526141743 9781847796172 |
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245 | 1 | 0 | |a Realist film theory and cinema |b the nineteenth-century Lukácsian and intuitionist realist traditions |c Ian Aitken |
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500 | |a Includes bibliographical references and index | ||
505 | 0 | |a Acknowledgments --Dedication --Introduction --1. From the 'true style' to the 'art-form of the bourgeoisie -- the origins, characteristics, and theoretical foundation of the nineteenth-century French realist, and naturalist tradition --2. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition --3. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition --4. From the historical cinema of democratic humanism to the film Novelle: Lukácsian cinematic realism in Danton (1990) and Senso (1954) --5. ‘And what about the spiritual life itself?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer --6. Transcendental illusion and the scope for realism: cinematic realism, philosophical realism and film theory --Bibliography --Index | |
520 | |a ‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films.The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life | ||
521 | |a Scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy | ||
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Datensatz im Suchindex
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author | Aitken, Ian |
author_facet | Aitken, Ian |
author_role | aut |
author_sort | Aitken, Ian |
author_variant | i a ia |
building | Verbundindex |
bvnumber | BV048724656 |
contents | Acknowledgments --Dedication --Introduction --1. From the 'true style' to the 'art-form of the bourgeoisie -- the origins, characteristics, and theoretical foundation of the nineteenth-century French realist, and naturalist tradition --2. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition --3. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition --4. From the historical cinema of democratic humanism to the film Novelle: Lukácsian cinematic realism in Danton (1990) and Senso (1954) --5. ‘And what about the spiritual life itself?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer --6. Transcendental illusion and the scope for realism: cinematic realism, philosophical realism and film theory --Bibliography --Index |
ctrlnum | (DE-599)BVBBV048724656 |
format | Electronic eBook |
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index_date | 2024-07-03T22:57:05Z |
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isbn | 9781526141743 9781847796172 |
language | English |
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spelling | Aitken, Ian Verfasser aut Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions Ian Aitken Manchester, UK Manchester University Press 2019 ©2006 1 online resource (246 pages) digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Acknowledgments --Dedication --Introduction --1. From the 'true style' to the 'art-form of the bourgeoisie -- the origins, characteristics, and theoretical foundation of the nineteenth-century French realist, and naturalist tradition --2. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition --3. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition --4. From the historical cinema of democratic humanism to the film Novelle: Lukácsian cinematic realism in Danton (1990) and Senso (1954) --5. ‘And what about the spiritual life itself?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer --6. Transcendental illusion and the scope for realism: cinematic realism, philosophical realism and film theory --Bibliography --Index ‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films.The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life Scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy Manchester University Press Sonstige oth |
spellingShingle | Aitken, Ian Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions Acknowledgments --Dedication --Introduction --1. From the 'true style' to the 'art-form of the bourgeoisie -- the origins, characteristics, and theoretical foundation of the nineteenth-century French realist, and naturalist tradition --2. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition --3. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition --4. From the historical cinema of democratic humanism to the film Novelle: Lukácsian cinematic realism in Danton (1990) and Senso (1954) --5. ‘And what about the spiritual life itself?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer --6. Transcendental illusion and the scope for realism: cinematic realism, philosophical realism and film theory --Bibliography --Index |
title | Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions |
title_auth | Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions |
title_exact_search | Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions |
title_exact_search_txtP | Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions |
title_full | Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions Ian Aitken |
title_fullStr | Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions Ian Aitken |
title_full_unstemmed | Realist film theory and cinema the nineteenth-century Lukácsian and intuitionist realist traditions Ian Aitken |
title_short | Realist film theory and cinema |
title_sort | realist film theory and cinema the nineteenth century lukacsian and intuitionist realist traditions |
title_sub | the nineteenth-century Lukácsian and intuitionist realist traditions |
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