Mathieu Kassovitz:
Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience – and, above all, with a...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2007 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience – and, above all, with a youth audience.He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor. His films – whether directed by or acted in, or both – show an astonishing variety, from his early Métisse (1993), his break-through, La Haine (1995) through to Jeunet's Le fabuleux destin d'Amélie Poulain (2000), Astérix et Obélix: Mission Cléopatre (2002) and Gothika (2003).Will Higbee's study is the first to explore of one of the most fascinating characters in French cinema |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 online resource (viii, 222 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141668 |
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a List of plates --Series Editors’ foreword --Acknowledgements --Introduction --1. The Popular polemicist --2. Social struggles in the popular sphere --3. Postmodern social fables --4. Interfacing with Hollywood --5. Kassovit -- the actor/auteur --Conclusion --Filmography --Select bibliography | |
| 520 | |a Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience – and, above all, with a youth audience.He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor. His films – whether directed by or acted in, or both – show an astonishing variety, from his early Métisse (1993), his break-through, La Haine (1995) through to Jeunet's Le fabuleux destin d'Amélie Poulain (2000), Astérix et Obélix: Mission Cléopatre (2002) and Gothika (2003).Will Higbee's study is the first to explore of one of the most fascinating characters in French cinema | ||
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| author | Higbee, Will |
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| bvnumber | BV048724649 |
| contents | List of plates --Series Editors’ foreword --Acknowledgements --Introduction --1. The Popular polemicist --2. Social struggles in the popular sphere --3. Postmodern social fables --4. Interfacing with Hollywood --5. Kassovit -- the actor/auteur --Conclusion --Filmography --Select bibliography |
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| isbn | 9781526141668 |
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| spelling | Higbee, Will Verfasser aut Mathieu Kassovitz Will Higbee Manchester, UK Manchester University Press 2019 ©2007 1 online resource (viii, 222 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index List of plates --Series Editors’ foreword --Acknowledgements --Introduction --1. The Popular polemicist --2. Social struggles in the popular sphere --3. Postmodern social fables --4. Interfacing with Hollywood --5. Kassovit -- the actor/auteur --Conclusion --Filmography --Select bibliography Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience – and, above all, with a youth audience.He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor. His films – whether directed by or acted in, or both – show an astonishing variety, from his early Métisse (1993), his break-through, La Haine (1995) through to Jeunet's Le fabuleux destin d'Amélie Poulain (2000), Astérix et Obélix: Mission Cléopatre (2002) and Gothika (2003).Will Higbee's study is the first to explore of one of the most fascinating characters in French cinema Manchester University Press Sonstige oth |
| spellingShingle | Higbee, Will Mathieu Kassovitz List of plates --Series Editors’ foreword --Acknowledgements --Introduction --1. The Popular polemicist --2. Social struggles in the popular sphere --3. Postmodern social fables --4. Interfacing with Hollywood --5. Kassovit -- the actor/auteur --Conclusion --Filmography --Select bibliography |
| title | Mathieu Kassovitz |
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