Louis Malle:
'This is the first monograph on controversial French director Louis Malle to be published in English. Hugo Frey introduces Malle’s work through a lucid analysis of his many masterpieces, including Le Feu Follet, Lacombe Lucien and Au revoir les enfants. He also traces the director’s extended pe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2004 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'This is the first monograph on controversial French director Louis Malle to be published in English. Hugo Frey introduces Malle’s work through a lucid analysis of his many masterpieces, including Le Feu Follet, Lacombe Lucien and Au revoir les enfants. He also traces the director’s extended period of work in the USA, which resulted in powerful films such as Pretty Baby, Atlantic City USA and My Dinner with André. The book focuses on the most challenging aspects of Malle’s oeuvre, his aesthetic vision, his youthful attraction to a form of right-wing pessimism, and his 1970s libertarianism. By rethinking Malle’s portrayals of Nazi-occupied France, Frey demonstrates that he is of equal importance to contemporary historians as to film studies. This new appraisal is a nuanced study of an important film-maker, and a critical intervention in the debates which surround Malle’s work' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (viii, 163 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141613 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048724644 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231022s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9781526141613 |9 9781526141613 | ||
| 035 | |a (DE-599)BVBBV048724644 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Po75 | ||
| 100 | 1 | |a Frey, Hugo |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Louis Malle |c Hugo Frey |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
| 264 | 1 | |c ©2004 | |
| 300 | |a 1 online resource (viii, 163 pages) |b illustrations; digital, PDF file(s) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Acknowledgements --1. In the eye of the storm --2. Aesthetic vision --3. Active pessimism and the politics of the 1950s --4. Malle's histories --5. Primal scenes --6. Conclusion --Filmography --Select bibliography --Index | |
| 520 | |a 'This is the first monograph on controversial French director Louis Malle to be published in English. Hugo Frey introduces Malle’s work through a lucid analysis of his many masterpieces, including Le Feu Follet, Lacombe Lucien and Au revoir les enfants. He also traces the director’s extended period of work in the USA, which resulted in powerful films such as Pretty Baby, Atlantic City USA and My Dinner with André. The book focuses on the most challenging aspects of Malle’s oeuvre, his aesthetic vision, his youthful attraction to a form of right-wing pessimism, and his 1970s libertarianism. By rethinking Malle’s portrayals of Nazi-occupied France, Frey demonstrates that he is of equal importance to contemporary historians as to film studies. This new appraisal is a nuanced study of an important film-maker, and a critical intervention in the debates which surround Malle’s work' --Back cover | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668825 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781526141613 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
| _version_ | 1804186009292767232 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Frey, Hugo |
| author_facet | Frey, Hugo |
| author_role | aut |
| author_sort | Frey, Hugo |
| author_variant | h f hf |
| building | Verbundindex |
| bvnumber | BV048724644 |
| contents | Acknowledgements --1. In the eye of the storm --2. Aesthetic vision --3. Active pessimism and the politics of the 1950s --4. Malle's histories --5. Primal scenes --6. Conclusion --Filmography --Select bibliography --Index |
| ctrlnum | (DE-599)BVBBV048724644 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02119nmm a2200313zc 4500</leader><controlfield tag="001">BV048724644</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231022s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781526141613</subfield><subfield code="9">9781526141613</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048724644</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Frey, Hugo</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Louis Malle</subfield><subfield code="c">Hugo Frey</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Manchester, UK</subfield><subfield code="b">Manchester University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">©2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 163 pages)</subfield><subfield code="b">illustrations; digital, PDF file(s)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references, filmography and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Acknowledgements --1. In the eye of the storm --2. Aesthetic vision --3. Active pessimism and the politics of the 1950s --4. Malle's histories --5. Primal scenes --6. Conclusion --Filmography --Select bibliography --Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">'This is the first monograph on controversial French director Louis Malle to be published in English. Hugo Frey introduces Malle’s work through a lucid analysis of his many masterpieces, including Le Feu Follet, Lacombe Lucien and Au revoir les enfants. He also traces the director’s extended period of work in the USA, which resulted in powerful films such as Pretty Baby, Atlantic City USA and My Dinner with André. The book focuses on the most challenging aspects of Malle’s oeuvre, his aesthetic vision, his youthful attraction to a form of right-wing pessimism, and his 1970s libertarianism. By rethinking Malle’s portrayals of Nazi-occupied France, Frey demonstrates that he is of equal importance to contemporary historians as to film studies. This new appraisal is a nuanced study of an important film-maker, and a critical intervention in the debates which surround Malle’s work' --Back cover</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Manchester University Press</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034668825</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://dx.doi.org/10.7765/9781526141613</subfield><subfield code="3">Volltext</subfield><subfield code="l">FKWA1</subfield></datafield></record></collection> |
| id | DE-604.BV048724644 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:19Z |
| institution | BVB |
| isbn | 9781526141613 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668825 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 1 online resource (viii, 163 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2004 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Frey, Hugo Verfasser aut Louis Malle Hugo Frey Manchester, UK Manchester University Press 2019 ©2004 1 online resource (viii, 163 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Acknowledgements --1. In the eye of the storm --2. Aesthetic vision --3. Active pessimism and the politics of the 1950s --4. Malle's histories --5. Primal scenes --6. Conclusion --Filmography --Select bibliography --Index 'This is the first monograph on controversial French director Louis Malle to be published in English. Hugo Frey introduces Malle’s work through a lucid analysis of his many masterpieces, including Le Feu Follet, Lacombe Lucien and Au revoir les enfants. He also traces the director’s extended period of work in the USA, which resulted in powerful films such as Pretty Baby, Atlantic City USA and My Dinner with André. The book focuses on the most challenging aspects of Malle’s oeuvre, his aesthetic vision, his youthful attraction to a form of right-wing pessimism, and his 1970s libertarianism. By rethinking Malle’s portrayals of Nazi-occupied France, Frey demonstrates that he is of equal importance to contemporary historians as to film studies. This new appraisal is a nuanced study of an important film-maker, and a critical intervention in the debates which surround Malle’s work' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Frey, Hugo Louis Malle Acknowledgements --1. In the eye of the storm --2. Aesthetic vision --3. Active pessimism and the politics of the 1950s --4. Malle's histories --5. Primal scenes --6. Conclusion --Filmography --Select bibliography --Index |
| title | Louis Malle |
| title_auth | Louis Malle |
| title_exact_search | Louis Malle |
| title_exact_search_txtP | Louis Malle |
| title_full | Louis Malle Hugo Frey |
| title_fullStr | Louis Malle Hugo Frey |
| title_full_unstemmed | Louis Malle Hugo Frey |
| title_short | Louis Malle |
| title_sort | louis malle |
| work_keys_str_mv | AT freyhugo louismalle AT manchesteruniversitypress louismalle |