Leos Carax:
The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films – Paris, pop music, 'flânerie' and 'amour fou', 'mannerist&#...
Gespeichert in:
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2003 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films – Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema – making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 online resource (viii, 188 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141590 |
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| 100 | 1 | |a Daly, Fergus |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Leos Carax |c Fergus Daly and Garin Dowd |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
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| 300 | |a 1 online resource (viii, 188 pages) |b illustrations; digital, PDF file(s) | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a List of plates --Series editors' foreword --Acknowledgements --Introductio -- Genesis of Carax's system --1. A pierrot apart; 'Boy Meets Girl' (1984), 'Mauvais Sang' (1986) and the nouvelle vague inheritance --2. 'Feux d'artifice:'Les Amants du Pont-Neuf'' (1991) and the spectacle of vagrancy --3. Carax's ambiguities: 'Pola X' (1999), naturalism, Melville --Filmography --Bibliography --Index | |
| 520 | |a The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films – Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema – making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors | ||
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| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668823 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781526141590 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
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| author | Daly, Fergus |
| author2 | Dowd, Garin |
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| author_facet | Daly, Fergus Dowd, Garin |
| author_role | aut |
| author_sort | Daly, Fergus |
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| building | Verbundindex |
| bvnumber | BV048724642 |
| contents | List of plates --Series editors' foreword --Acknowledgements --Introductio -- Genesis of Carax's system --1. A pierrot apart; 'Boy Meets Girl' (1984), 'Mauvais Sang' (1986) and the nouvelle vague inheritance --2. 'Feux d'artifice:'Les Amants du Pont-Neuf'' (1991) and the spectacle of vagrancy --3. Carax's ambiguities: 'Pola X' (1999), naturalism, Melville --Filmography --Bibliography --Index |
| ctrlnum | (DE-599)BVBBV048724642 |
| format | Electronic eBook |
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| id | DE-604.BV048724642 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:19Z |
| institution | BVB |
| isbn | 9781526141590 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668823 |
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| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 1 online resource (viii, 188 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2003 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Daly, Fergus Verfasser aut Leos Carax Fergus Daly and Garin Dowd Manchester, UK Manchester University Press 2019 ©2003 1 online resource (viii, 188 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index List of plates --Series editors' foreword --Acknowledgements --Introductio -- Genesis of Carax's system --1. A pierrot apart; 'Boy Meets Girl' (1984), 'Mauvais Sang' (1986) and the nouvelle vague inheritance --2. 'Feux d'artifice:'Les Amants du Pont-Neuf'' (1991) and the spectacle of vagrancy --3. Carax's ambiguities: 'Pola X' (1999), naturalism, Melville --Filmography --Bibliography --Index The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films – Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema – making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors Dowd, Garin edt Manchester University Press Sonstige oth |
| spellingShingle | Daly, Fergus Leos Carax List of plates --Series editors' foreword --Acknowledgements --Introductio -- Genesis of Carax's system --1. A pierrot apart; 'Boy Meets Girl' (1984), 'Mauvais Sang' (1986) and the nouvelle vague inheritance --2. 'Feux d'artifice:'Les Amants du Pont-Neuf'' (1991) and the spectacle of vagrancy --3. Carax's ambiguities: 'Pola X' (1999), naturalism, Melville --Filmography --Bibliography --Index |
| title | Leos Carax |
| title_auth | Leos Carax |
| title_exact_search | Leos Carax |
| title_exact_search_txtP | Leos Carax |
| title_full | Leos Carax Fergus Daly and Garin Dowd |
| title_fullStr | Leos Carax Fergus Daly and Garin Dowd |
| title_full_unstemmed | Leos Carax Fergus Daly and Garin Dowd |
| title_short | Leos Carax |
| title_sort | leos carax |
| work_keys_str_mv | AT dalyfergus leoscarax AT dowdgarin leoscarax AT manchesteruniversitypress leoscarax |