Jean-Luc Godard:
'This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinéma and Eloge de l’amour. Drawing on a wide range of l...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2005 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinéma and Eloge de l’amour. Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard's work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films.Numerous sequences from Godard's films are singled out for close analysis, demonstrating how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right.The book will be essential to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (271 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141552 |
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| 100 | 1 | |a Morrey, Douglas |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Jean-Luc Godard |c Douglas Morrey |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
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| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Series editors' foreword --Acknowledgements --1. Necessity or contingenc -- Godard as film critic 1950-59 --2. Scenes from domestic life: 1960-65 --3. Outside: 1960-62 --4. End of the beginning / beginning of the end: 1966-67 --5. Schooling: 1968-726. Home movies: 1974-78 --7. Love and work: 1979-84 --8. Smiling with regret: 1984-90 --9. The sense of an ending: 1991-96 --10. Old man river: 1998- --Conclusion --Filmography --Select Bibliography --Index | |
| 520 | |a 'This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinéma and Eloge de l’amour. Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard's work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films.Numerous sequences from Godard's films are singled out for close analysis, demonstrating how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right.The book will be essential to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought' --Back cover | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
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Datensatz im Suchindex
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| author | Morrey, Douglas |
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| building | Verbundindex |
| bvnumber | BV048724638 |
| contents | Series editors' foreword --Acknowledgements --1. Necessity or contingenc -- Godard as film critic 1950-59 --2. Scenes from domestic life: 1960-65 --3. Outside: 1960-62 --4. End of the beginning / beginning of the end: 1966-67 --5. Schooling: 1968-726. Home movies: 1974-78 --7. Love and work: 1979-84 --8. Smiling with regret: 1984-90 --9. The sense of an ending: 1991-96 --10. Old man river: 1998- --Conclusion --Filmography --Select Bibliography --Index |
| ctrlnum | (DE-599)BVBBV048724638 |
| format | Electronic eBook |
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| id | DE-604.BV048724638 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:19Z |
| institution | BVB |
| isbn | 9781526141552 |
| language | English |
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| physical | 1 online resource (271 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2005 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Morrey, Douglas Verfasser aut Jean-Luc Godard Douglas Morrey Manchester, UK Manchester University Press 2019 ©2005 1 online resource (271 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Series editors' foreword --Acknowledgements --1. Necessity or contingenc -- Godard as film critic 1950-59 --2. Scenes from domestic life: 1960-65 --3. Outside: 1960-62 --4. End of the beginning / beginning of the end: 1966-67 --5. Schooling: 1968-726. Home movies: 1974-78 --7. Love and work: 1979-84 --8. Smiling with regret: 1984-90 --9. The sense of an ending: 1991-96 --10. Old man river: 1998- --Conclusion --Filmography --Select Bibliography --Index 'This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinéma and Eloge de l’amour. Drawing on a wide range of literary, filmic and philiosophical texts, the book places Godard's work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films.Numerous sequences from Godard's films are singled out for close analysis, demonstrating how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right.The book will be essential to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Morrey, Douglas Jean-Luc Godard Series editors' foreword --Acknowledgements --1. Necessity or contingenc -- Godard as film critic 1950-59 --2. Scenes from domestic life: 1960-65 --3. Outside: 1960-62 --4. End of the beginning / beginning of the end: 1966-67 --5. Schooling: 1968-726. Home movies: 1974-78 --7. Love and work: 1979-84 --8. Smiling with regret: 1984-90 --9. The sense of an ending: 1991-96 --10. Old man river: 1998- --Conclusion --Filmography --Select Bibliography --Index |
| title | Jean-Luc Godard |
| title_auth | Jean-Luc Godard |
| title_exact_search | Jean-Luc Godard |
| title_exact_search_txtP | Jean-Luc Godard |
| title_full | Jean-Luc Godard Douglas Morrey |
| title_fullStr | Jean-Luc Godard Douglas Morrey |
| title_full_unstemmed | Jean-Luc Godard Douglas Morrey |
| title_short | Jean-Luc Godard |
| title_sort | jean luc godard |
| work_keys_str_mv | AT morreydouglas jeanlucgodard AT manchesteruniversitypress jeanlucgodard |