Film editing - history, theory and practice: looking at the invisible
The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the edit...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2001 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing process maximises the effectiveness of the filmed material. Traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound, to explore the challenges to convention that began in the 1960s and which continue into the twenty-first century. New digital technologies and the dominance of the moving image as an increasingly central part of everyday life have produced a radical rewriting of the rules of audio-visual address. It is not a technical treatise; instructive and accessible, this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 online resource ( xvi, 347 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141385 |
Internformat
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| 100 | 1 | |a Fairservice, Don |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Film editing - history, theory and practice |b looking at the invisible |c Don Fairservice |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
| 264 | 1 | |c ©2001 | |
| 300 | |a 1 online resource ( xvi, 347 pages) |b illustrations; digital, PDF file(s) | ||
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| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction --1. Foundations --2. Developing forms --3. Time and place --4. Identification --5. A world of difference --6. Patterns of visibility --7. Points of view --8. Consolidating reality --9. Eye of the beholder --10. Variations on a theme --11. Revolutionary cinema --12. The last Silents --13. Sounds promising --14. Talking pictures --15. Dialogue --16. The final rewrite --17. Cinema and psychology --18. Beyond invisibility --Appendix | |
| 520 | |a The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing process maximises the effectiveness of the filmed material. Traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound, to explore the challenges to convention that began in the 1960s and which continue into the twenty-first century. New digital technologies and the dominance of the moving image as an increasingly central part of everyday life have produced a radical rewriting of the rules of audio-visual address. It is not a technical treatise; instructive and accessible, this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668804 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781526141385 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
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| author | Fairservice, Don |
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| bvnumber | BV048724623 |
| contents | Introduction --1. Foundations --2. Developing forms --3. Time and place --4. Identification --5. A world of difference --6. Patterns of visibility --7. Points of view --8. Consolidating reality --9. Eye of the beholder --10. Variations on a theme --11. Revolutionary cinema --12. The last Silents --13. Sounds promising --14. Talking pictures --15. Dialogue --16. The final rewrite --17. Cinema and psychology --18. Beyond invisibility --Appendix |
| ctrlnum | (DE-599)BVBBV048724623 |
| format | Electronic eBook |
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| isbn | 9781526141385 |
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| physical | 1 online resource ( xvi, 347 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2001 |
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| publisher | Manchester University Press |
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| spelling | Fairservice, Don Verfasser aut Film editing - history, theory and practice looking at the invisible Don Fairservice Manchester, UK Manchester University Press 2019 ©2001 1 online resource ( xvi, 347 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction --1. Foundations --2. Developing forms --3. Time and place --4. Identification --5. A world of difference --6. Patterns of visibility --7. Points of view --8. Consolidating reality --9. Eye of the beholder --10. Variations on a theme --11. Revolutionary cinema --12. The last Silents --13. Sounds promising --14. Talking pictures --15. Dialogue --16. The final rewrite --17. Cinema and psychology --18. Beyond invisibility --Appendix The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing process maximises the effectiveness of the filmed material. Traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound, to explore the challenges to convention that began in the 1960s and which continue into the twenty-first century. New digital technologies and the dominance of the moving image as an increasingly central part of everyday life have produced a radical rewriting of the rules of audio-visual address. It is not a technical treatise; instructive and accessible, this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership Manchester University Press Sonstige oth |
| spellingShingle | Fairservice, Don Film editing - history, theory and practice looking at the invisible Introduction --1. Foundations --2. Developing forms --3. Time and place --4. Identification --5. A world of difference --6. Patterns of visibility --7. Points of view --8. Consolidating reality --9. Eye of the beholder --10. Variations on a theme --11. Revolutionary cinema --12. The last Silents --13. Sounds promising --14. Talking pictures --15. Dialogue --16. The final rewrite --17. Cinema and psychology --18. Beyond invisibility --Appendix |
| title | Film editing - history, theory and practice looking at the invisible |
| title_auth | Film editing - history, theory and practice looking at the invisible |
| title_exact_search | Film editing - history, theory and practice looking at the invisible |
| title_exact_search_txtP | Film editing - history, theory and practice looking at the invisible |
| title_full | Film editing - history, theory and practice looking at the invisible Don Fairservice |
| title_fullStr | Film editing - history, theory and practice looking at the invisible Don Fairservice |
| title_full_unstemmed | Film editing - history, theory and practice looking at the invisible Don Fairservice |
| title_short | Film editing - history, theory and practice |
| title_sort | film editing history theory and practice looking at the invisible |
| title_sub | looking at the invisible |
| work_keys_str_mv | AT fairservicedon filmeditinghistorytheoryandpracticelookingattheinvisible AT manchesteruniversitypress filmeditinghistorytheoryandpracticelookingattheinvisible |