Faking it: mock-documentary and the subversion of factuality
'The first major study of mock-documentary – one of a number of screen forms that play with the assumed boundaries between 'fact' and 'fiction'. Examines mock-documentary through the specific relationship which the form has with documentary. Part of a wider discussion of the...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2001 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'The first major study of mock-documentary – one of a number of screen forms that play with the assumed boundaries between 'fact' and 'fiction'. Examines mock-documentary through the specific relationship which the form has with documentary. Part of a wider discussion of the increasingly fragile association between factual codes and conventions and the discourses which underpin the documentary genre. Includes detailed discussions of a number of key mock-documentary texts, ranging from Woody Allen's Zelig, Peter Greenaway's The Falls, and the Beatles spoof The Rutles through to such classic examples as Bob Roberts, This is Spinal Tap and Man Bites Dog. Opens out this relatively new media form and by doing so throws light on the status of the documentary itself' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (ix, 222 pages) illustrations, portraits; digital, PDF file(s) |
| ISBN: | 9781526141378 |
Internformat
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| 100 | 1 | |a Hight, Craig |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Faking it |b mock-documentary and the subversion of factuality |c Craig Hight and Jane Roscoe |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
| 264 | 1 | |c ©2001 | |
| 300 | |a 1 online resource (ix, 222 pages) |b illustrations, portraits; digital, PDF file(s) | ||
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| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Introductio -- Mock-documentary and the subversion of factuality --1. Factual discourse and the cultural placing of documentary --2. Recent transformations of the documentary genre --3. A cousin for the drama-documentary: Situating the mock-documentary --4. Building a mock-documentary schema --5. A suggested genealogy --6. Degree one: parody --7. Degree two: critique and hoax --8. Degree three: deconstruction --Conclusion --Filmography --Bibliography --Index | |
| 520 | |a 'The first major study of mock-documentary – one of a number of screen forms that play with the assumed boundaries between 'fact' and 'fiction'. Examines mock-documentary through the specific relationship which the form has with documentary. Part of a wider discussion of the increasingly fragile association between factual codes and conventions and the discourses which underpin the documentary genre. Includes detailed discussions of a number of key mock-documentary texts, ranging from Woody Allen's Zelig, Peter Greenaway's The Falls, and the Beatles spoof The Rutles through to such classic examples as Bob Roberts, This is Spinal Tap and Man Bites Dog. Opens out this relatively new media form and by doing so throws light on the status of the documentary itself' --Back cover | ||
| 700 | 1 | |a Roscoe, Jane. |4 aut | |
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668803 | ||
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Datensatz im Suchindex
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| author | Hight, Craig Roscoe, Jane |
| author_facet | Hight, Craig Roscoe, Jane |
| author_role | aut aut |
| author_sort | Hight, Craig |
| author_variant | c h ch j r jr |
| building | Verbundindex |
| bvnumber | BV048724622 |
| contents | Introductio -- Mock-documentary and the subversion of factuality --1. Factual discourse and the cultural placing of documentary --2. Recent transformations of the documentary genre --3. A cousin for the drama-documentary: Situating the mock-documentary --4. Building a mock-documentary schema --5. A suggested genealogy --6. Degree one: parody --7. Degree two: critique and hoax --8. Degree three: deconstruction --Conclusion --Filmography --Bibliography --Index |
| ctrlnum | (DE-599)BVBBV048724622 |
| format | Electronic eBook |
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| isbn | 9781526141378 |
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| publishDate | 2019 2001 |
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| publishDateSort | 2019 |
| publisher | Manchester University Press |
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| spelling | Hight, Craig Verfasser aut Faking it mock-documentary and the subversion of factuality Craig Hight and Jane Roscoe Manchester, UK Manchester University Press 2019 ©2001 1 online resource (ix, 222 pages) illustrations, portraits; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Introductio -- Mock-documentary and the subversion of factuality --1. Factual discourse and the cultural placing of documentary --2. Recent transformations of the documentary genre --3. A cousin for the drama-documentary: Situating the mock-documentary --4. Building a mock-documentary schema --5. A suggested genealogy --6. Degree one: parody --7. Degree two: critique and hoax --8. Degree three: deconstruction --Conclusion --Filmography --Bibliography --Index 'The first major study of mock-documentary – one of a number of screen forms that play with the assumed boundaries between 'fact' and 'fiction'. Examines mock-documentary through the specific relationship which the form has with documentary. Part of a wider discussion of the increasingly fragile association between factual codes and conventions and the discourses which underpin the documentary genre. Includes detailed discussions of a number of key mock-documentary texts, ranging from Woody Allen's Zelig, Peter Greenaway's The Falls, and the Beatles spoof The Rutles through to such classic examples as Bob Roberts, This is Spinal Tap and Man Bites Dog. Opens out this relatively new media form and by doing so throws light on the status of the documentary itself' --Back cover Roscoe, Jane. aut Manchester University Press Sonstige oth |
| spellingShingle | Hight, Craig Roscoe, Jane Faking it mock-documentary and the subversion of factuality Introductio -- Mock-documentary and the subversion of factuality --1. Factual discourse and the cultural placing of documentary --2. Recent transformations of the documentary genre --3. A cousin for the drama-documentary: Situating the mock-documentary --4. Building a mock-documentary schema --5. A suggested genealogy --6. Degree one: parody --7. Degree two: critique and hoax --8. Degree three: deconstruction --Conclusion --Filmography --Bibliography --Index |
| title | Faking it mock-documentary and the subversion of factuality |
| title_auth | Faking it mock-documentary and the subversion of factuality |
| title_exact_search | Faking it mock-documentary and the subversion of factuality |
| title_exact_search_txtP | Faking it mock-documentary and the subversion of factuality |
| title_full | Faking it mock-documentary and the subversion of factuality Craig Hight and Jane Roscoe |
| title_fullStr | Faking it mock-documentary and the subversion of factuality Craig Hight and Jane Roscoe |
| title_full_unstemmed | Faking it mock-documentary and the subversion of factuality Craig Hight and Jane Roscoe |
| title_short | Faking it |
| title_sort | faking it mock documentary and the subversion of factuality |
| title_sub | mock-documentary and the subversion of factuality |
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