Emilio Fernández: pictures in the margins
'Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2007 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work. The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (x, 198 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141347 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048724619 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231022s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9781526141347 |9 9781526141347 | ||
| 035 | |a (DE-599)BVBBV048724619 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Po75 | ||
| 100 | 1 | |a Tierney, Dolores. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Emilio Fernández |b pictures in the margins |c Dolores Tierney |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
| 264 | 1 | |c ©2007 | |
| 300 | |a 1 online resource (x, 198 pages) |b illustrations; digital, PDF file(s) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Introduction --1. ‘Poor reception’ and the popular in classical Mexican cinema --2. ‘El Indio’ Fernández, Mexico’s marginalized golden boy and national auteur --3. Calendar María - hybridity, indigenismo and the discourse of whitening --4. Gender, sexuality and the Revolution in Enamorada --5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado --6. Progress, modernity and Fernández’ ‘anti-modernist utopia -- Río Escondido --Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age – From Golden Boy to ‘the man in black’ --Filmography | |
| 520 | |a 'Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work. The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era' --Back cover | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668800 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781526141347 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
| _version_ | 1804186009244532736 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Tierney, Dolores |
| author_facet | Tierney, Dolores |
| author_role | aut |
| author_sort | Tierney, Dolores |
| author_variant | d t dt |
| building | Verbundindex |
| bvnumber | BV048724619 |
| contents | Introduction --1. ‘Poor reception’ and the popular in classical Mexican cinema --2. ‘El Indio’ Fernández, Mexico’s marginalized golden boy and national auteur --3. Calendar María - hybridity, indigenismo and the discourse of whitening --4. Gender, sexuality and the Revolution in Enamorada --5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado --6. Progress, modernity and Fernández’ ‘anti-modernist utopia -- Río Escondido --Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age – From Golden Boy to ‘the man in black’ --Filmography |
| ctrlnum | (DE-599)BVBBV048724619 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02843nmm a2200313zc 4500</leader><controlfield tag="001">BV048724619</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231022s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781526141347</subfield><subfield code="9">9781526141347</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048724619</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tierney, Dolores.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Emilio Fernández</subfield><subfield code="b">pictures in the margins</subfield><subfield code="c">Dolores Tierney</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Manchester, UK</subfield><subfield code="b">Manchester University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">©2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 198 pages)</subfield><subfield code="b">illustrations; digital, PDF file(s)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references, filmography and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction --1. ‘Poor reception’ and the popular in classical Mexican cinema --2. ‘El Indio’ Fernández, Mexico’s marginalized golden boy and national auteur --3. Calendar María - hybridity, indigenismo and the discourse of whitening --4. Gender, sexuality and the Revolution in Enamorada --5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado --6. Progress, modernity and Fernández’ ‘anti-modernist utopia -- Río Escondido --Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age – From Golden Boy to ‘the man in black’ --Filmography</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">'Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work. The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era' --Back cover</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Manchester University Press</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034668800</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://dx.doi.org/10.7765/9781526141347</subfield><subfield code="3">Volltext</subfield><subfield code="l">FKWA1</subfield></datafield></record></collection> |
| id | DE-604.BV048724619 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:18Z |
| institution | BVB |
| isbn | 9781526141347 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668800 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 1 online resource (x, 198 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2007 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Tierney, Dolores. Verfasser aut Emilio Fernández pictures in the margins Dolores Tierney Manchester, UK Manchester University Press 2019 ©2007 1 online resource (x, 198 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Introduction --1. ‘Poor reception’ and the popular in classical Mexican cinema --2. ‘El Indio’ Fernández, Mexico’s marginalized golden boy and national auteur --3. Calendar María - hybridity, indigenismo and the discourse of whitening --4. Gender, sexuality and the Revolution in Enamorada --5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado --6. Progress, modernity and Fernández’ ‘anti-modernist utopia -- Río Escondido --Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age – From Golden Boy to ‘the man in black’ --Filmography 'Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work. The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Tierney, Dolores Emilio Fernández pictures in the margins Introduction --1. ‘Poor reception’ and the popular in classical Mexican cinema --2. ‘El Indio’ Fernández, Mexico’s marginalized golden boy and national auteur --3. Calendar María - hybridity, indigenismo and the discourse of whitening --4. Gender, sexuality and the Revolution in Enamorada --5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado --6. Progress, modernity and Fernández’ ‘anti-modernist utopia -- Río Escondido --Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age – From Golden Boy to ‘the man in black’ --Filmography |
| title | Emilio Fernández pictures in the margins |
| title_auth | Emilio Fernández pictures in the margins |
| title_exact_search | Emilio Fernández pictures in the margins |
| title_exact_search_txtP | Emilio Fernández pictures in the margins |
| title_full | Emilio Fernández pictures in the margins Dolores Tierney |
| title_fullStr | Emilio Fernández pictures in the margins Dolores Tierney |
| title_full_unstemmed | Emilio Fernández pictures in the margins Dolores Tierney |
| title_short | Emilio Fernández |
| title_sort | emilio fernandez pictures in the margins |
| title_sub | pictures in the margins |
| work_keys_str_mv | AT tierneydolores emiliofernandezpicturesinthemargins AT manchesteruniversitypress emiliofernandezpicturesinthemargins |