Claire Denis:
'Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Bea...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2004 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Beau Travail' (2000) and 'Trouble Every Day' (2001)). Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (viii, 211 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141255 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048724611 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231022s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9781526141255 |9 9781526141255 | ||
| 035 | |a (DE-599)BVBBV048724611 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Po75 | ||
| 100 | 1 | |a Beugnet, Martine |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Claire Denis |c Martine Beugnet |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
| 264 | 1 | |c ©2004 | |
| 300 | |a 1 online resource (viii, 211 pages) |b illustrations; digital, PDF file(s) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Introduction --1. Foreignness and the aesthetics of the unsaid --2. Screening exile --3. The mise en scène of desir -- Towards a cinema of the senses --Conclusion --Filmography --Select bibliography | |
| 520 | |a 'Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Beau Travail' (2000) and 'Trouble Every Day' (2001)). Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date' --Back cover | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668792 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781526141255 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
| _version_ | 1804186009228804096 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Beugnet, Martine |
| author_facet | Beugnet, Martine |
| author_role | aut |
| author_sort | Beugnet, Martine |
| author_variant | m b mb |
| building | Verbundindex |
| bvnumber | BV048724611 |
| contents | Introduction --1. Foreignness and the aesthetics of the unsaid --2. Screening exile --3. The mise en scène of desir -- Towards a cinema of the senses --Conclusion --Filmography --Select bibliography |
| ctrlnum | (DE-599)BVBBV048724611 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02076nmm a2200313zc 4500</leader><controlfield tag="001">BV048724611</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231022s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781526141255</subfield><subfield code="9">9781526141255</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048724611</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Beugnet, Martine</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Claire Denis</subfield><subfield code="c">Martine Beugnet</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Manchester, UK</subfield><subfield code="b">Manchester University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">©2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 211 pages)</subfield><subfield code="b">illustrations; digital, PDF file(s)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references, filmography and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction --1. Foreignness and the aesthetics of the unsaid --2. Screening exile --3. The mise en scène of desir -- Towards a cinema of the senses --Conclusion --Filmography --Select bibliography</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">'Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Beau Travail' (2000) and 'Trouble Every Day' (2001)). Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date' --Back cover</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Manchester University Press</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034668792</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://dx.doi.org/10.7765/9781526141255</subfield><subfield code="3">Volltext</subfield><subfield code="l">FKWA1</subfield></datafield></record></collection> |
| id | DE-604.BV048724611 |
| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:18Z |
| institution | BVB |
| isbn | 9781526141255 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668792 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 1 online resource (viii, 211 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2004 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Beugnet, Martine Verfasser aut Claire Denis Martine Beugnet Manchester, UK Manchester University Press 2019 ©2004 1 online resource (viii, 211 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Introduction --1. Foreignness and the aesthetics of the unsaid --2. Screening exile --3. The mise en scène of desir -- Towards a cinema of the senses --Conclusion --Filmography --Select bibliography 'Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Beau Travail' (2000) and 'Trouble Every Day' (2001)). Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Beugnet, Martine Claire Denis Introduction --1. Foreignness and the aesthetics of the unsaid --2. Screening exile --3. The mise en scène of desir -- Towards a cinema of the senses --Conclusion --Filmography --Select bibliography |
| title | Claire Denis |
| title_auth | Claire Denis |
| title_exact_search | Claire Denis |
| title_exact_search_txtP | Claire Denis |
| title_full | Claire Denis Martine Beugnet |
| title_fullStr | Claire Denis Martine Beugnet |
| title_full_unstemmed | Claire Denis Martine Beugnet |
| title_short | Claire Denis |
| title_sort | claire denis |
| work_keys_str_mv | AT beugnetmartine clairedenis AT manchesteruniversitypress clairedenis |