Cinema - Italy:
'A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2010 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini’s Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell’Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò' --Back cover |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 online resource (xiv, 159 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141231 |
Internformat
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| 100 | 1 | |a Parigi, Stefania |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Cinema - Italy |c Stefania Parigi ; translated with a preface by Sam Rohdie ; edited by Sam Rohdie and Des O'Rawe |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
| 264 | 1 | |c ©2010 | |
| 300 | |a 1 online resource (xiv, 159 pages) |b illustrations; digital, PDF file(s) | ||
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| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Acknowledgements --List of illustrations --Preface --Introduction --1. Cesare Zavattin -- neorealism --2. *Paisà*: light --3. *La Terra Trema*: language --4. *The Leopard*: settings --5. *Vaghe Stell dell’Orse ...*: remembrances --6. Pasolini: heaven and earth --7. From *Il Decameron* to *Salò*: rewriting --Select bibliography --Select filmography --Index | |
| 520 | |a 'A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini’s Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell’Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò' --Back cover | ||
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| 700 | 1 | |a O'Rawe, Des |4 edt | |
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Datensatz im Suchindex
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| author | Parigi, Stefania |
| author2 | Rohdie, Sam O'Rawe, Des |
| author2_role | edt edt |
| author2_variant | s r sr d o do |
| author_facet | Parigi, Stefania Rohdie, Sam O'Rawe, Des |
| author_role | aut |
| author_sort | Parigi, Stefania |
| author_variant | s p sp |
| building | Verbundindex |
| bvnumber | BV048724609 |
| contents | Acknowledgements --List of illustrations --Preface --Introduction --1. Cesare Zavattin -- neorealism --2. *Paisà*: light --3. *La Terra Trema*: language --4. *The Leopard*: settings --5. *Vaghe Stell dell’Orse ...*: remembrances --6. Pasolini: heaven and earth --7. From *Il Decameron* to *Salò*: rewriting --Select bibliography --Select filmography --Index |
| ctrlnum | (DE-599)BVBBV048724609 |
| format | Electronic eBook |
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| illustrated | Illustrated |
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| indexdate | 2024-07-10T10:04:18Z |
| institution | BVB |
| isbn | 9781526141231 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668790 |
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| physical | 1 online resource (xiv, 159 pages) illustrations; digital, PDF file(s) |
| publishDate | 2019 2010 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Parigi, Stefania Verfasser aut Cinema - Italy Stefania Parigi ; translated with a preface by Sam Rohdie ; edited by Sam Rohdie and Des O'Rawe Manchester, UK Manchester University Press 2019 ©2010 1 online resource (xiv, 159 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Acknowledgements --List of illustrations --Preface --Introduction --1. Cesare Zavattin -- neorealism --2. *Paisà*: light --3. *La Terra Trema*: language --4. *The Leopard*: settings --5. *Vaghe Stell dell’Orse ...*: remembrances --6. Pasolini: heaven and earth --7. From *Il Decameron* to *Salò*: rewriting --Select bibliography --Select filmography --Index 'A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini’s Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell’Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò' --Back cover Rohdie, Sam edt O'Rawe, Des edt Manchester University Press Sonstige oth |
| spellingShingle | Parigi, Stefania Cinema - Italy Acknowledgements --List of illustrations --Preface --Introduction --1. Cesare Zavattin -- neorealism --2. *Paisà*: light --3. *La Terra Trema*: language --4. *The Leopard*: settings --5. *Vaghe Stell dell’Orse ...*: remembrances --6. Pasolini: heaven and earth --7. From *Il Decameron* to *Salò*: rewriting --Select bibliography --Select filmography --Index |
| title | Cinema - Italy |
| title_auth | Cinema - Italy |
| title_exact_search | Cinema - Italy |
| title_exact_search_txtP | Cinema - Italy |
| title_full | Cinema - Italy Stefania Parigi ; translated with a preface by Sam Rohdie ; edited by Sam Rohdie and Des O'Rawe |
| title_fullStr | Cinema - Italy Stefania Parigi ; translated with a preface by Sam Rohdie ; edited by Sam Rohdie and Des O'Rawe |
| title_full_unstemmed | Cinema - Italy Stefania Parigi ; translated with a preface by Sam Rohdie ; edited by Sam Rohdie and Des O'Rawe |
| title_short | Cinema - Italy |
| title_sort | cinema italy |
| work_keys_str_mv | AT parigistefania cinemaitaly AT rohdiesam cinemaitaly AT orawedes cinemaitaly AT manchesteruniversitypress cinemaitaly |