Chris Marker:
'Since the early 1950s, Chris Marker has embraced different filmmaking styles as readily as he has new technologies, and has broadened conceptions of the documentary in distinctly personal ways. He has travelled around the world, tracking political upheavals and historic events, as well as unea...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2008
©2008 |
| Ausgabe: | First published |
| Schriftenreihe: | French film directors
|
| Schlagworte: | |
| Online-Zugang: | DE-Po75 DE-188 Volltext |
| Zusammenfassung: | 'Since the early 1950s, Chris Marker has embraced different filmmaking styles as readily as he has new technologies, and has broadened conceptions of the documentary in distinctly personal ways. He has travelled around the world, tracking political upheavals and historic events, as well as unearthing the stories buried under official reporting. This globetrotting filmmaker testifies to his six decades on the move through a passionate devotion to the moving image. Yet from the outset, his filmic images reveal a fascination with stillness. It is at this juncture of mobility and immobility that Sarah Cooper situates her comprehensive study of Marker’s films. She pays attention to the central place that photographs occupy in his work, as well as to the emergence in his filming of statuary, painting and other static images, including the film still, and his interest in fixed frame shooting. She engages with key debates in photographic and film theory in order to argue that a different conception of time emerges from his filmic explorations of stasis. In detailed readings of each of his films, including Le souvenir d'un avenir andLa Jetee, Sans soleil and Level 5, Cooper charts Marker’s concern with mortality in varied historical and geographical contexts, which embraces the fragility of the human race, along with that of the planet' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (x, 204 Seiten) Illustrationen |
| ISBN: | 9781526141224 |
| DOI: | 10.7765/9781526141224 |
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| 490 | 0 | |a French film directors | |
| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Acknowledgements --Introductio -- Screening Life --1. The Early Years: 1950-1961 --2. A Second Beginning: 1962-1966 --3. Collective Endeavour: 1967-1977 --4. Continuity and Change: The 1980s --5. Level 5 and Beyond: 1990 Onwards --Concluding Remarks --Filmography --Select Bibliography | |
| 520 | |a 'Since the early 1950s, Chris Marker has embraced different filmmaking styles as readily as he has new technologies, and has broadened conceptions of the documentary in distinctly personal ways. He has travelled around the world, tracking political upheavals and historic events, as well as unearthing the stories buried under official reporting. This globetrotting filmmaker testifies to his six decades on the move through a passionate devotion to the moving image. Yet from the outset, his filmic images reveal a fascination with stillness. It is at this juncture of mobility and immobility that Sarah Cooper situates her comprehensive study of Marker’s films. She pays attention to the central place that photographs occupy in his work, as well as to the emergence in his filming of statuary, painting and other static images, including the film still, and his interest in fixed frame shooting. She engages with key debates in photographic and film theory in order to argue that a different conception of time emerges from his filmic explorations of stasis. In detailed readings of each of his films, including Le souvenir d'un avenir andLa Jetee, Sans soleil and Level 5, Cooper charts Marker’s concern with mortality in varied historical and geographical contexts, which embraces the fragility of the human race, along with that of the planet' --Back cover | ||
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Datensatz im Suchindex
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| author | Cooper, Sarah 1971- |
| author_GND | (DE-588)1036243400 |
| author_facet | Cooper, Sarah 1971- |
| author_role | aut |
| author_sort | Cooper, Sarah 1971- |
| author_variant | s c sc |
| building | Verbundindex |
| bvnumber | BV048724608 |
| collection | ZDB-201-MGF |
| contents | Acknowledgements --Introductio -- Screening Life --1. The Early Years: 1950-1961 --2. A Second Beginning: 1962-1966 --3. Collective Endeavour: 1967-1977 --4. Continuity and Change: The 1980s --5. Level 5 and Beyond: 1990 Onwards --Concluding Remarks --Filmography --Select Bibliography |
| ctrlnum | (OCoLC)1454743899 (DE-599)BVBBV048724608 |
| dewey-full | 791.430233092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430233092 |
| dewey-search | 791.430233092 |
| dewey-sort | 3791.430233092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.7765/9781526141224 |
| edition | First published |
| format | Electronic eBook |
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| id | DE-604.BV048724608 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-09-10T00:29:27Z |
| institution | BVB |
| isbn | 9781526141224 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668789 |
| oclc_num | 1454743899 |
| open_access_boolean | |
| owner | DE-Po75 DE-188 |
| owner_facet | DE-Po75 DE-188 |
| physical | 1 online resource (x, 204 Seiten) Illustrationen |
| psigel | ZDB-201-MGF |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Manchester University Press |
| record_format | marc |
| series2 | French film directors |
| spelling | Cooper, Sarah 1971- Verfasser (DE-588)1036243400 aut Chris Marker Sarah Cooper Manchester, UK Manchester University Press 2008 ©2008 1 online resource (x, 204 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier French film directors Includes bibliographical references, filmography and index Acknowledgements --Introductio -- Screening Life --1. The Early Years: 1950-1961 --2. A Second Beginning: 1962-1966 --3. Collective Endeavour: 1967-1977 --4. Continuity and Change: The 1980s --5. Level 5 and Beyond: 1990 Onwards --Concluding Remarks --Filmography --Select Bibliography 'Since the early 1950s, Chris Marker has embraced different filmmaking styles as readily as he has new technologies, and has broadened conceptions of the documentary in distinctly personal ways. He has travelled around the world, tracking political upheavals and historic events, as well as unearthing the stories buried under official reporting. This globetrotting filmmaker testifies to his six decades on the move through a passionate devotion to the moving image. Yet from the outset, his filmic images reveal a fascination with stillness. It is at this juncture of mobility and immobility that Sarah Cooper situates her comprehensive study of Marker’s films. She pays attention to the central place that photographs occupy in his work, as well as to the emergence in his filming of statuary, painting and other static images, including the film still, and his interest in fixed frame shooting. She engages with key debates in photographic and film theory in order to argue that a different conception of time emerges from his filmic explorations of stasis. In detailed readings of each of his films, including Le souvenir d'un avenir andLa Jetee, Sans soleil and Level 5, Cooper charts Marker’s concern with mortality in varied historical and geographical contexts, which embraces the fragility of the human race, along with that of the planet' --Back cover Marker, Chris / 1921- / Criticism and interpretation Marker, Chris <1921-> Criticism and interpretation Marker, Chris 1921-2012 (DE-588)119261464 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Marker, Chris 1921-2012 (DE-588)119261464 p Film (DE-588)4017102-4 s DE-604 Erscheint auch als Druck-Ausgabe https://doi.org/10.7765/9781526141224 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cooper, Sarah 1971- Chris Marker Acknowledgements --Introductio -- Screening Life --1. The Early Years: 1950-1961 --2. A Second Beginning: 1962-1966 --3. Collective Endeavour: 1967-1977 --4. Continuity and Change: The 1980s --5. Level 5 and Beyond: 1990 Onwards --Concluding Remarks --Filmography --Select Bibliography Marker, Chris / 1921- / Criticism and interpretation Marker, Chris <1921-> Criticism and interpretation Marker, Chris 1921-2012 (DE-588)119261464 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119261464 (DE-588)4017102-4 |
| title | Chris Marker |
| title_auth | Chris Marker |
| title_exact_search | Chris Marker |
| title_exact_search_txtP | Chris Marker |
| title_full | Chris Marker Sarah Cooper |
| title_fullStr | Chris Marker Sarah Cooper |
| title_full_unstemmed | Chris Marker Sarah Cooper |
| title_short | Chris Marker |
| title_sort | chris marker |
| topic | Marker, Chris / 1921- / Criticism and interpretation Marker, Chris <1921-> Criticism and interpretation Marker, Chris 1921-2012 (DE-588)119261464 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Marker, Chris / 1921- / Criticism and interpretation Marker, Chris <1921-> Criticism and interpretation Marker, Chris 1921-2012 Film |
| url | https://doi.org/10.7765/9781526141224 |
| work_keys_str_mv | AT coopersarah chrismarker |