Chantal Akerman:
Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women’s and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romant...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2010 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women’s and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romantic comedies, and from documentaries and musicals to installation art. This book traces the director’s career at the crossroads between experimental and mainstream cinema, contextualising her work within the American avant-garde of the 1970s, European anti-naturalism, feminism and the post-modern aesthetics. While offering an in-depth analysis of her multi-faceted film style, it also stresses the social and ethical dimension of her work, especially as regards her representation of marginal groups and her exploration of exilic and diasporic identities. Particular attention is given to the inscription of the Holocaust and of Jewish memory in her films |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (x, 192 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526141217 |
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| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a List of Plates --Series editor’s foreword --Acknowledgments --Introductio -- the multiple faces of Chantal Akerman --1. The 1970s: anatomy of an avant-garde --2. The golden 80s: performance, parody, identity --3. The archaeology of suffering --4. Love and intimacy in a post-lapsarian world --Filmography --Select bibliography --Index | |
| 520 | |a Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women’s and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romantic comedies, and from documentaries and musicals to installation art. This book traces the director’s career at the crossroads between experimental and mainstream cinema, contextualising her work within the American avant-garde of the 1970s, European anti-naturalism, feminism and the post-modern aesthetics. While offering an in-depth analysis of her multi-faceted film style, it also stresses the social and ethical dimension of her work, especially as regards her representation of marginal groups and her exploration of exilic and diasporic identities. Particular attention is given to the inscription of the Holocaust and of Jewish memory in her films | ||
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Datensatz im Suchindex
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| contents | List of Plates --Series editor’s foreword --Acknowledgments --Introductio -- the multiple faces of Chantal Akerman --1. The 1970s: anatomy of an avant-garde --2. The golden 80s: performance, parody, identity --3. The archaeology of suffering --4. Love and intimacy in a post-lapsarian world --Filmography --Select bibliography --Index |
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| spelling | Schmid, Marion Verfasser aut Chantal Akerman Marion Schmid Manchester, UK Manchester University Press 2019 ©2010 1 online resource (x, 192 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index List of Plates --Series editor’s foreword --Acknowledgments --Introductio -- the multiple faces of Chantal Akerman --1. The 1970s: anatomy of an avant-garde --2. The golden 80s: performance, parody, identity --3. The archaeology of suffering --4. Love and intimacy in a post-lapsarian world --Filmography --Select bibliography --Index Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women’s and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romantic comedies, and from documentaries and musicals to installation art. This book traces the director’s career at the crossroads between experimental and mainstream cinema, contextualising her work within the American avant-garde of the 1970s, European anti-naturalism, feminism and the post-modern aesthetics. While offering an in-depth analysis of her multi-faceted film style, it also stresses the social and ethical dimension of her work, especially as regards her representation of marginal groups and her exploration of exilic and diasporic identities. Particular attention is given to the inscription of the Holocaust and of Jewish memory in her films Manchester University Press Sonstige oth |
| spellingShingle | Schmid, Marion Chantal Akerman List of Plates --Series editor’s foreword --Acknowledgments --Introductio -- the multiple faces of Chantal Akerman --1. The 1970s: anatomy of an avant-garde --2. The golden 80s: performance, parody, identity --3. The archaeology of suffering --4. Love and intimacy in a post-lapsarian world --Filmography --Select bibliography --Index |
| title | Chantal Akerman |
| title_auth | Chantal Akerman |
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