Alejandro Amenábar:
'Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, its ‘King Midas’ - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the bigg...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2012 |
Online-Zugang: | FKWA1 |
Zusammenfassung: | 'Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, its ‘King Midas’ - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the biggest grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim (including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). Having eclipsed Almodóvar, he now stands at the apex of the Spanish film industry and is widely regarded as Spain’s best international director. This book seeks to explain how and why this happened.With Alejandro Amenábar, Jordan provides the first full-length study in English of Amenábar’s shorts and feature films. Known for his spectacular imagery, sophisticated editing, memorable sound-tracks and challenging subject matter, Jordan shows how Amenábar makes a serious and socially aware, exportable ‘middlebrow’ cinema, designed for global audiences. There is also a detailed analysis of his engagement with popular film genres as the basis for an auteur cinema, and Jordan incorporates a reappraisal of Amenábar’s auteurism as fundamentally decentred and shared. The book will be an essential resource for teachers, students, scholars and fans of Amenábar. It will also appeal to a wider readership, such as those who work in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and World cinema' --Back cover Since the release of his first feature in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for <i>Mar Adentro</i>/<i>The Sea Inside</i>, 2004. This book is the first full-length study in English of Amenábar’s shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 1 online resource (viii, 311 pages) digital, PDF file(s) |
Zielpublikum: | [See 'Market' or 'Audience' column on the spreadsheet, eg. 'Students and academics in IR, security studies, politics'.] |
ISBN: | 9781526141163 |
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500 | |a Includes bibliographical references and index | ||
505 | 0 | |a 1. Young Orson, King Midas and the emerging auteur --2. From film freak to jack-of-all-trades --3. The violent imag -- <i>Tesis</i> --4. Life, death and the Disneyland question: <i>Abre los ojos</i> --5. Clean, quiet, scary movies: <i>The Others</i> --6. Fighting to die: <i>Mar Adentro</i> --7. The rage of unreason: <i>Agora</i> --8. Afterword/post-script --Index | |
520 | |a 'Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, its ‘King Midas’ - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the biggest grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim (including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). Having eclipsed Almodóvar, he now stands at the apex of the Spanish film industry and is widely regarded as Spain’s best international director. This book seeks to explain how and why this happened.With Alejandro Amenábar, Jordan provides the first full-length study in English of Amenábar’s shorts and feature films. Known for his spectacular imagery, sophisticated editing, memorable sound-tracks and challenging subject matter, Jordan shows how Amenábar makes a serious and socially aware, exportable ‘middlebrow’ cinema, designed for global audiences. There is also a detailed analysis of his engagement with popular film genres as the basis for an auteur cinema, and Jordan incorporates a reappraisal of Amenábar’s auteurism as fundamentally decentred and shared. The book will be an essential resource for teachers, students, scholars and fans of Amenábar. It will also appeal to a wider readership, such as those who work in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and World cinema' --Back cover | ||
520 | |a Since the release of his first feature in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for <i>Mar Adentro</i>/<i>The Sea Inside</i>, 2004. This book is the first full-length study in English of Amenábar’s shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema | ||
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Datensatz im Suchindex
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author | Jordan, Barry |
author_facet | Jordan, Barry |
author_role | aut |
author_sort | Jordan, Barry |
author_variant | b j bj |
building | Verbundindex |
bvnumber | BV048724602 |
contents | 1. Young Orson, King Midas and the emerging auteur --2. From film freak to jack-of-all-trades --3. The violent imag -- <i>Tesis</i> --4. Life, death and the Disneyland question: <i>Abre los ojos</i> --5. Clean, quiet, scary movies: <i>The Others</i> --6. Fighting to die: <i>Mar Adentro</i> --7. The rage of unreason: <i>Agora</i> --8. Afterword/post-script --Index |
ctrlnum | (DE-599)BVBBV048724602 |
format | Electronic eBook |
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id | DE-604.BV048724602 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:57:05Z |
indexdate | 2024-07-10T10:04:18Z |
institution | BVB |
isbn | 9781526141163 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668783 |
open_access_boolean | |
owner | DE-Po75 |
owner_facet | DE-Po75 |
physical | 1 online resource (viii, 311 pages) digital, PDF file(s) |
publishDate | 2019 2012 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Manchester University Press |
record_format | marc |
spelling | Jordan, Barry Verfasser aut Alejandro Amenábar Barry Jordan Manchester, UK Manchester University Press 2019 ©2012 1 online resource (viii, 311 pages) digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index 1. Young Orson, King Midas and the emerging auteur --2. From film freak to jack-of-all-trades --3. The violent imag -- <i>Tesis</i> --4. Life, death and the Disneyland question: <i>Abre los ojos</i> --5. Clean, quiet, scary movies: <i>The Others</i> --6. Fighting to die: <i>Mar Adentro</i> --7. The rage of unreason: <i>Agora</i> --8. Afterword/post-script --Index 'Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, its ‘King Midas’ - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the biggest grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim (including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). Having eclipsed Almodóvar, he now stands at the apex of the Spanish film industry and is widely regarded as Spain’s best international director. This book seeks to explain how and why this happened.With Alejandro Amenábar, Jordan provides the first full-length study in English of Amenábar’s shorts and feature films. Known for his spectacular imagery, sophisticated editing, memorable sound-tracks and challenging subject matter, Jordan shows how Amenábar makes a serious and socially aware, exportable ‘middlebrow’ cinema, designed for global audiences. There is also a detailed analysis of his engagement with popular film genres as the basis for an auteur cinema, and Jordan incorporates a reappraisal of Amenábar’s auteurism as fundamentally decentred and shared. The book will be an essential resource for teachers, students, scholars and fans of Amenábar. It will also appeal to a wider readership, such as those who work in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and World cinema' --Back cover Since the release of his first feature in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for <i>Mar Adentro</i>/<i>The Sea Inside</i>, 2004. This book is the first full-length study in English of Amenábar’s shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema [See 'Market' or 'Audience' column on the spreadsheet, eg. 'Students and academics in IR, security studies, politics'.] Manchester University Press Sonstige oth |
spellingShingle | Jordan, Barry Alejandro Amenábar 1. Young Orson, King Midas and the emerging auteur --2. From film freak to jack-of-all-trades --3. The violent imag -- <i>Tesis</i> --4. Life, death and the Disneyland question: <i>Abre los ojos</i> --5. Clean, quiet, scary movies: <i>The Others</i> --6. Fighting to die: <i>Mar Adentro</i> --7. The rage of unreason: <i>Agora</i> --8. Afterword/post-script --Index |
title | Alejandro Amenábar |
title_auth | Alejandro Amenábar |
title_exact_search | Alejandro Amenábar |
title_exact_search_txtP | Alejandro Amenábar |
title_full | Alejandro Amenábar Barry Jordan |
title_fullStr | Alejandro Amenábar Barry Jordan |
title_full_unstemmed | Alejandro Amenábar Barry Jordan |
title_short | Alejandro Amenábar |
title_sort | alejandro amenabar |
work_keys_str_mv | AT jordanbarry alejandroamenabar AT manchesteruniversitypress alejandroamenabar |