Jacques Demy:
'Saccharine for some, poignant for others, Jacques Demy’s ‘enchanted’ world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d’âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Roc...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2016
©2014 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'Saccharine for some, poignant for others, Jacques Demy’s ‘enchanted’ world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d’âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d’Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will.This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (x, 196 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781526111357 |
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| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Introductio -- ‘Un demi, Jacques, bien frais, avec de la mousse’: background and early filmmaking --1. Jacques Demy, the Nouvelle Vague and beyond --2. Melodic reconfigurations: Demy’s musicals --3. Fantasy and its disenchantments: fairytale, fable and myth in the Demy-monde --4. Gender and sexuality in the Demy-monde --5. Mythologising Demy --Concluding remarks --Filmography --Select bibliography --Index | |
| 520 | |a 'Saccharine for some, poignant for others, Jacques Demy’s ‘enchanted’ world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d’âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d’Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will.This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers' --Back cover | ||
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Datensatz im Suchindex
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| author | Waldron, Darren |
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| bvnumber | BV048724584 |
| contents | Introductio -- ‘Un demi, Jacques, bien frais, avec de la mousse’: background and early filmmaking --1. Jacques Demy, the Nouvelle Vague and beyond --2. Melodic reconfigurations: Demy’s musicals --3. Fantasy and its disenchantments: fairytale, fable and myth in the Demy-monde --4. Gender and sexuality in the Demy-monde --5. Mythologising Demy --Concluding remarks --Filmography --Select bibliography --Index |
| ctrlnum | (DE-599)BVBBV048724584 |
| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:18Z |
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| isbn | 9781526111357 |
| language | English |
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| physical | 1 online resource (x, 196 pages) illustrations; digital, PDF file(s) |
| publishDate | 2016 2014 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Waldron, Darren Verfasser aut Jacques Demy Darren Waldron Manchester, UK Manchester University Press 2016 ©2014 1 online resource (x, 196 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Introductio -- ‘Un demi, Jacques, bien frais, avec de la mousse’: background and early filmmaking --1. Jacques Demy, the Nouvelle Vague and beyond --2. Melodic reconfigurations: Demy’s musicals --3. Fantasy and its disenchantments: fairytale, fable and myth in the Demy-monde --4. Gender and sexuality in the Demy-monde --5. Mythologising Demy --Concluding remarks --Filmography --Select bibliography --Index 'Saccharine for some, poignant for others, Jacques Demy’s ‘enchanted’ world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d’âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d’Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will.This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Waldron, Darren Jacques Demy Introductio -- ‘Un demi, Jacques, bien frais, avec de la mousse’: background and early filmmaking --1. Jacques Demy, the Nouvelle Vague and beyond --2. Melodic reconfigurations: Demy’s musicals --3. Fantasy and its disenchantments: fairytale, fable and myth in the Demy-monde --4. Gender and sexuality in the Demy-monde --5. Mythologising Demy --Concluding remarks --Filmography --Select bibliography --Index |
| title | Jacques Demy |
| title_auth | Jacques Demy |
| title_exact_search | Jacques Demy |
| title_exact_search_txtP | Jacques Demy |
| title_full | Jacques Demy Darren Waldron |
| title_fullStr | Jacques Demy Darren Waldron |
| title_full_unstemmed | Jacques Demy Darren Waldron |
| title_short | Jacques Demy |
| title_sort | jacques demy |
| work_keys_str_mv | AT waldrondarren jacquesdemy AT manchesteruniversitypress jacquesdemy |