British rural landscapes on film:
'British rural landscapes on film is the first book to exclusively deal with cinematic representations of the British countryside. It offers original insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-firs...
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Weitere Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester, UK
Manchester University Press
2016
©2016 |
Online-Zugang: | FKWA1 |
Zusammenfassung: | 'British rural landscapes on film is the first book to exclusively deal with cinematic representations of the British countryside. It offers original insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It balances new scholarly articles with interviews with two key contemporary British filmmakers (Patrick Keiller and Gideon Koppel). The contributors to British rural landscapes on film demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which contested cultural identities have been (and continue to be) worked through. The diverse and varied essays in the this book draw on a range of popular and alternative films and genres in order to demonstrate how far film representations come to shape - and be shaped by - the material and embodied circumstances of what we might think of as ‘lived’ rural experience. They also show how representations of British rural landscapes in films often drawn on tropes previously seen in literature and art. Contributors to this collection are particularly interested in questions of modernity versus tradition, nationhood, and the relationship between the global and the local. British rural landscapes on film will be of interest to scholars of British cinema history, British film, cultural geography and rural studies in particular, as well as the general reader' --Back cover British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 1 online resource (xi, 206 pages) illustrations; digital, PDF file(s) |
ISBN: | 9781526104687 |
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245 | 1 | 0 | |a British rural landscapes on film |c edited by Paul Newland |
264 | 1 | |a Manchester, UK |b Manchester University Press |c 2016 | |
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500 | |a Includes bibliographical references and index | ||
505 | 0 | |a Introductio -- approaching British rural landscapes on film / Paul Newland --1. Silent landscapes: rural settings, national identity and British silent cinema / Andrew Higson --2. British landscapes in pre-Second World War film publicity / Paul Moody --3. Rural imagery in World War Two British cinema / Tom Ryall --4. 'An unlimited field for experiment': Britain's stereoscopic landscapes / Keith M. Johnston --5. The figure (and disfigurement) in the landscape: <i>The Go-Between's</i> picturesque / Mark Broughton --6. 'Here is Wales, there England': Contested borders and blurred boundaries in <i>On the Black Hill </i> / Kate Woodward --7. Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema / Duncan Petrie --8. Fantasy, fallacy and allusion: reconceptualizing British landscapes through the lens of children's cinema / Suzanne Speidel --9. Picturesque, pastoral and dirty: uncivilised topographies in <i>Jane Eyre</i> and <i>Wuthering Heigh | |
520 | |a 'British rural landscapes on film is the first book to exclusively deal with cinematic representations of the British countryside. It offers original insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It balances new scholarly articles with interviews with two key contemporary British filmmakers (Patrick Keiller and Gideon Koppel). The contributors to British rural landscapes on film demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which contested cultural identities have been (and continue to be) worked through. The diverse and varied essays in the this book draw on a range of popular and alternative films and genres in order to demonstrate how far film representations come to shape - and be shaped by - the material and embodied circumstances of what we might think of as ‘lived’ rural experience. They also show how representations of British rural landscapes in films often drawn on tropes previously seen in literature and art. Contributors to this collection are particularly interested in questions of modernity versus tradition, nationhood, and the relationship between the global and the local. British rural landscapes on film will be of interest to scholars of British cinema history, British film, cultural geography and rural studies in particular, as well as the general reader' --Back cover | ||
520 | |a British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit | ||
700 | 1 | |a Newland, Paul |4 edt | |
710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034668760 | ||
966 | e | |u https://dx.doi.org/10.7765/9781526104687 |3 Volltext |l FKWA1 |
Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Newland, Paul |
author2_role | edt |
author2_variant | p n pn |
author_facet | Newland, Paul |
building | Verbundindex |
bvnumber | BV048724579 |
contents | Introductio -- approaching British rural landscapes on film / Paul Newland --1. Silent landscapes: rural settings, national identity and British silent cinema / Andrew Higson --2. British landscapes in pre-Second World War film publicity / Paul Moody --3. Rural imagery in World War Two British cinema / Tom Ryall --4. 'An unlimited field for experiment': Britain's stereoscopic landscapes / Keith M. Johnston --5. The figure (and disfigurement) in the landscape: <i>The Go-Between's</i> picturesque / Mark Broughton --6. 'Here is Wales, there England': Contested borders and blurred boundaries in <i>On the Black Hill </i> / Kate Woodward --7. Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema / Duncan Petrie --8. Fantasy, fallacy and allusion: reconceptualizing British landscapes through the lens of children's cinema / Suzanne Speidel --9. Picturesque, pastoral and dirty: uncivilised topographies in <i>Jane Eyre</i> and <i>Wuthering Heigh |
ctrlnum | (DE-599)BVBBV048724579 |
format | Electronic eBook |
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id | DE-604.BV048724579 |
illustrated | Illustrated |
index_date | 2024-07-03T22:57:05Z |
indexdate | 2024-07-10T10:04:18Z |
institution | BVB |
isbn | 9781526104687 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668760 |
open_access_boolean | |
owner | DE-Po75 |
owner_facet | DE-Po75 |
physical | 1 online resource (xi, 206 pages) illustrations; digital, PDF file(s) |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Manchester University Press |
record_format | marc |
spelling | British rural landscapes on film edited by Paul Newland Manchester, UK Manchester University Press 2016 ©2016 1 online resource (xi, 206 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introductio -- approaching British rural landscapes on film / Paul Newland --1. Silent landscapes: rural settings, national identity and British silent cinema / Andrew Higson --2. British landscapes in pre-Second World War film publicity / Paul Moody --3. Rural imagery in World War Two British cinema / Tom Ryall --4. 'An unlimited field for experiment': Britain's stereoscopic landscapes / Keith M. Johnston --5. The figure (and disfigurement) in the landscape: <i>The Go-Between's</i> picturesque / Mark Broughton --6. 'Here is Wales, there England': Contested borders and blurred boundaries in <i>On the Black Hill </i> / Kate Woodward --7. Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema / Duncan Petrie --8. Fantasy, fallacy and allusion: reconceptualizing British landscapes through the lens of children's cinema / Suzanne Speidel --9. Picturesque, pastoral and dirty: uncivilised topographies in <i>Jane Eyre</i> and <i>Wuthering Heigh 'British rural landscapes on film is the first book to exclusively deal with cinematic representations of the British countryside. It offers original insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It balances new scholarly articles with interviews with two key contemporary British filmmakers (Patrick Keiller and Gideon Koppel). The contributors to British rural landscapes on film demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which contested cultural identities have been (and continue to be) worked through. The diverse and varied essays in the this book draw on a range of popular and alternative films and genres in order to demonstrate how far film representations come to shape - and be shaped by - the material and embodied circumstances of what we might think of as ‘lived’ rural experience. They also show how representations of British rural landscapes in films often drawn on tropes previously seen in literature and art. Contributors to this collection are particularly interested in questions of modernity versus tradition, nationhood, and the relationship between the global and the local. British rural landscapes on film will be of interest to scholars of British cinema history, British film, cultural geography and rural studies in particular, as well as the general reader' --Back cover British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit Newland, Paul edt Manchester University Press Sonstige oth |
spellingShingle | British rural landscapes on film Introductio -- approaching British rural landscapes on film / Paul Newland --1. Silent landscapes: rural settings, national identity and British silent cinema / Andrew Higson --2. British landscapes in pre-Second World War film publicity / Paul Moody --3. Rural imagery in World War Two British cinema / Tom Ryall --4. 'An unlimited field for experiment': Britain's stereoscopic landscapes / Keith M. Johnston --5. The figure (and disfigurement) in the landscape: <i>The Go-Between's</i> picturesque / Mark Broughton --6. 'Here is Wales, there England': Contested borders and blurred boundaries in <i>On the Black Hill </i> / Kate Woodward --7. Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema / Duncan Petrie --8. Fantasy, fallacy and allusion: reconceptualizing British landscapes through the lens of children's cinema / Suzanne Speidel --9. Picturesque, pastoral and dirty: uncivilised topographies in <i>Jane Eyre</i> and <i>Wuthering Heigh |
title | British rural landscapes on film |
title_auth | British rural landscapes on film |
title_exact_search | British rural landscapes on film |
title_exact_search_txtP | British rural landscapes on film |
title_full | British rural landscapes on film edited by Paul Newland |
title_fullStr | British rural landscapes on film edited by Paul Newland |
title_full_unstemmed | British rural landscapes on film edited by Paul Newland |
title_short | British rural landscapes on film |
title_sort | british rural landscapes on film |
work_keys_str_mv | AT newlandpaul britishrurallandscapesonfilm AT manchesteruniversitypress britishrurallandscapesonfilm |