Avant-Garde 3: Experimental Cinema, 1922-1954:
From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Video Software |
| Sprache: | Undetermined |
| Veröffentlicht: |
New York
Kino on Video
2009
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| Schlagworte: | |
| Zusammenfassung: | From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery. [Cover] "Rien que les heures" (1926): Früher Dokumentarfilm über die Stadt Paris, der Vorbild für viele andere Städteporträts wurde (rororo- Filmlexikon) |
| Beschreibung: | [2 DVD] (289 Min.) s/w Farbe : dolby digital stereo |
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| 246 | 1 | 3 | |a Disc 1: Danse Macabre (1922) - Dudley Murphy / Rien que les heures (1926) - Alberto Cavalcanti / The Tell-Tale Heart (1928) - Charles F. Klein / Tarantella (1940) - Mary Ellen Bute & Ted Nemeth / Tomatos Another Day (1930) - James Sibley Watson / The Uncomfortable Man (1948) - Kent Munson & Theodore Huff / The Petrified Dog (1948) - Sidney Peterson / The Lead Shoes (1949) - Sidney Peterson / Four in the Afternoon (1951) - James Broughton |
| 246 | 1 | 3 | |a Disc 2: Plague Summer (1951) - Chester Kessler / La mort du cerf [The Death of a Stag] (1951) - Dimitri Kirsanoff / Image in the Snow (1952) - Willard Maas / Celery Stalks at Midnight (1952) - John Whitney / The Voices (1953) - John E. Schmitz / Closed Vision (1954) - Marc'O / Episodes in the Life of a Gin Bottle (1925) - Bela von Block / Schichlegruber Doing the Lambeth Walk (1941) - Charles A. Ridley / Falling Pink - Robert H. Spring |
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| 520 | 8 | |a From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery. [Cover] | |
| 520 | 8 | |a "Rien que les heures" (1926): Früher Dokumentarfilm über die Stadt Paris, der Vorbild für viele andere Städteporträts wurde (rororo- Filmlexikon) | |
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| 700 | 1 | |a Cavalcanti, Alberto |4 drt | |
| 700 | 1 | |a Peterson, Sidney |4 drt | |
| 700 | 1 | |a Kirsanov, Dmitrij |4 drt | |
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Datensatz im Suchindex
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| index_date | 2024-07-03T22:56:30Z |
| indexdate | 2024-07-10T10:03:41Z |
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| spelling | Avant-Garde 3 Avant-Garde 3: Experimental Cinema, 1922-1954 Director: Alberto Cavalcanti ; Sidney Peterson ; Dimitri Kirsanoff ... Disc 1: Danse Macabre (1922) - Dudley Murphy / Rien que les heures (1926) - Alberto Cavalcanti / The Tell-Tale Heart (1928) - Charles F. Klein / Tarantella (1940) - Mary Ellen Bute & Ted Nemeth / Tomatos Another Day (1930) - James Sibley Watson / The Uncomfortable Man (1948) - Kent Munson & Theodore Huff / The Petrified Dog (1948) - Sidney Peterson / The Lead Shoes (1949) - Sidney Peterson / Four in the Afternoon (1951) - James Broughton Disc 2: Plague Summer (1951) - Chester Kessler / La mort du cerf [The Death of a Stag] (1951) - Dimitri Kirsanoff / Image in the Snow (1952) - Willard Maas / Celery Stalks at Midnight (1952) - John Whitney / The Voices (1953) - John E. Schmitz / Closed Vision (1954) - Marc'O / Episodes in the Life of a Gin Bottle (1925) - Bela von Block / Schichlegruber Doing the Lambeth Walk (1941) - Charles A. Ridley / Falling Pink - Robert H. Spring New York Kino on Video 2009 [2 DVD] (289 Min.) s/w Farbe : dolby digital stereo tdi rdacontent v rdamedia vd rdacarrier From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery. [Cover] "Rien que les heures" (1926): Früher Dokumentarfilm über die Stadt Paris, der Vorbild für viele andere Städteporträts wurde (rororo- Filmlexikon) Originalfassung DVD-Video gnd-carrier Cavalcanti, Alberto drt Peterson, Sidney drt Kirsanov, Dmitrij drt |
| spellingShingle | Avant-Garde 3: Experimental Cinema, 1922-1954 |
| title | Avant-Garde 3: Experimental Cinema, 1922-1954 |
| title_alt | Avant-Garde 3 Disc 1: Danse Macabre (1922) - Dudley Murphy / Rien que les heures (1926) - Alberto Cavalcanti / The Tell-Tale Heart (1928) - Charles F. Klein / Tarantella (1940) - Mary Ellen Bute & Ted Nemeth / Tomatos Another Day (1930) - James Sibley Watson / The Uncomfortable Man (1948) - Kent Munson & Theodore Huff / The Petrified Dog (1948) - Sidney Peterson / The Lead Shoes (1949) - Sidney Peterson / Four in the Afternoon (1951) - James Broughton Disc 2: Plague Summer (1951) - Chester Kessler / La mort du cerf [The Death of a Stag] (1951) - Dimitri Kirsanoff / Image in the Snow (1952) - Willard Maas / Celery Stalks at Midnight (1952) - John Whitney / The Voices (1953) - John E. Schmitz / Closed Vision (1954) - Marc'O / Episodes in the Life of a Gin Bottle (1925) - Bela von Block / Schichlegruber Doing the Lambeth Walk (1941) - Charles A. Ridley / Falling Pink - Robert H. Spring |
| title_auth | Avant-Garde 3: Experimental Cinema, 1922-1954 |
| title_exact_search | Avant-Garde 3: Experimental Cinema, 1922-1954 |
| title_exact_search_txtP | Avant-Garde 3: Experimental Cinema, 1922-1954 |
| title_full | Avant-Garde 3: Experimental Cinema, 1922-1954 Director: Alberto Cavalcanti ; Sidney Peterson ; Dimitri Kirsanoff ... |
| title_fullStr | Avant-Garde 3: Experimental Cinema, 1922-1954 Director: Alberto Cavalcanti ; Sidney Peterson ; Dimitri Kirsanoff ... |
| title_full_unstemmed | Avant-Garde 3: Experimental Cinema, 1922-1954 Director: Alberto Cavalcanti ; Sidney Peterson ; Dimitri Kirsanoff ... |
| title_short | Avant-Garde 3: Experimental Cinema, 1922-1954 |
| title_sort | avant garde 3 experimental cinema 1922 1954 |
| topic_facet | DVD-Video |
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