Marginal pleasure and auteurist cinema: the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon
This dissertation considers and evaluates French auteurist cinema in two contexts: first, in terms of the 1950s/1960s, a period during which the politique des auteurs became a salient part of film criticism nationally and internationally, and second, in terms of contemporary cinema in France today,...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
2005
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This dissertation considers and evaluates French auteurist cinema in two contexts: first, in terms of the 1950s/1960s, a period during which the politique des auteurs became a salient part of film criticism nationally and internationally, and second, in terms of contemporary cinema in France today, where the concept of auteur, though never completely forsaken since the Nouvelle Vague, has experienced a revival. A large amount of existing critical literature discusses various aspects of Robert Bresson and Jean-Luc Godard’s works, which coincide with the emergence and espousal of the politique, but critics and historians rarely consider the sexual politics of their cinema in much detail. With that in mind, I look closely at a selection of their films, which differ from other auteur works of the period in that they attempt to problematize gender difference and sexuality. The second part of the study examines the cinema of Catherine Breillat and François Ozon, whose works destabilize notions of gender (masculinity, femininity) and sexuality in an even more daring and explicit fashion. Their films, seldom discussed in the context of the politique des auteurs, will be examined as contemporary examples of auteurist cinema, but also in relation to the auteur cinema of the 1950s/1960s, in an attempt to determine both the continuity of the cinema of auteurs and the radical differences between these two periods of French film history. |
| Beschreibung: | 255 S. |
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| 520 | |a This dissertation considers and evaluates French auteurist cinema in two contexts: first, in terms of the 1950s/1960s, a period during which the politique des auteurs became a salient part of film criticism nationally and internationally, and second, in terms of contemporary cinema in France today, where the concept of auteur, though never completely forsaken since the Nouvelle Vague, has experienced a revival. A large amount of existing critical literature discusses various aspects of Robert Bresson and Jean-Luc Godard’s works, which coincide with the emergence and espousal of the politique, but critics and historians rarely consider the sexual politics of their cinema in much detail. With that in mind, I look closely at a selection of their films, which differ from other auteur works of the period in that they attempt to problematize gender difference and sexuality. The second part of the study examines the cinema of Catherine Breillat and François Ozon, whose works destabilize notions of gender (masculinity, femininity) and sexuality in an even more daring and explicit fashion. Their films, seldom discussed in the context of the politique des auteurs, will be examined as contemporary examples of auteurist cinema, but also in relation to the auteur cinema of the 1950s/1960s, in an attempt to determine both the continuity of the cinema of auteurs and the radical differences between these two periods of French film history. | ||
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| spelling | Schilt, Thibaut Verfasser aut Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon Thibaut Schilt 2005 255 S. txt rdacontent c rdamedia cr rdacarrier Columbus, Ohio State Univ., French and Italian, Diss., 2005 This dissertation considers and evaluates French auteurist cinema in two contexts: first, in terms of the 1950s/1960s, a period during which the politique des auteurs became a salient part of film criticism nationally and internationally, and second, in terms of contemporary cinema in France today, where the concept of auteur, though never completely forsaken since the Nouvelle Vague, has experienced a revival. A large amount of existing critical literature discusses various aspects of Robert Bresson and Jean-Luc Godard’s works, which coincide with the emergence and espousal of the politique, but critics and historians rarely consider the sexual politics of their cinema in much detail. With that in mind, I look closely at a selection of their films, which differ from other auteur works of the period in that they attempt to problematize gender difference and sexuality. The second part of the study examines the cinema of Catherine Breillat and François Ozon, whose works destabilize notions of gender (masculinity, femininity) and sexuality in an even more daring and explicit fashion. Their films, seldom discussed in the context of the politique des auteurs, will be examined as contemporary examples of auteurist cinema, but also in relation to the auteur cinema of the 1950s/1960s, in an attempt to determine both the continuity of the cinema of auteurs and the radical differences between these two periods of French film history. (DE-588)4113937-9 Hochschulschrift gnd-content http://rave.ohiolink.edu/etdc/view?acc_num=osu1116968586 Volltext |
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| title | Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon |
| title_auth | Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon |
| title_exact_search | Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon |
| title_exact_search_txtP | Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon |
| title_full | Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon Thibaut Schilt |
| title_fullStr | Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon Thibaut Schilt |
| title_full_unstemmed | Marginal pleasure and auteurist cinema the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon Thibaut Schilt |
| title_short | Marginal pleasure and auteurist cinema |
| title_sort | marginal pleasure and auteurist cinema the sexual politics of robert bresson jean luc godard catherine breillat and francois ozon |
| title_sub | the sexual politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon |
| topic_facet | Hochschulschrift |
| url | http://rave.ohiolink.edu/etdc/view?acc_num=osu1116968586 |
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