Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance: Early American Avant-Garde Film 1894-1941
Dance and film have shared the aspiration to creatively sculpt motion and time. Some of the first films ever made featured Annabelle's skirt dance, hand-painted in glowing colors. Isadora Duncan and Ruth St. Denis' innovations found their way into "Diana the Huntress" (1916) and...
Gespeichert in:
| Hauptverfasser: | , , |
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| Weitere Verfasser: | , , |
| Format: | Video Software |
| Sprache: | Undetermined |
| Veröffentlicht: |
Chatsworth
image Entertainment
2005
|
| Schriftenreihe: | Unseen Cinema
7 |
| Schlagworte: | |
| Zusammenfassung: | Dance and film have shared the aspiration to creatively sculpt motion and time. Some of the first films ever made featured Annabelle's skirt dance, hand-painted in glowing colors. Isadora Duncan and Ruth St. Denis' innovations found their way into "Diana the Huntress" (1916) and "The Soul of the Cypress" (1920). Highly cinematic renditions of dance evolved in "Stella Simon's Hände" (1928), Hector Hoppin's "Joie de vivre" (1934), and Busby Berkeley's "Don't Say Goodnight" from "Wonder Bar" (1934). In counterpoint, ciné-dances by Mary Ellen Bute, Douglass Crockwell, Oskar Fischinger, Norman McLaren, Ralph Steiner, and Slavko Vorkapich dispensed with actual dancers in favor of color, shape, line, and form choreographed into abstract light-play. [Cover] |
| Beschreibung: | [DVD] (155 Min.) s/w dolby digital stereo |
Internformat
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| 245 | 1 | 0 | |a Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance |b Early American Avant-Garde Film 1894-1941 |c Director: Norman McLaren ; Oskar Fischinger ; Ralph Steiner ... Music: Robert Israel ; Rodney Sauer ; Donald Sosin |
| 246 | 1 | 3 | |a 7 Annabelle Dances and Dances (1894-1897) - Director: W.K.L. Dickson, William Heise & James White / Davy Jones' Locker (1900) - Director: Frederick Armitage / Neptune’s Daughters (1900) - Director: Frederick Armitage / A Nymph of the Waves (1900) - Director: Frederick Armitage / Diana the Huntress (1916) - Director: Charles Allen & Francis Trevelyan Miller / The Soul of the Cypress (1920) - Director: Dudley Murphy / Looney Lens: Pas de deux (1924) - Director: Al Brick / Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts (1928) - Director: Stella Simon & Miklos Bandy / Mechanical Principles (1930) - Director: Ralph Steiner / Tilly Losch in Her Dance of the Hands (1930-1933) - Director: Norman Bel Geddes / 2 Eisenstein’s Mexican Footage (1931) - Director: Sergei Eisenstein / Oramunde (1933) - Director: Emlen Etting / Hands (1934) - Director: Ralph Steiner & Willard Van Dyke / Joie de vivre (1934) - Director: Anthony Gross & Hector Hoppin / Wonder Bar: "Don’t Say Goodnight" (1934) - Director: Busby Berkeley / Dada (1936) - Director: Mary Ellen Bute & Ted Nemeth / Escape (1938) - Director: Mary Ellen Bute & Ted Nemeth / An Optical Poem (1938) - Director: Oskar Fischinger / Abstract Experiment in Kodachrome (1940-1950) - Director: Slavko Vorpapich / NBC Valentine Greeting (1939-1940) - Director: Norman McLaren / Stars and Stripes (1940) - Director: Norman McLaren / Tarantella (1940) - Director: Mary Ellen Bute, Ted Nemeth & Norman McLaren / Spook Sport (1940) - Director: Mary Ellen Bute, Ted Nemeth & Norman McLaren / Danse Macabre (1922) - Director: Dudley Murphy / Peer Gynt (1941) - Director: David Bradley / Introspection (1941/1946) - Director: Sara Kathryn Arledge |
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| 490 | 0 | |a Unseen Cinema |v 7 | |
| 520 | 8 | |a Dance and film have shared the aspiration to creatively sculpt motion and time. Some of the first films ever made featured Annabelle's skirt dance, hand-painted in glowing colors. Isadora Duncan and Ruth St. Denis' innovations found their way into "Diana the Huntress" (1916) and "The Soul of the Cypress" (1920). Highly cinematic renditions of dance evolved in "Stella Simon's Hände" (1928), Hector Hoppin's "Joie de vivre" (1934), and Busby Berkeley's "Don't Say Goodnight" from "Wonder Bar" (1934). In counterpoint, ciné-dances by Mary Ellen Bute, Douglass Crockwell, Oskar Fischinger, Norman McLaren, Ralph Steiner, and Slavko Vorkapich dispensed with actual dancers in favor of color, shape, line, and form choreographed into abstract light-play. [Cover] | |
| 546 | |a engl. Originalfassung | ||
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| 700 | 1 | |a MacLaren, Norman |4 drt | |
| 700 | 1 | |a Fischinger, Oskar |4 drt | |
| 700 | 1 | |a Steiner, Ralph |4 drt | |
| 700 | 1 | |a Israel, Robert |4 cmp | |
| 700 | 1 | |a Sauer, Rodney |4 cmp | |
| 700 | 1 | |a Sosin, Donald |4 cmp | |
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Datensatz im Suchindex
| _version_ | 1804185950805295104 |
|---|---|
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| author | Israel, Robert Sauer, Rodney Sosin, Donald |
| author2 | MacLaren, Norman Fischinger, Oskar Steiner, Ralph |
| author2_role | drt drt drt |
| author2_variant | n m nm o f of r s rs |
| author_facet | Israel, Robert Sauer, Rodney Sosin, Donald MacLaren, Norman Fischinger, Oskar Steiner, Ralph |
| author_role | cmp cmp cmp |
| author_sort | Israel, Robert |
| author_variant | r i ri r s rs d s ds |
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| bvnumber | BV048703732 |
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| index_date | 2024-07-03T22:56:12Z |
| indexdate | 2024-07-10T10:03:23Z |
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| spelling | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 Director: Norman McLaren ; Oskar Fischinger ; Ralph Steiner ... Music: Robert Israel ; Rodney Sauer ; Donald Sosin 7 Annabelle Dances and Dances (1894-1897) - Director: W.K.L. Dickson, William Heise & James White / Davy Jones' Locker (1900) - Director: Frederick Armitage / Neptune’s Daughters (1900) - Director: Frederick Armitage / A Nymph of the Waves (1900) - Director: Frederick Armitage / Diana the Huntress (1916) - Director: Charles Allen & Francis Trevelyan Miller / The Soul of the Cypress (1920) - Director: Dudley Murphy / Looney Lens: Pas de deux (1924) - Director: Al Brick / Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts (1928) - Director: Stella Simon & Miklos Bandy / Mechanical Principles (1930) - Director: Ralph Steiner / Tilly Losch in Her Dance of the Hands (1930-1933) - Director: Norman Bel Geddes / 2 Eisenstein’s Mexican Footage (1931) - Director: Sergei Eisenstein / Oramunde (1933) - Director: Emlen Etting / Hands (1934) - Director: Ralph Steiner & Willard Van Dyke / Joie de vivre (1934) - Director: Anthony Gross & Hector Hoppin / Wonder Bar: "Don’t Say Goodnight" (1934) - Director: Busby Berkeley / Dada (1936) - Director: Mary Ellen Bute & Ted Nemeth / Escape (1938) - Director: Mary Ellen Bute & Ted Nemeth / An Optical Poem (1938) - Director: Oskar Fischinger / Abstract Experiment in Kodachrome (1940-1950) - Director: Slavko Vorpapich / NBC Valentine Greeting (1939-1940) - Director: Norman McLaren / Stars and Stripes (1940) - Director: Norman McLaren / Tarantella (1940) - Director: Mary Ellen Bute, Ted Nemeth & Norman McLaren / Spook Sport (1940) - Director: Mary Ellen Bute, Ted Nemeth & Norman McLaren / Danse Macabre (1922) - Director: Dudley Murphy / Peer Gynt (1941) - Director: David Bradley / Introspection (1941/1946) - Director: Sara Kathryn Arledge Chatsworth image Entertainment 2005 [DVD] (155 Min.) s/w dolby digital stereo tdi rdacontent v rdamedia vd rdacarrier Unseen Cinema 7 Dance and film have shared the aspiration to creatively sculpt motion and time. Some of the first films ever made featured Annabelle's skirt dance, hand-painted in glowing colors. Isadora Duncan and Ruth St. Denis' innovations found their way into "Diana the Huntress" (1916) and "The Soul of the Cypress" (1920). Highly cinematic renditions of dance evolved in "Stella Simon's Hände" (1928), Hector Hoppin's "Joie de vivre" (1934), and Busby Berkeley's "Don't Say Goodnight" from "Wonder Bar" (1934). In counterpoint, ciné-dances by Mary Ellen Bute, Douglass Crockwell, Oskar Fischinger, Norman McLaren, Ralph Steiner, and Slavko Vorkapich dispensed with actual dancers in favor of color, shape, line, and form choreographed into abstract light-play. [Cover] engl. Originalfassung DVD-Video gnd-carrier MacLaren, Norman drt Fischinger, Oskar drt Steiner, Ralph drt Israel, Robert cmp Sauer, Rodney cmp Sosin, Donald cmp |
| spellingShingle | Israel, Robert Sauer, Rodney Sosin, Donald Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 |
| title | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 |
| title_alt | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance 7 Annabelle Dances and Dances (1894-1897) - Director: W.K.L. Dickson, William Heise & James White / Davy Jones' Locker (1900) - Director: Frederick Armitage / Neptune’s Daughters (1900) - Director: Frederick Armitage / A Nymph of the Waves (1900) - Director: Frederick Armitage / Diana the Huntress (1916) - Director: Charles Allen & Francis Trevelyan Miller / The Soul of the Cypress (1920) - Director: Dudley Murphy / Looney Lens: Pas de deux (1924) - Director: Al Brick / Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts (1928) - Director: Stella Simon & Miklos Bandy / Mechanical Principles (1930) - Director: Ralph Steiner / Tilly Losch in Her Dance of the Hands (1930-1933) - Director: Norman Bel Geddes / 2 Eisenstein’s Mexican Footage (1931) - Director: Sergei Eisenstein / Oramunde (1933) - Director: Emlen Etting / Hands (1934) - Director: Ralph Steiner & Willard Van Dyke / Joie de vivre (1934) - Director: Anthony Gross & Hector Hoppin / Wonder Bar: "Don’t Say Goodnight" (1934) - Director: Busby Berkeley / Dada (1936) - Director: Mary Ellen Bute & Ted Nemeth / Escape (1938) - Director: Mary Ellen Bute & Ted Nemeth / An Optical Poem (1938) - Director: Oskar Fischinger / Abstract Experiment in Kodachrome (1940-1950) - Director: Slavko Vorpapich / NBC Valentine Greeting (1939-1940) - Director: Norman McLaren / Stars and Stripes (1940) - Director: Norman McLaren / Tarantella (1940) - Director: Mary Ellen Bute, Ted Nemeth & Norman McLaren / Spook Sport (1940) - Director: Mary Ellen Bute, Ted Nemeth & Norman McLaren / Danse Macabre (1922) - Director: Dudley Murphy / Peer Gynt (1941) - Director: David Bradley / Introspection (1941/1946) - Director: Sara Kathryn Arledge |
| title_auth | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 |
| title_exact_search | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 |
| title_exact_search_txtP | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 |
| title_full | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 Director: Norman McLaren ; Oskar Fischinger ; Ralph Steiner ... Music: Robert Israel ; Rodney Sauer ; Donald Sosin |
| title_fullStr | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 Director: Norman McLaren ; Oskar Fischinger ; Ralph Steiner ... Music: Robert Israel ; Rodney Sauer ; Donald Sosin |
| title_full_unstemmed | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance Early American Avant-Garde Film 1894-1941 Director: Norman McLaren ; Oskar Fischinger ; Ralph Steiner ... Music: Robert Israel ; Rodney Sauer ; Donald Sosin |
| title_short | Unseen Cinema - Viva la Dance: The Beginnings of Ciné-Dance |
| title_sort | unseen cinema viva la dance the beginnings of cine dance early american avant garde film 1894 1941 |
| title_sub | Early American Avant-Garde Film 1894-1941 |
| topic_facet | DVD-Video |
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