Unseen Cinema - Inverted Narratives: New Directions in Storytelling: Early American Avant-Garde Film 1894-1941
Early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as "Moonland" (c. 1926), "Lullaby" (1929), and &qu...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Video Software |
| Sprache: | Undetermined |
| Veröffentlicht: |
Chatsworth
image Entertainment
[2005]
|
| Schriftenreihe: | Unseen Cinema
4 |
| Schlagworte: | |
| Zusammenfassung: | Early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as "Moonland" (c. 1926), "Lullaby" (1929), and "The Bridge" (1929-30). Depression era films by socially-conscious filmmakers reshape drama as demonstrated in Josef Berne's brooding "Black Dawn" (1933) and Strand and Hurwitz's biting "Native Land" (1937-41): each pictures a raw reality. Parody and satire find their mark in Theodore Huff's "Little Geezer" (1932) and Barlow, Hay and Le Roy's "Even as You and I" (1937). David Bradley's "Sredni Vashtar" by Saki (1940-43) boasts an inadvertent post-modern attitude. [Cover] |
| Beschreibung: | [DVD] (155 Min.) s/w dolby digital stereo |
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| 520 | 8 | |a Early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as "Moonland" (c. 1926), "Lullaby" (1929), and "The Bridge" (1929-30). Depression era films by socially-conscious filmmakers reshape drama as demonstrated in Josef Berne's brooding "Black Dawn" (1933) and Strand and Hurwitz's biting "Native Land" (1937-41): each pictures a raw reality. Parody and satire find their mark in Theodore Huff's "Little Geezer" (1932) and Barlow, Hay and Le Roy's "Even as You and I" (1937). David Bradley's "Sredni Vashtar" by Saki (1940-43) boasts an inadvertent post-modern attitude. [Cover] | |
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| spelling | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 Director: D.W. Griffith ; Charles Vidor ; David Bradley ... Music: Eric Beheim ; Marc Blitzstein ; Rodney Sauer The House with Closed Shutters (1910) - Director: D.W. Griffith & G.W. "Billy" Bitzer / Suspense (1913) - Director: Lois Weber & Philips Smalley / Moonland (1926) - Director: Neil McQuire & William A. O'Connor / Lullaby (1929) - Director: Boris Deutsch / The Bridge (1929-1930) - Director: Charles Vidor / Little Geezer (1932) - Director: Theodore Huff / Black Dawn (1933) - Director: Josef Berne & Seymour Stern / Native Land (1937-1941) - Director: Leo Hurwitz & Paul Strand / The World Today: Black Legion (1936-1937) - Director: Ralph Steiner & Willard Van Dyke / Even As You and I (1937) - Director: Roger Barlow, Harry Hay & Le Roy Robbins / Object Lesson (1941) - Director: Christoher Young / "Sredni Vashtar" by Saki (1940-1943) - Director: David Bradley Chatsworth image Entertainment [2005] [DVD] (155 Min.) s/w dolby digital stereo tdi rdacontent v rdamedia vd rdacarrier Unseen Cinema 4 Early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as "Moonland" (c. 1926), "Lullaby" (1929), and "The Bridge" (1929-30). Depression era films by socially-conscious filmmakers reshape drama as demonstrated in Josef Berne's brooding "Black Dawn" (1933) and Strand and Hurwitz's biting "Native Land" (1937-41): each pictures a raw reality. Parody and satire find their mark in Theodore Huff's "Little Geezer" (1932) and Barlow, Hay and Le Roy's "Even as You and I" (1937). David Bradley's "Sredni Vashtar" by Saki (1940-43) boasts an inadvertent post-modern attitude. [Cover] engl. Originalfassung DVD-Video gnd-carrier Griffith, D. W. drt Vidor, Charles drt Bradley, David drt Beheim, Eric cmp Blitzstein, Marc cmp Sauer, Rodney cmp |
| spellingShingle | Beheim, Eric Blitzstein, Marc Sauer, Rodney Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 |
| title | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 |
| title_alt | Unseen Cinema - Inverted Narratives: New Directions in Storytelling The House with Closed Shutters (1910) - Director: D.W. Griffith & G.W. "Billy" Bitzer / Suspense (1913) - Director: Lois Weber & Philips Smalley / Moonland (1926) - Director: Neil McQuire & William A. O'Connor / Lullaby (1929) - Director: Boris Deutsch / The Bridge (1929-1930) - Director: Charles Vidor / Little Geezer (1932) - Director: Theodore Huff / Black Dawn (1933) - Director: Josef Berne & Seymour Stern / Native Land (1937-1941) - Director: Leo Hurwitz & Paul Strand / The World Today: Black Legion (1936-1937) - Director: Ralph Steiner & Willard Van Dyke / Even As You and I (1937) - Director: Roger Barlow, Harry Hay & Le Roy Robbins / Object Lesson (1941) - Director: Christoher Young / "Sredni Vashtar" by Saki (1940-1943) - Director: David Bradley |
| title_auth | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 |
| title_exact_search | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 |
| title_exact_search_txtP | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 |
| title_full | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 Director: D.W. Griffith ; Charles Vidor ; David Bradley ... Music: Eric Beheim ; Marc Blitzstein ; Rodney Sauer |
| title_fullStr | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 Director: D.W. Griffith ; Charles Vidor ; David Bradley ... Music: Eric Beheim ; Marc Blitzstein ; Rodney Sauer |
| title_full_unstemmed | Unseen Cinema - Inverted Narratives: New Directions in Storytelling Early American Avant-Garde Film 1894-1941 Director: D.W. Griffith ; Charles Vidor ; David Bradley ... Music: Eric Beheim ; Marc Blitzstein ; Rodney Sauer |
| title_short | Unseen Cinema - Inverted Narratives: New Directions in Storytelling |
| title_sort | unseen cinema inverted narratives new directions in storytelling early american avant garde film 1894 1941 |
| title_sub | Early American Avant-Garde Film 1894-1941 |
| topic_facet | DVD-Video |
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