Unseen Cinema - Light Rhythms: Music and Abstraction: Early American Avant-Garde Film 1894-1941
The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics "Le Retour á la raison" (1923), "Ballet mécanique" (1923-1924), "Anémic cinéma" (1926), and "Une Nuit...
Gespeichert in:
Hauptverfasser: | , , |
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Weitere Verfasser: | , , |
Format: | Video Software |
Sprache: | Undetermined |
Veröffentlicht: |
Chatsworth
image Entertainment
2005
|
Schriftenreihe: | Unseen Cinema
3 |
Schlagworte: | |
Zusammenfassung: | The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics "Le Retour á la raison" (1923), "Ballet mécanique" (1923-1924), "Anémic cinéma" (1926), and "Une Nuit sur le Mont Chauve" (1934), are finally acknowledged for their seminal artistic achievements made in Europe. Pioneer abstract films by Ralph Steiner, Mary Ellen Bute, Douglass Crockwell, Dwinnell Grant, and George Morris are compared and contrasted with Hollywood montages created by Ernst Lubitsch, Slavko Vorkapich, and Busby Berkeley. For the first time on video, composer George Antheil's original 1924 score accompanies Fernand Léger and Dudley Murphy's film "Ballet mécanique", a truly avant-garde cacophony of image and sound. [Cover] |
Beschreibung: | [DVD] (168 Min.) s/w dolby digital stereo |
Internformat
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246 | 1 | 3 | |a Le retour à la raison (1923) - Director: Man Ray / Ballet mécanique (1923-1924) - Director: Fernand Léger & Dudley Murphy / Anémic cinéma (1924-1926) - Director: Rrose Sélavy / Looney Lens: Anamorphic People (1927) - Director: Al Brick / Out of the Melting Pot (1927) / H20 (1929) - Director: Ralph Steiner / Surf and Seaweed (1929-1930) - Director: Ralph Steiner / The Furies (1934) - Director: Slavko Vorkapich / Skyline Dance (1928) - Director: Slavko Vorkapich / Money Machine (1929) - Director: Slavko Vorkapich / Prohibition (1929) - Director: Slavko Vorkapich / The Firefly - Director: Slavko Vorkapich / Maytime (1937) - Director: Slavko Vorkapich / So This is Paris (1926) - Director: Ernst Lubitsch / Light Rhythms (1930) - Director: Francis Bruguière & Oswell Blakeston / Une nuit sur le Mont Chauve (1934) - Director: Alexandre Alexeieff & Claire Parker / Rhythm in Light (1934) - Director: Mary Ellen Bute, Ted Nemeth & Melville Webber / Synchromy No. 2 (1936) - Director: Mary Ellen Bute & Ted Nemeth / Parabola (1937) - Director: Mary Ellen Bute & Ted Nemeth / Footlight Parade "By a Waterfall" (1933) - Director: Busby Berkeley / Glen Falls Sequence (1937-1946) - Director: Douglas Crockwell / Simple Destiny Abstractions (1937-1940) - Director: Douglas Crockwell / Abstract Movies (1937-1947) - Director: George L.K. Morris / Scherzo (1939) - Director: Norman McLaren / Composition No. 1: Themis (1940) - Director: Dwinell Grant / Composition No. 2: Contrathemis (1941) - Director: Dwinell Grant / 1941 (1941) - Director: Francis Lee / Moods of the Sea (1940-1942) - Director: Slavko Vorkapich & John Hoffman |
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520 | 8 | |a The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics "Le Retour á la raison" (1923), "Ballet mécanique" (1923-1924), "Anémic cinéma" (1926), and "Une Nuit sur le Mont Chauve" (1934), are finally acknowledged for their seminal artistic achievements made in Europe. Pioneer abstract films by Ralph Steiner, Mary Ellen Bute, Douglass Crockwell, Dwinnell Grant, and George Morris are compared and contrasted with Hollywood montages created by Ernst Lubitsch, Slavko Vorkapich, and Busby Berkeley. For the first time on video, composer George Antheil's original 1924 score accompanies Fernand Léger and Dudley Murphy's film "Ballet mécanique", a truly avant-garde cacophony of image and sound. [Cover] | |
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700 | 1 | |a Antheil, George |4 cmp | |
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spelling | Unseen Cinema - Light Rhythms: Music and Abstraction Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 Director: Man Ray ; Fernand Léger ; Dudley Murphy ... Music: Eric Beheim ; George Antheil ; Donald Sosin Le retour à la raison (1923) - Director: Man Ray / Ballet mécanique (1923-1924) - Director: Fernand Léger & Dudley Murphy / Anémic cinéma (1924-1926) - Director: Rrose Sélavy / Looney Lens: Anamorphic People (1927) - Director: Al Brick / Out of the Melting Pot (1927) / H20 (1929) - Director: Ralph Steiner / Surf and Seaweed (1929-1930) - Director: Ralph Steiner / The Furies (1934) - Director: Slavko Vorkapich / Skyline Dance (1928) - Director: Slavko Vorkapich / Money Machine (1929) - Director: Slavko Vorkapich / Prohibition (1929) - Director: Slavko Vorkapich / The Firefly - Director: Slavko Vorkapich / Maytime (1937) - Director: Slavko Vorkapich / So This is Paris (1926) - Director: Ernst Lubitsch / Light Rhythms (1930) - Director: Francis Bruguière & Oswell Blakeston / Une nuit sur le Mont Chauve (1934) - Director: Alexandre Alexeieff & Claire Parker / Rhythm in Light (1934) - Director: Mary Ellen Bute, Ted Nemeth & Melville Webber / Synchromy No. 2 (1936) - Director: Mary Ellen Bute & Ted Nemeth / Parabola (1937) - Director: Mary Ellen Bute & Ted Nemeth / Footlight Parade "By a Waterfall" (1933) - Director: Busby Berkeley / Glen Falls Sequence (1937-1946) - Director: Douglas Crockwell / Simple Destiny Abstractions (1937-1940) - Director: Douglas Crockwell / Abstract Movies (1937-1947) - Director: George L.K. Morris / Scherzo (1939) - Director: Norman McLaren / Composition No. 1: Themis (1940) - Director: Dwinell Grant / Composition No. 2: Contrathemis (1941) - Director: Dwinell Grant / 1941 (1941) - Director: Francis Lee / Moods of the Sea (1940-1942) - Director: Slavko Vorkapich & John Hoffman Chatsworth image Entertainment 2005 [DVD] (168 Min.) s/w dolby digital stereo tdi rdacontent v rdamedia vd rdacarrier Unseen Cinema 3 The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics "Le Retour á la raison" (1923), "Ballet mécanique" (1923-1924), "Anémic cinéma" (1926), and "Une Nuit sur le Mont Chauve" (1934), are finally acknowledged for their seminal artistic achievements made in Europe. Pioneer abstract films by Ralph Steiner, Mary Ellen Bute, Douglass Crockwell, Dwinnell Grant, and George Morris are compared and contrasted with Hollywood montages created by Ernst Lubitsch, Slavko Vorkapich, and Busby Berkeley. For the first time on video, composer George Antheil's original 1924 score accompanies Fernand Léger and Dudley Murphy's film "Ballet mécanique", a truly avant-garde cacophony of image and sound. [Cover] engl. Originalfassung DVD-Video gnd-carrier Ray, Man drt Léger, Fernand drt Murphy, Dudley drt Beheim, Eric cmp Antheil, George cmp Sosin, Donald cmp |
spellingShingle | Beheim, Eric Antheil, George Sosin, Donald Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 |
title | Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 |
title_alt | Unseen Cinema - Light Rhythms: Music and Abstraction Le retour à la raison (1923) - Director: Man Ray / Ballet mécanique (1923-1924) - Director: Fernand Léger & Dudley Murphy / Anémic cinéma (1924-1926) - Director: Rrose Sélavy / Looney Lens: Anamorphic People (1927) - Director: Al Brick / Out of the Melting Pot (1927) / H20 (1929) - Director: Ralph Steiner / Surf and Seaweed (1929-1930) - Director: Ralph Steiner / The Furies (1934) - Director: Slavko Vorkapich / Skyline Dance (1928) - Director: Slavko Vorkapich / Money Machine (1929) - Director: Slavko Vorkapich / Prohibition (1929) - Director: Slavko Vorkapich / The Firefly - Director: Slavko Vorkapich / Maytime (1937) - Director: Slavko Vorkapich / So This is Paris (1926) - Director: Ernst Lubitsch / Light Rhythms (1930) - Director: Francis Bruguière & Oswell Blakeston / Une nuit sur le Mont Chauve (1934) - Director: Alexandre Alexeieff & Claire Parker / Rhythm in Light (1934) - Director: Mary Ellen Bute, Ted Nemeth & Melville Webber / Synchromy No. 2 (1936) - Director: Mary Ellen Bute & Ted Nemeth / Parabola (1937) - Director: Mary Ellen Bute & Ted Nemeth / Footlight Parade "By a Waterfall" (1933) - Director: Busby Berkeley / Glen Falls Sequence (1937-1946) - Director: Douglas Crockwell / Simple Destiny Abstractions (1937-1940) - Director: Douglas Crockwell / Abstract Movies (1937-1947) - Director: George L.K. Morris / Scherzo (1939) - Director: Norman McLaren / Composition No. 1: Themis (1940) - Director: Dwinell Grant / Composition No. 2: Contrathemis (1941) - Director: Dwinell Grant / 1941 (1941) - Director: Francis Lee / Moods of the Sea (1940-1942) - Director: Slavko Vorkapich & John Hoffman |
title_auth | Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 |
title_exact_search | Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 |
title_exact_search_txtP | Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 |
title_full | Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 Director: Man Ray ; Fernand Léger ; Dudley Murphy ... Music: Eric Beheim ; George Antheil ; Donald Sosin |
title_fullStr | Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 Director: Man Ray ; Fernand Léger ; Dudley Murphy ... Music: Eric Beheim ; George Antheil ; Donald Sosin |
title_full_unstemmed | Unseen Cinema - Light Rhythms: Music and Abstraction Early American Avant-Garde Film 1894-1941 Director: Man Ray ; Fernand Léger ; Dudley Murphy ... Music: Eric Beheim ; George Antheil ; Donald Sosin |
title_short | Unseen Cinema - Light Rhythms: Music and Abstraction |
title_sort | unseen cinema light rhythms music and abstraction early american avant garde film 1894 1941 |
title_sub | Early American Avant-Garde Film 1894-1941 |
topic_facet | DVD-Video |
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