Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form: Early American Avant-Garde Film 1894-1941
The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent compani...
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| Main Authors: | , , |
|---|---|
| Other Authors: | , , |
| Format: | Video Software |
| Language: | Undetermined |
| Published: |
Chatsworth
image Entertainment
2005
|
| Series: | Unseen Cinema
1 |
| Subjects: | |
| Summary: | The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with "Portrait of a Young Man" (1925-1931), a monumental study of natural and abstract motions. [Cover] |
| Physical Description: | [DVD] (161 Min.) s/w dolby digital stereo |
Staff View
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| 700 | 1 | |a Hill, Jerome |4 cmp | |
| 700 | 1 | |a Kaufmann, Irving |4 cmp | |
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| index_date | 2024-07-03T22:56:12Z |
| indexdate | 2024-07-10T10:03:23Z |
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| publishDate | 2005 |
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| series2 | Unseen Cinema |
| spelling | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White Eiffel Tower from Trocadero Palace (1900) - Director: James White / Palace of Electricity (1900) - Director: James White / Champs de Mars (1900) - Director: James White / Panorama of Eiffel Tower (1900) - Director: James White / Scene from Elevator Ascending Eiffel Tower (1900) - Director: James White / Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901) / Down the Hudson (1903) - Director: Frederick Armitage & A.E. Weed / The Ghost Train (1903) / Westinghouse Works, Panorama View Street Car Motor Room (1904) - Director: G.W. "Billy" Bitzer / In Youth, Beside the Lonely Sea (1924-1925) / Melody on Parade (1936) / La Cartomancienne (The Fortune Teller) (1932) - Director: Jerome Hill / Pie in the Sky (1934-1935) - Director: Elia Kazan, Ralph Steiner & Irving Lerner / Travel Notes (1932) - Director: Walker Evans / Oil: A Symphony in Motion (1930-1933) - Director: M.G. MacPherson & Jean Michelson / Poem 8 (1932-1933) - Director: Emlen Etting / Storm (1941-1943) - Director: Paul Burnford / Portrait of a Young Man (1925-1931) - Director: Henwar Rodakiewicz Chatsworth image Entertainment 2005 [DVD] (161 Min.) s/w dolby digital stereo tdi rdacontent v rdamedia vd rdacarrier Unseen Cinema 1 The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with "Portrait of a Young Man" (1925-1931), a monumental study of natural and abstract motions. [Cover] engl. Originalfassung DVD-Video gnd-carrier White, James drt Kazan, Elia drt Lerner, Irving drt Beheim, Eric cmp Hill, Jerome cmp Kaufmann, Irving cmp |
| spellingShingle | Beheim, Eric Hill, Jerome Kaufmann, Irving Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_alt | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Eiffel Tower from Trocadero Palace (1900) - Director: James White / Palace of Electricity (1900) - Director: James White / Champs de Mars (1900) - Director: James White / Panorama of Eiffel Tower (1900) - Director: James White / Scene from Elevator Ascending Eiffel Tower (1900) - Director: James White / Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901) / Down the Hudson (1903) - Director: Frederick Armitage & A.E. Weed / The Ghost Train (1903) / Westinghouse Works, Panorama View Street Car Motor Room (1904) - Director: G.W. "Billy" Bitzer / In Youth, Beside the Lonely Sea (1924-1925) / Melody on Parade (1936) / La Cartomancienne (The Fortune Teller) (1932) - Director: Jerome Hill / Pie in the Sky (1934-1935) - Director: Elia Kazan, Ralph Steiner & Irving Lerner / Travel Notes (1932) - Director: Walker Evans / Oil: A Symphony in Motion (1930-1933) - Director: M.G. MacPherson & Jean Michelson / Poem 8 (1932-1933) - Director: Emlen Etting / Storm (1941-1943) - Director: Paul Burnford / Portrait of a Young Man (1925-1931) - Director: Henwar Rodakiewicz |
| title_auth | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_exact_search | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_exact_search_txtP | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_full | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White |
| title_fullStr | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White |
| title_full_unstemmed | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White |
| title_short | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form |
| title_sort | unseen cinema the mechanized eye experiments in technique and form early american avant garde film 1894 1941 |
| title_sub | Early American Avant-Garde Film 1894-1941 |
| topic_facet | DVD-Video |
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