Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form: Early American Avant-Garde Film 1894-1941
The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent compani...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Video Software |
| Sprache: | Undetermined |
| Veröffentlicht: |
Chatsworth
image Entertainment
2005
|
| Schriftenreihe: | Unseen Cinema
1 |
| Schlagworte: | |
| Zusammenfassung: | The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with "Portrait of a Young Man" (1925-1931), a monumental study of natural and abstract motions. [Cover] |
| Beschreibung: | [DVD] (161 Min.) s/w dolby digital stereo |
Internformat
MARC
| LEADER | 00000ngm a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV048703678 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 006 | m|||| q||u| |||||| | ||
| 007 | vz|uuuuuu | ||
| 007 | co|uuu---uuuuu | ||
| 007 | co|uuu---uuuuu | ||
| 008 | 231022s2005 xxu||| 0s vuund d | ||
| 035 | |a (DE-599)BVBBV048703678 | ||
| 040 | |a DE-604 |b ger |e rak | ||
| 041 | |a und | ||
| 044 | |a xxu |c XD-US | ||
| 049 | |a DE-Po75 | ||
| 130 | 0 | |a Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form | |
| 245 | 1 | 0 | |a Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form |b Early American Avant-Garde Film 1894-1941 |c Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White |
| 246 | 1 | 3 | |a Eiffel Tower from Trocadero Palace (1900) - Director: James White / Palace of Electricity (1900) - Director: James White / Champs de Mars (1900) - Director: James White / Panorama of Eiffel Tower (1900) - Director: James White / Scene from Elevator Ascending Eiffel Tower (1900) - Director: James White / Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901) / Down the Hudson (1903) - Director: Frederick Armitage & A.E. Weed / The Ghost Train (1903) / Westinghouse Works, Panorama View Street Car Motor Room (1904) - Director: G.W. "Billy" Bitzer / In Youth, Beside the Lonely Sea (1924-1925) / Melody on Parade (1936) / La Cartomancienne (The Fortune Teller) (1932) - Director: Jerome Hill / Pie in the Sky (1934-1935) - Director: Elia Kazan, Ralph Steiner & Irving Lerner / Travel Notes (1932) - Director: Walker Evans / Oil: A Symphony in Motion (1930-1933) - Director: M.G. MacPherson & Jean Michelson / Poem 8 (1932-1933) - Director: Emlen Etting / Storm (1941-1943) - Director: Paul Burnford / Portrait of a Young Man (1925-1931) - Director: Henwar Rodakiewicz |
| 264 | 1 | |a Chatsworth |b image Entertainment |c 2005 | |
| 300 | |a [DVD] (161 Min.) |b s/w |c dolby digital stereo | ||
| 336 | |b tdi |2 rdacontent | ||
| 337 | |b v |2 rdamedia | ||
| 338 | |b vd |2 rdacarrier | ||
| 490 | 0 | |a Unseen Cinema |v 1 | |
| 520 | 8 | |a The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with "Portrait of a Young Man" (1925-1931), a monumental study of natural and abstract motions. [Cover] | |
| 546 | |a engl. Originalfassung | ||
| 655 | 7 | |a DVD-Video |2 gnd-carrier | |
| 700 | 1 | |a White, James |4 drt | |
| 700 | 1 | |a Kazan, Elia |4 drt | |
| 700 | 1 | |a Lerner, Irving |4 drt | |
| 700 | 1 | |a Beheim, Eric |4 cmp | |
| 700 | 1 | |a Hill, Jerome |4 cmp | |
| 700 | 1 | |a Kaufmann, Irving |4 cmp | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034647859 | ||
Datensatz im Suchindex
| _version_ | 1804185950644862976 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Beheim, Eric Hill, Jerome Kaufmann, Irving |
| author2 | White, James Kazan, Elia Lerner, Irving |
| author2_role | drt drt drt |
| author2_variant | j w jw e k ek i l il |
| author_facet | Beheim, Eric Hill, Jerome Kaufmann, Irving White, James Kazan, Elia Lerner, Irving |
| author_role | cmp cmp cmp |
| author_sort | Beheim, Eric |
| author_variant | e b eb j h jh i k ik |
| building | Verbundindex |
| bvnumber | BV048703678 |
| ctrlnum | (DE-599)BVBBV048703678 |
| format | Video Software |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03231ngm a2200409 cb4500</leader><controlfield tag="001">BV048703678</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| q||u| ||||||</controlfield><controlfield tag="007">vz|uuuuuu</controlfield><controlfield tag="007">co|uuu---uuuuu</controlfield><controlfield tag="007">co|uuu---uuuuu</controlfield><controlfield tag="008">231022s2005 xxu||| 0s vuund d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048703678</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rak</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">und</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="130" ind1="0" ind2=" "><subfield code="a">Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form</subfield><subfield code="b">Early American Avant-Garde Film 1894-1941</subfield><subfield code="c">Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Eiffel Tower from Trocadero Palace (1900) - Director: James White / Palace of Electricity (1900) - Director: James White / Champs de Mars (1900) - Director: James White / Panorama of Eiffel Tower (1900) - Director: James White / Scene from Elevator Ascending Eiffel Tower (1900) - Director: James White / Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901) / Down the Hudson (1903) - Director: Frederick Armitage & A.E. Weed / The Ghost Train (1903) / Westinghouse Works, Panorama View Street Car Motor Room (1904) - Director: G.W. "Billy" Bitzer / In Youth, Beside the Lonely Sea (1924-1925) / Melody on Parade (1936) / La Cartomancienne (The Fortune Teller) (1932) - Director: Jerome Hill / Pie in the Sky (1934-1935) - Director: Elia Kazan, Ralph Steiner & Irving Lerner / Travel Notes (1932) - Director: Walker Evans / Oil: A Symphony in Motion (1930-1933) - Director: M.G. MacPherson & Jean Michelson / Poem 8 (1932-1933) - Director: Emlen Etting / Storm (1941-1943) - Director: Paul Burnford / Portrait of a Young Man (1925-1931) - Director: Henwar Rodakiewicz</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chatsworth</subfield><subfield code="b">image Entertainment</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">[DVD] (161 Min.)</subfield><subfield code="b">s/w</subfield><subfield code="c">dolby digital stereo</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">v</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">vd</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Unseen Cinema</subfield><subfield code="v">1</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with "Portrait of a Young Man" (1925-1931), a monumental study of natural and abstract motions. [Cover]</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">engl. Originalfassung</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">DVD-Video</subfield><subfield code="2">gnd-carrier</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">White, James</subfield><subfield code="4">drt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kazan, Elia</subfield><subfield code="4">drt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lerner, Irving</subfield><subfield code="4">drt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Beheim, Eric</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hill, Jerome</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kaufmann, Irving</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034647859</subfield></datafield></record></collection> |
| genre | DVD-Video gnd-carrier |
| genre_facet | DVD-Video |
| id | DE-604.BV048703678 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:56:12Z |
| indexdate | 2024-07-10T10:03:23Z |
| institution | BVB |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034647859 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | [DVD] (161 Min.) s/w dolby digital stereo |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | image Entertainment |
| record_format | marc |
| series2 | Unseen Cinema |
| spelling | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White Eiffel Tower from Trocadero Palace (1900) - Director: James White / Palace of Electricity (1900) - Director: James White / Champs de Mars (1900) - Director: James White / Panorama of Eiffel Tower (1900) - Director: James White / Scene from Elevator Ascending Eiffel Tower (1900) - Director: James White / Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901) / Down the Hudson (1903) - Director: Frederick Armitage & A.E. Weed / The Ghost Train (1903) / Westinghouse Works, Panorama View Street Car Motor Room (1904) - Director: G.W. "Billy" Bitzer / In Youth, Beside the Lonely Sea (1924-1925) / Melody on Parade (1936) / La Cartomancienne (The Fortune Teller) (1932) - Director: Jerome Hill / Pie in the Sky (1934-1935) - Director: Elia Kazan, Ralph Steiner & Irving Lerner / Travel Notes (1932) - Director: Walker Evans / Oil: A Symphony in Motion (1930-1933) - Director: M.G. MacPherson & Jean Michelson / Poem 8 (1932-1933) - Director: Emlen Etting / Storm (1941-1943) - Director: Paul Burnford / Portrait of a Young Man (1925-1931) - Director: Henwar Rodakiewicz Chatsworth image Entertainment 2005 [DVD] (161 Min.) s/w dolby digital stereo tdi rdacontent v rdamedia vd rdacarrier Unseen Cinema 1 The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with "Portrait of a Young Man" (1925-1931), a monumental study of natural and abstract motions. [Cover] engl. Originalfassung DVD-Video gnd-carrier White, James drt Kazan, Elia drt Lerner, Irving drt Beheim, Eric cmp Hill, Jerome cmp Kaufmann, Irving cmp |
| spellingShingle | Beheim, Eric Hill, Jerome Kaufmann, Irving Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_alt | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Eiffel Tower from Trocadero Palace (1900) - Director: James White / Palace of Electricity (1900) - Director: James White / Champs de Mars (1900) - Director: James White / Panorama of Eiffel Tower (1900) - Director: James White / Scene from Elevator Ascending Eiffel Tower (1900) - Director: James White / Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901) / Down the Hudson (1903) - Director: Frederick Armitage & A.E. Weed / The Ghost Train (1903) / Westinghouse Works, Panorama View Street Car Motor Room (1904) - Director: G.W. "Billy" Bitzer / In Youth, Beside the Lonely Sea (1924-1925) / Melody on Parade (1936) / La Cartomancienne (The Fortune Teller) (1932) - Director: Jerome Hill / Pie in the Sky (1934-1935) - Director: Elia Kazan, Ralph Steiner & Irving Lerner / Travel Notes (1932) - Director: Walker Evans / Oil: A Symphony in Motion (1930-1933) - Director: M.G. MacPherson & Jean Michelson / Poem 8 (1932-1933) - Director: Emlen Etting / Storm (1941-1943) - Director: Paul Burnford / Portrait of a Young Man (1925-1931) - Director: Henwar Rodakiewicz |
| title_auth | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_exact_search | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_exact_search_txtP | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 |
| title_full | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White |
| title_fullStr | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White |
| title_full_unstemmed | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form Early American Avant-Garde Film 1894-1941 Director: James White ; Elia Kazan ; Irving Lerner ... Music: Eric Beheim ; Jerome Hill ; Irving Kaufmann ; Neal Kurz ; Donald Sosin ; Lew White |
| title_short | Unseen Cinema - The Mechanized Eye: Experiments in Technique and Form |
| title_sort | unseen cinema the mechanized eye experiments in technique and form early american avant garde film 1894 1941 |
| title_sub | Early American Avant-Garde Film 1894-1941 |
| topic_facet | DVD-Video |
| work_keys_str_mv | UT unseencinemathemechanizedeyeexperimentsintechniqueandform AT whitejames unseencinemathemechanizedeyeexperimentsintechniqueandformearlyamericanavantgardefilm18941941 AT kazanelia unseencinemathemechanizedeyeexperimentsintechniqueandformearlyamericanavantgardefilm18941941 AT lernerirving unseencinemathemechanizedeyeexperimentsintechniqueandformearlyamericanavantgardefilm18941941 AT beheimeric unseencinemathemechanizedeyeexperimentsintechniqueandformearlyamericanavantgardefilm18941941 AT hilljerome unseencinemathemechanizedeyeexperimentsintechniqueandformearlyamericanavantgardefilm18941941 AT kaufmannirving unseencinemathemechanizedeyeexperimentsintechniqueandformearlyamericanavantgardefilm18941941 AT whitejames eiffeltowerfromtrocaderopalace1900directorjameswhitepalaceofelectricity1900directorjameswhitechampsdemars1900directorjameswhitepanoramaofeiffeltower1900directorjameswhitescenefromelevatorascendingeiffeltower1900directorjameswhitecaptainnissengoingthroughw AT kazanelia eiffeltowerfromtrocaderopalace1900directorjameswhitepalaceofelectricity1900directorjameswhitechampsdemars1900directorjameswhitepanoramaofeiffeltower1900directorjameswhitescenefromelevatorascendingeiffeltower1900directorjameswhitecaptainnissengoingthroughw AT lernerirving eiffeltowerfromtrocaderopalace1900directorjameswhitepalaceofelectricity1900directorjameswhitechampsdemars1900directorjameswhitepanoramaofeiffeltower1900directorjameswhitescenefromelevatorascendingeiffeltower1900directorjameswhitecaptainnissengoingthroughw AT beheimeric eiffeltowerfromtrocaderopalace1900directorjameswhitepalaceofelectricity1900directorjameswhitechampsdemars1900directorjameswhitepanoramaofeiffeltower1900directorjameswhitescenefromelevatorascendingeiffeltower1900directorjameswhitecaptainnissengoingthroughw AT hilljerome eiffeltowerfromtrocaderopalace1900directorjameswhitepalaceofelectricity1900directorjameswhitechampsdemars1900directorjameswhitepanoramaofeiffeltower1900directorjameswhitescenefromelevatorascendingeiffeltower1900directorjameswhitecaptainnissengoingthroughw AT kaufmannirving eiffeltowerfromtrocaderopalace1900directorjameswhitepalaceofelectricity1900directorjameswhitechampsdemars1900directorjameswhitepanoramaofeiffeltower1900directorjameswhitescenefromelevatorascendingeiffeltower1900directorjameswhitecaptainnissengoingthroughw |