Film di Paolo Gioli:
Gioli’s name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify this artist who is unique in the Italian world o...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Video Software |
| Sprache: | Undetermined |
| Veröffentlicht: |
[s.l.]
Raro Video
2005
|
| Schlagworte: | |
| Zusammenfassung: | Gioli’s name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify this artist who is unique in the Italian world of film and whose research is particularly original ... He invented a multilayer screen with colour silhouettes to add colour to his black and white films and used motion picture cameras without lenses on still figures to force them into motion even where there was none. His research was not formalist in a limiting sense; rather, he invented little stories which he filled with tragi-comic contents thanks to his highly skillful manipulations. His writings, which are few in number, have been re-presented here. [www.rarovideo.com] |
| Beschreibung: | [2 DVD] (201 Min.) s/w dolby digital 2.0 |
Internformat
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| 246 | 1 | 3 | |a Disc 2: Immagini travolte dalla ruota di Duchamp (1994) / Filmarilyn (1992) / Commutazioni con mutazione (1969) / Filmfinish (1986-1989) / Immagini disturbate da un intenso parassita (1970) / Volto telato (2002) |
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| 520 | 8 | |a Gioli’s name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify this artist who is unique in the Italian world of film and whose research is particularly original ... He invented a multilayer screen with colour silhouettes to add colour to his black and white films and used motion picture cameras without lenses on still figures to force them into motion even where there was none. His research was not formalist in a limiting sense; rather, he invented little stories which he filled with tragi-comic contents thanks to his highly skillful manipulations. His writings, which are few in number, have been re-presented here. [www.rarovideo.com] | |
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| 700 | 1 | |a Gioli, Paolo |4 drt | |
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Datensatz im Suchindex
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| author2 | Gioli, Paolo |
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| author_facet | Gioli, Paolo |
| building | Verbundindex |
| bvnumber | BV048703080 |
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| format | Video Software |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:56:11Z |
| indexdate | 2024-07-10T10:03:21Z |
| institution | BVB |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034647261 |
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| physical | [2 DVD] (201 Min.) s/w dolby digital 2.0 |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Raro Video |
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| spelling | Film di Paolo Gioli Film di Paolo Gioli Director: Paolo Gioli Disc 1: Secondo il mio occhio di vetro (1972) / Del tuffarsi e dell'annegarsi (1972) / L'operatore perforato (1979) / Piccolo film decomposto (1986) / Quando l'occhio trema (1989) / Hilarisdoppio (1972) / Film stenopeico (l'uomo senza macchina da presa) (1973/1981/1989) / Traumatografo (1973) Disc 2: Immagini travolte dalla ruota di Duchamp (1994) / Filmarilyn (1992) / Commutazioni con mutazione (1969) / Filmfinish (1986-1989) / Immagini disturbate da un intenso parassita (1970) / Volto telato (2002) [s.l.] Raro Video 2005 [2 DVD] (201 Min.) s/w dolby digital 2.0 tdi rdacontent v rdamedia vd rdacarrier Gioli’s name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify this artist who is unique in the Italian world of film and whose research is particularly original ... He invented a multilayer screen with colour silhouettes to add colour to his black and white films and used motion picture cameras without lenses on still figures to force them into motion even where there was none. His research was not formalist in a limiting sense; rather, he invented little stories which he filled with tragi-comic contents thanks to his highly skillful manipulations. His writings, which are few in number, have been re-presented here. [www.rarovideo.com] ohne Dialog DVD-Video gnd-carrier Gioli, Paolo drt |
| spellingShingle | Film di Paolo Gioli |
| title | Film di Paolo Gioli |
| title_alt | Film di Paolo Gioli Disc 1: Secondo il mio occhio di vetro (1972) / Del tuffarsi e dell'annegarsi (1972) / L'operatore perforato (1979) / Piccolo film decomposto (1986) / Quando l'occhio trema (1989) / Hilarisdoppio (1972) / Film stenopeico (l'uomo senza macchina da presa) (1973/1981/1989) / Traumatografo (1973) Disc 2: Immagini travolte dalla ruota di Duchamp (1994) / Filmarilyn (1992) / Commutazioni con mutazione (1969) / Filmfinish (1986-1989) / Immagini disturbate da un intenso parassita (1970) / Volto telato (2002) |
| title_auth | Film di Paolo Gioli |
| title_exact_search | Film di Paolo Gioli |
| title_exact_search_txtP | Film di Paolo Gioli |
| title_full | Film di Paolo Gioli Director: Paolo Gioli |
| title_fullStr | Film di Paolo Gioli Director: Paolo Gioli |
| title_full_unstemmed | Film di Paolo Gioli Director: Paolo Gioli |
| title_short | Film di Paolo Gioli |
| title_sort | film di paolo gioli |
| topic_facet | DVD-Video |
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