W.S. Burroughs: Cut-Up Films:
Apparently, cinema was not a great passion in William S. Burroughs’ life and work. Even if in actual fact, the times this great American writer used this artistic medium were not few, as a scriptwriter and as an actor. There are not many films based on Burroughs’ literary works and this is because h...
Gespeichert in:
Weitere Verfasser: | , , , |
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Format: | Video Software |
Sprache: | Undetermined |
Veröffentlicht: |
Roma
Raro Video
2004
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Schlagworte: | |
Zusammenfassung: | Apparently, cinema was not a great passion in William S. Burroughs’ life and work. Even if in actual fact, the times this great American writer used this artistic medium were not few, as a scriptwriter and as an actor. There are not many films based on Burroughs’ literary works and this is because his work is not really cinematographic in the classic sense of the term, due to the little importance the writer gives to the narrative plot. His visual style is not linear but fragmentary. His writing style is narrative and slang with constant visual associations. It is logical therefore, that the film version of his writing cannot avoid having an "experimental" style and uses the cut-up, a chaotic and random method which derives from the Dadaist collages. It consists of cutting up and sticking pieces of text together in order to find new meanings. [Beiheft] |
Beschreibung: | [2 DVD] (80 Min.) s/w Farbe ; teilw. s/w ; mono |
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520 | 8 | |a Apparently, cinema was not a great passion in William S. Burroughs’ life and work. Even if in actual fact, the times this great American writer used this artistic medium were not few, as a scriptwriter and as an actor. There are not many films based on Burroughs’ literary works and this is because his work is not really cinematographic in the classic sense of the term, due to the little importance the writer gives to the narrative plot. His visual style is not linear but fragmentary. His writing style is narrative and slang with constant visual associations. It is logical therefore, that the film version of his writing cannot avoid having an "experimental" style and uses the cut-up, a chaotic and random method which derives from the Dadaist collages. It consists of cutting up and sticking pieces of text together in order to find new meanings. [Beiheft] | |
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physical | [2 DVD] (80 Min.) s/w Farbe ; teilw. s/w ; mono |
publishDate | 2004 |
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spelling | W.S. Burroughs: Cut-Up Films W.S. Burroughs: Cut-Up Films Script: William S. Burroughs ; Antony Balch. Director: Antony Balch. Director of Photography: Antony Balch. With Brion Gysin ; Antony Balch ; Ian Sommerville William Buys a Parrot (1963) / Towers Open Fire (1963) / The Cut-Ups (1966) / Bill & Tony (1972) / Ghost at No. 9 (Paris) (1963-1972) Roma Raro Video 2004 [2 DVD] (80 Min.) s/w Farbe ; teilw. s/w ; mono tdi rdacontent v rdamedia vd rdacarrier Apparently, cinema was not a great passion in William S. Burroughs’ life and work. Even if in actual fact, the times this great American writer used this artistic medium were not few, as a scriptwriter and as an actor. There are not many films based on Burroughs’ literary works and this is because his work is not really cinematographic in the classic sense of the term, due to the little importance the writer gives to the narrative plot. His visual style is not linear but fragmentary. His writing style is narrative and slang with constant visual associations. It is logical therefore, that the film version of his writing cannot avoid having an "experimental" style and uses the cut-up, a chaotic and random method which derives from the Dadaist collages. It consists of cutting up and sticking pieces of text together in order to find new meanings. [Beiheft] engl. / UT: ital. DVD-Video gnd-carrier Burroughs, William S. aus Balch, Antony drt Gysin, Brion act Summerville, Ian act |
spellingShingle | W.S. Burroughs: Cut-Up Films |
title | W.S. Burroughs: Cut-Up Films |
title_alt | W.S. Burroughs: Cut-Up Films William Buys a Parrot (1963) / Towers Open Fire (1963) / The Cut-Ups (1966) / Bill & Tony (1972) / Ghost at No. 9 (Paris) (1963-1972) |
title_auth | W.S. Burroughs: Cut-Up Films |
title_exact_search | W.S. Burroughs: Cut-Up Films |
title_exact_search_txtP | W.S. Burroughs: Cut-Up Films |
title_full | W.S. Burroughs: Cut-Up Films Script: William S. Burroughs ; Antony Balch. Director: Antony Balch. Director of Photography: Antony Balch. With Brion Gysin ; Antony Balch ; Ian Sommerville |
title_fullStr | W.S. Burroughs: Cut-Up Films Script: William S. Burroughs ; Antony Balch. Director: Antony Balch. Director of Photography: Antony Balch. With Brion Gysin ; Antony Balch ; Ian Sommerville |
title_full_unstemmed | W.S. Burroughs: Cut-Up Films Script: William S. Burroughs ; Antony Balch. Director: Antony Balch. Director of Photography: Antony Balch. With Brion Gysin ; Antony Balch ; Ian Sommerville |
title_short | W.S. Burroughs: Cut-Up Films |
title_sort | w s burroughs cut up films |
topic_facet | DVD-Video |
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