Smokehouse Associates:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Körperschaft: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[New York, NY]
The Studio Museum in Harlem
[2022]
|
| Schlagworte: | |
| Beschreibung: | Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public art. Though relatively unknown today, Smokehouse was ambitious in its scale, community engagement, and interaction with the built environment. Published over fifty years after the collective’s founding, Smokehouse Associates offers the first critical examination of the group’s work. Eric Booker provides a historical overview of the collective; Charles Davis II and James Trainor delve into contextual histories of public art, urban design, and architecture; and an artist roundtable moderated by Ashley James presents critical reflections. With previously unpublished images and ephemera and a rich chronology, Smokehouse Associates serves as a sourcebook that expands the narrative of public art and social practice in the United States to include the contributions of artists of African descent. |
| Beschreibung: | 256 Seiten 28 cm |
| ISBN: | 0300267207 9780300267204 |
Internformat
MARC
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| 245 | 1 | 0 | |a Smokehouse Associates |c The Studio Museum in Harlem ; edited by Eric Booker |
| 264 | 1 | |a [New York, NY] |b The Studio Museum in Harlem |c [2022] | |
| 264 | 2 | |a New Haven, Connecticut ; London |b Yale University Press | |
| 300 | |a 256 Seiten |c 28 cm | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public art. Though relatively unknown today, Smokehouse was ambitious in its scale, community engagement, and interaction with the built environment. Published over fifty years after the collective’s founding, Smokehouse Associates offers the first critical examination of the group’s work. Eric Booker provides a historical overview of the collective; Charles Davis II and James Trainor delve into contextual histories of public art, urban design, and architecture; and an artist roundtable moderated by Ashley James presents critical reflections. With previously unpublished images and ephemera and a rich chronology, Smokehouse Associates serves as a sourcebook that expands the narrative of public art and social practice in the United States to include the contributions of artists of African descent. | ||
| 505 | 8 | 0 | |t Director's foreword / |r Thelma Golden |t Acknowledgments / |r Eric Booker |t Smokehouse: abstract potential / |r Eric Booker |t Archival reproductions |t The social life of abstraction / |r Charles L. David II |t Summers of smokehouse / |r James Trainor |t Photographic documentation |t In conversation: William T. Williams, Melvin Edwards, and Guy Ciarcia / |r Ashley James |t Chronology 1962-78 |t Unrealized works |t Photo index |
| 610 | 2 | 7 | |a Smokehouse Associates |0 (DE-588)127913237X |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1968-1970 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Öffentlicher Raum |0 (DE-588)4172385-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a New York- Harlem |0 (DE-588)4075363-3 |2 gnd |9 rswk-swf | |
| 653 | 2 | |a Smokehouse Associates (Art collective) / Criticism and interpretation | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 0 | |a African American art / New York (State) / New York / 20th century | |
| 653 | 0 | |a Public art / New York (State) / New York / 20th century | |
| 653 | 0 | |a African American artists / New York (State) / New York | |
| 653 | 0 | |a Art and society | |
| 653 | 0 | |a African American art | |
| 653 | 0 | |a African American artists | |
| 653 | 0 | |a Art and society | |
| 653 | 0 | |a Public art | |
| 653 | 0 | |a ART / American / African American & Black | |
| 653 | 0 | |a Criticism, interpretation, etc | |
| 653 | 2 | |a New York (State) - New York | |
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| 655 | 7 | |0 (DE-588)4020713-4 |a Gespräch |2 gnd-content | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-034065772 | ||
Datensatz im Suchindex
| _version_ | 1804184873249800192 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Booker, Eric |
| author2 | Booker, Eric |
| author2_role | edt |
| author2_variant | e b eb |
| author_additional | Thelma Golden Eric Booker Charles L. David II James Trainor Ashley James |
| author_corporate | Smokehouse Associates |
| author_corporate_role | aut |
| author_facet | Booker, Eric Booker, Eric Smokehouse Associates |
| author_role | aut |
| author_sort | Smokehouse Associates |
| author_variant | e b eb |
| building | Verbundindex |
| bvnumber | BV048691565 |
| classification_rvk | LI 99900 |
| contents | Director's foreword / Acknowledgments / Smokehouse: abstract potential / Archival reproductions The social life of abstraction / Summers of smokehouse / Photographic documentation In conversation: William T. Williams, Melvin Edwards, and Guy Ciarcia / Chronology 1962-78 Unrealized works Photo index |
| ctrlnum | (OCoLC)1356803451 (DE-599)KXP1828254177 |
| dewey-full | 709.22 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.22 |
| dewey-search | 709.22 |
| dewey-sort | 3709.22 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1968-1970 gnd |
| era_facet | Geschichte 1968-1970 |
| format | Book |
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| genre_facet | Bildband Gespräch |
| geographic | New York- Harlem (DE-588)4075363-3 gnd |
| geographic_facet | New York- Harlem |
| id | DE-604.BV048691565 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:27:35Z |
| indexdate | 2024-07-10T09:46:15Z |
| institution | BVB |
| institution_GND | (DE-588)127913237X (DE-588)810393-8 |
| isbn | 0300267207 9780300267204 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034065772 |
| oclc_num | 1356803451 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 256 Seiten 28 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | The Studio Museum in Harlem |
| record_format | marc |
| spelling | Smokehouse Associates Verfasser (DE-588)127913237X aut Smokehouse Associates The Studio Museum in Harlem ; edited by Eric Booker [New York, NY] The Studio Museum in Harlem [2022] New Haven, Connecticut ; London Yale University Press 256 Seiten 28 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public art. Though relatively unknown today, Smokehouse was ambitious in its scale, community engagement, and interaction with the built environment. Published over fifty years after the collective’s founding, Smokehouse Associates offers the first critical examination of the group’s work. Eric Booker provides a historical overview of the collective; Charles Davis II and James Trainor delve into contextual histories of public art, urban design, and architecture; and an artist roundtable moderated by Ashley James presents critical reflections. With previously unpublished images and ephemera and a rich chronology, Smokehouse Associates serves as a sourcebook that expands the narrative of public art and social practice in the United States to include the contributions of artists of African descent. Director's foreword / Thelma Golden Acknowledgments / Eric Booker Smokehouse: abstract potential / Eric Booker Archival reproductions The social life of abstraction / Charles L. David II Summers of smokehouse / James Trainor Photographic documentation In conversation: William T. Williams, Melvin Edwards, and Guy Ciarcia / Ashley James Chronology 1962-78 Unrealized works Photo index Smokehouse Associates (DE-588)127913237X gnd rswk-swf Geschichte 1968-1970 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf New York- Harlem (DE-588)4075363-3 gnd rswk-swf Smokehouse Associates (Art collective) / Criticism and interpretation 1900-1999 African American art / New York (State) / New York / 20th century Public art / New York (State) / New York / 20th century African American artists / New York (State) / New York Art and society African American art African American artists Public art ART / American / African American & Black Criticism, interpretation, etc New York (State) - New York (DE-588)4145395-5 Bildband gnd-content (DE-588)4020713-4 Gespräch gnd-content Smokehouse Associates (DE-588)127913237X b New York- Harlem (DE-588)4075363-3 g Öffentlicher Raum (DE-588)4172385-5 s Kunst (DE-588)4114333-4 s Geschichte 1968-1970 z DE-604 Booker, Eric edt aut Studio Museum in Harlem (DE-588)810393-8 isb |
| spellingShingle | Booker, Eric Smokehouse Associates Director's foreword / Acknowledgments / Smokehouse: abstract potential / Archival reproductions The social life of abstraction / Summers of smokehouse / Photographic documentation In conversation: William T. Williams, Melvin Edwards, and Guy Ciarcia / Chronology 1962-78 Unrealized works Photo index Smokehouse Associates (DE-588)127913237X gnd Kunst (DE-588)4114333-4 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| subject_GND | (DE-588)127913237X (DE-588)4114333-4 (DE-588)4172385-5 (DE-588)4075363-3 (DE-588)4145395-5 (DE-588)4020713-4 |
| title | Smokehouse Associates |
| title_alt | Director's foreword / Acknowledgments / Smokehouse: abstract potential / Archival reproductions The social life of abstraction / Summers of smokehouse / Photographic documentation In conversation: William T. Williams, Melvin Edwards, and Guy Ciarcia / Chronology 1962-78 Unrealized works Photo index |
| title_auth | Smokehouse Associates |
| title_exact_search | Smokehouse Associates |
| title_exact_search_txtP | Smokehouse Associates |
| title_full | Smokehouse Associates The Studio Museum in Harlem ; edited by Eric Booker |
| title_fullStr | Smokehouse Associates The Studio Museum in Harlem ; edited by Eric Booker |
| title_full_unstemmed | Smokehouse Associates The Studio Museum in Harlem ; edited by Eric Booker |
| title_short | Smokehouse Associates |
| title_sort | smokehouse associates |
| topic | Smokehouse Associates (DE-588)127913237X gnd Kunst (DE-588)4114333-4 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| topic_facet | Smokehouse Associates Kunst Öffentlicher Raum New York- Harlem Bildband Gespräch |
| work_keys_str_mv | AT smokehouseassociates smokehouseassociates AT bookereric smokehouseassociates AT studiomuseuminharlem smokehouseassociates |