Aural/oral dramaturgies: theatre in the digital age
"This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2023
|
Schlagworte: | |
Zusammenfassung: | "This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre' that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives a second alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations and presentations from artists and academics. This is a key text for scholars, students and practitioners of contemporary performance, and anyone working with sound and aurality in today's performance environment"-- |
Beschreibung: | xvi, 224 Seiten Illustrationen |
ISBN: | 9780367560744 9780367560768 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048684997 | ||
003 | DE-604 | ||
005 | 20230324 | ||
007 | t | ||
008 | 230201s2023 a||| b||| 00||| eng d | ||
020 | |a 9780367560744 |c pbk. |9 978-0-367-56074-4 | ||
020 | |a 9780367560768 |c hbk. |9 978-0-367-56076-8 | ||
035 | |a (OCoLC)1371316248 | ||
035 | |a (DE-599)BVBBV048684997 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
100 | 1 | |a Radosavljević, Duška |e Verfasser |0 (DE-588)112891297X |4 aut | |
245 | 1 | 0 | |a Aural/oral dramaturgies |b theatre in the digital age |c Duška Radosavljević |
264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2023 | |
300 | |a xvi, 224 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a "This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre' that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives a second alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations and presentations from artists and academics. This is a key text for scholars, students and practitioners of contemporary performance, and anyone working with sound and aurality in today's performance environment"-- | |
650 | 0 | 7 | |a Dramaturgie |0 (DE-588)4124796-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Bühnentechnik |0 (DE-588)4146863-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Inszenierung |0 (DE-588)4027223-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Auralisation |0 (DE-588)1050439163 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Digitalisierung |0 (DE-588)4123065-6 |2 gnd |9 rswk-swf |
653 | 0 | |a Theater / Sound effects | |
653 | 0 | |a Theater / Production and direction | |
653 | 0 | |a Drama / Technique | |
653 | 0 | |a Technology and the arts | |
653 | 0 | |a Drama / Technique | |
653 | 0 | |a Technology and the arts | |
653 | 0 | |a Theater / Production and direction | |
689 | 0 | 0 | |a Theater |0 (DE-588)4059702-7 |D s |
689 | 0 | 1 | |a Dramaturgie |0 (DE-588)4124796-6 |D s |
689 | 0 | 2 | |a Inszenierung |0 (DE-588)4027223-0 |D s |
689 | 0 | 3 | |a Bühnentechnik |0 (DE-588)4146863-6 |D s |
689 | 0 | 4 | |a Auralisation |0 (DE-588)1050439163 |D s |
689 | 0 | 5 | |a Digitalisierung |0 (DE-588)4123065-6 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk. |z 978-1-00-309633-7 |
999 | |a oai:aleph.bib-bvb.de:BVB01-034059296 |
Datensatz im Suchindex
_version_ | 1804184860540010496 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Radosavljević, Duška |
author_GND | (DE-588)112891297X |
author_facet | Radosavljević, Duška |
author_role | aut |
author_sort | Radosavljević, Duška |
author_variant | d r dr |
building | Verbundindex |
bvnumber | BV048684997 |
ctrlnum | (OCoLC)1371316248 (DE-599)BVBBV048684997 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03163nam a2200529 c 4500</leader><controlfield tag="001">BV048684997</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230324 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230201s2023 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367560744</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-0-367-56074-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367560768</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-367-56076-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1371316248</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048684997</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Radosavljević, Duška</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)112891297X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Aural/oral dramaturgies</subfield><subfield code="b">theatre in the digital age</subfield><subfield code="c">Duška Radosavljević</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvi, 224 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre' that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives a second alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations and presentations from artists and academics. This is a key text for scholars, students and practitioners of contemporary performance, and anyone working with sound and aurality in today's performance environment"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dramaturgie</subfield><subfield code="0">(DE-588)4124796-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bühnentechnik</subfield><subfield code="0">(DE-588)4146863-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Inszenierung</subfield><subfield code="0">(DE-588)4027223-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Auralisation</subfield><subfield code="0">(DE-588)1050439163</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / Sound effects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / Production and direction</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Drama / Technique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Technology and the arts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Drama / Technique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Technology and the arts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / Production and direction</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dramaturgie</subfield><subfield code="0">(DE-588)4124796-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Inszenierung</subfield><subfield code="0">(DE-588)4027223-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Bühnentechnik</subfield><subfield code="0">(DE-588)4146863-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Auralisation</subfield><subfield code="0">(DE-588)1050439163</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk.</subfield><subfield code="z">978-1-00-309633-7</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034059296</subfield></datafield></record></collection> |
id | DE-604.BV048684997 |
illustrated | Illustrated |
index_date | 2024-07-03T21:26:17Z |
indexdate | 2024-07-10T09:46:03Z |
institution | BVB |
isbn | 9780367560744 9780367560768 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034059296 |
oclc_num | 1371316248 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xvi, 224 Seiten Illustrationen |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
spelling | Radosavljević, Duška Verfasser (DE-588)112891297X aut Aural/oral dramaturgies theatre in the digital age Duška Radosavljević London ; New York Routledge, Taylor & Francis Group 2023 xvi, 224 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre' that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives a second alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations and presentations from artists and academics. This is a key text for scholars, students and practitioners of contemporary performance, and anyone working with sound and aurality in today's performance environment"-- Dramaturgie (DE-588)4124796-6 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Bühnentechnik (DE-588)4146863-6 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Auralisation (DE-588)1050439163 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Theater / Sound effects Theater / Production and direction Drama / Technique Technology and the arts Theater (DE-588)4059702-7 s Dramaturgie (DE-588)4124796-6 s Inszenierung (DE-588)4027223-0 s Bühnentechnik (DE-588)4146863-6 s Auralisation (DE-588)1050439163 s Digitalisierung (DE-588)4123065-6 s DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-309633-7 |
spellingShingle | Radosavljević, Duška Aural/oral dramaturgies theatre in the digital age Dramaturgie (DE-588)4124796-6 gnd Theater (DE-588)4059702-7 gnd Bühnentechnik (DE-588)4146863-6 gnd Inszenierung (DE-588)4027223-0 gnd Auralisation (DE-588)1050439163 gnd Digitalisierung (DE-588)4123065-6 gnd |
subject_GND | (DE-588)4124796-6 (DE-588)4059702-7 (DE-588)4146863-6 (DE-588)4027223-0 (DE-588)1050439163 (DE-588)4123065-6 |
title | Aural/oral dramaturgies theatre in the digital age |
title_auth | Aural/oral dramaturgies theatre in the digital age |
title_exact_search | Aural/oral dramaturgies theatre in the digital age |
title_exact_search_txtP | Aural/oral dramaturgies theatre in the digital age |
title_full | Aural/oral dramaturgies theatre in the digital age Duška Radosavljević |
title_fullStr | Aural/oral dramaturgies theatre in the digital age Duška Radosavljević |
title_full_unstemmed | Aural/oral dramaturgies theatre in the digital age Duška Radosavljević |
title_short | Aural/oral dramaturgies |
title_sort | aural oral dramaturgies theatre in the digital age |
title_sub | theatre in the digital age |
topic | Dramaturgie (DE-588)4124796-6 gnd Theater (DE-588)4059702-7 gnd Bühnentechnik (DE-588)4146863-6 gnd Inszenierung (DE-588)4027223-0 gnd Auralisation (DE-588)1050439163 gnd Digitalisierung (DE-588)4123065-6 gnd |
topic_facet | Dramaturgie Theater Bühnentechnik Inszenierung Auralisation Digitalisierung |
work_keys_str_mv | AT radosavljevicduska auraloraldramaturgiestheatreinthedigitalage |