Rags and bones: an exploration of The Band
"After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to exp...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2022]
|
| Schriftenreihe: | American made music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new"-- |
| Beschreibung: | vii, 176 Seiten 24 cm |
| ISBN: | 9781496842985 9781496842978 |
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| 505 | 8 | |a Introduction / Jeff Sellars -- Honky-tonk hawkin' / Toby Thompson -- The day the music lived: how Bob Dylan and The Band paved the way for southern rock / Christine Hand Jones -- Reading Baldwin's "Sonny Blues" while listening to The Band / Charlotte Pence -- Big sound from Big Pink / Jeff Sellars -- "Caught in the spotlight": The Band's performance anxiety in Stage Fright / Jude Warne -- Chasing the music: the sacred and profane in The Band's early years / Jeffrey Scholes -- Half past dead: remnant identity in The Band's America / Joshua Coleman -- Entanglement and sainthood: carrying "The Weight" across the endless highway / George Plasketes -- Loud prayers: communion, transcendence, and the blues in Scorsese's The Last Waltz / Kevin C. Neece | |
| 520 | 3 | |a "After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS Acknowledgments. vii Introduction. З JEFF SELLARS Chapter i: Honky-Tonk Hawkin’.n TOBY THOMPSON Chapter 2: The Day the Music Lived: How Bob Dylan and The Band Paved the Way for Southern Rock. 26 CHRISTINE HAND JONES Chapter 3: Reading Baldwin’s “Sonny Blues” while Listening to The Band. 48 CHARLOTTE PENCE Chapter 4: Big Sound from Big Pink. 61 JEFF SELLARS Chapter 5: “Caught in the Spotlight”: The Band’s Performance Anxiety in Stage Fright. 78 JUDE WARNE Chapter 6: Chasing the Music: The Sacred and Profane in The Band’s Early Years. 92 JEFFREY SCHOLES Chapter 7: Half Past Dead: Remnant Identity in The Band’s America. 104 JOSHUA COLEMAN
CONTENTS VI Chapter 8: Entanglement and Sainthood: Carrying “The Weight” across the Endless Highway. 118 GEORGE PLASKETES Chapter 9: Loud Prayers: Communion, Transcendence, and the Blues in Scorsese’s The Last Waltz. 146 KEVIN C. NEECE Bibliography. 161 Discography/Filmography. 167 Contributors. 169 Index. 172 |
| adam_txt |
CONTENTS Acknowledgments. vii Introduction. З JEFF SELLARS Chapter i: Honky-Tonk Hawkin’.n TOBY THOMPSON Chapter 2: The Day the Music Lived: How Bob Dylan and The Band Paved the Way for Southern Rock. 26 CHRISTINE HAND JONES Chapter 3: Reading Baldwin’s “Sonny Blues” while Listening to The Band. 48 CHARLOTTE PENCE Chapter 4: Big Sound from Big Pink. 61 JEFF SELLARS Chapter 5: “Caught in the Spotlight”: The Band’s Performance Anxiety in Stage Fright. 78 JUDE WARNE Chapter 6: Chasing the Music: The Sacred and Profane in The Band’s Early Years. 92 JEFFREY SCHOLES Chapter 7: Half Past Dead: Remnant Identity in The Band’s America. 104 JOSHUA COLEMAN
CONTENTS VI Chapter 8: Entanglement and Sainthood: Carrying “The Weight” across the Endless Highway. 118 GEORGE PLASKETES Chapter 9: Loud Prayers: Communion, Transcendence, and the Blues in Scorsese’s The Last Waltz. 146 KEVIN C. NEECE Bibliography. 161 Discography/Filmography. 167 Contributors. 169 Index. 172 |
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| contents | Introduction / Jeff Sellars -- Honky-tonk hawkin' / Toby Thompson -- The day the music lived: how Bob Dylan and The Band paved the way for southern rock / Christine Hand Jones -- Reading Baldwin's "Sonny Blues" while listening to The Band / Charlotte Pence -- Big sound from Big Pink / Jeff Sellars -- "Caught in the spotlight": The Band's performance anxiety in Stage Fright / Jude Warne -- Chasing the music: the sacred and profane in The Band's early years / Jeffrey Scholes -- Half past dead: remnant identity in The Band's America / Joshua Coleman -- Entanglement and sainthood: carrying "The Weight" across the endless highway / George Plasketes -- Loud prayers: communion, transcendence, and the blues in Scorsese's The Last Waltz / Kevin C. Neece |
| ctrlnum | (OCoLC)1341268883 (DE-599)BVBBV048684541 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:26:11Z |
| indexdate | 2024-07-20T05:15:19Z |
| institution | BVB |
| isbn | 9781496842985 9781496842978 |
| language | English |
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| publisher | University Press of Mississippi |
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| spelling | Sellars, Jeff (DE-588)1286459400 edt Rags and bones an exploration of The Band edited by Jeff Sellars and Kevin C. Neece Jackson University Press of Mississippi [2022] © 2022 vii, 176 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier American made music series Introduction / Jeff Sellars -- Honky-tonk hawkin' / Toby Thompson -- The day the music lived: how Bob Dylan and The Band paved the way for southern rock / Christine Hand Jones -- Reading Baldwin's "Sonny Blues" while listening to The Band / Charlotte Pence -- Big sound from Big Pink / Jeff Sellars -- "Caught in the spotlight": The Band's performance anxiety in Stage Fright / Jude Warne -- Chasing the music: the sacred and profane in The Band's early years / Jeffrey Scholes -- Half past dead: remnant identity in The Band's America / Joshua Coleman -- Entanglement and sainthood: carrying "The Weight" across the endless highway / George Plasketes -- Loud prayers: communion, transcendence, and the blues in Scorsese's The Last Waltz / Kevin C. Neece "After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new"-- The Band Musikgruppe (DE-588)10279868-0 gnd rswk-swf Band (Musical group) Rock music / History and criticism MUSIC / Genres & Styles / Rock Rock music Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4006804-3 Biografie gnd-content The Band Musikgruppe (DE-588)10279868-0 b DE-604 Neece, Kevin C. (DE-588)1257090798 edt Erscheint auch als Online-Ausgabe 978-1-4968-4299-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034058848&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rags and bones an exploration of The Band Introduction / Jeff Sellars -- Honky-tonk hawkin' / Toby Thompson -- The day the music lived: how Bob Dylan and The Band paved the way for southern rock / Christine Hand Jones -- Reading Baldwin's "Sonny Blues" while listening to The Band / Charlotte Pence -- Big sound from Big Pink / Jeff Sellars -- "Caught in the spotlight": The Band's performance anxiety in Stage Fright / Jude Warne -- Chasing the music: the sacred and profane in The Band's early years / Jeffrey Scholes -- Half past dead: remnant identity in The Band's America / Joshua Coleman -- Entanglement and sainthood: carrying "The Weight" across the endless highway / George Plasketes -- Loud prayers: communion, transcendence, and the blues in Scorsese's The Last Waltz / Kevin C. Neece The Band Musikgruppe (DE-588)10279868-0 gnd |
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| title | Rags and bones an exploration of The Band |
| title_auth | Rags and bones an exploration of The Band |
| title_exact_search | Rags and bones an exploration of The Band |
| title_exact_search_txtP | Rags and bones an exploration of The Band |
| title_full | Rags and bones an exploration of The Band edited by Jeff Sellars and Kevin C. Neece |
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| title_full_unstemmed | Rags and bones an exploration of The Band edited by Jeff Sellars and Kevin C. Neece |
| title_short | Rags and bones |
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