Creativity and morality:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; San Diego, CA ; Cambridge, MA ; Kidlington, Oxford
Academic Press
[2023]
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| Schriftenreihe: | Explorations in creativity research
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVII, 312 Seiten |
| ISBN: | 9780323856676 |
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| adam_text | Contents Contributors Preface Acknowledgments xiii xv xvii I Introduction 1. Creativity, morality, and the AMORAL model Hansika Kapoor and James C. Kaufman A: antecedents Μ: mechanisms (individual) O: operants (environmental) R: realization A: aftereffects L: legacy References 5 5 6 7 8 8 9 2. Morality and creativity overlapping in beneficial and harmful ways: an interdisciplinary exploration Don Ambrose Creativity as multidimensional Ethics and morality as multifaceted Interdisciplinary inquiry illuminating the ethics-creativity overlap Can interdisciplinary exploration clarify the ethics-creativity overlap? Concepts from various disciplines: connections with creativity and morality Reductive megalomania and sterile certainty Creating mass deception to tear down democracy Macroproblems, panoramic scanning, and cognitive diversity Moral-legal overlap The chaos-order continuum Concluding thoughts References vìi 13 14 15 16 17 18 19 20 22 23 24 25
viii Contents 3. Positive creativity as the intersection between creativity, intelligence, and wisdom Robert J. Sternberg Positive, negative, and neutral creativity Teaching for positive creativity Discussion of why and how positive creativity helps the world and negative creativity hurts it Role modeling from your own life—positive and negative Positive contrasted with negative major real-world examples Projects Discussion of how to recognize positive versus negativecreativity Conclusion References 31 33 33 34 37 39 40 41 42 π Dark influences on creativity and morality 4. Malevolent creativity: personality, process, and the larger creativity field Kevin S. Mitchell and Roni Reiter-Palmon Creativity’s inner demons Creative personalities Processes for creativity Creative outcomes Conclusion References 49 52 58 61 63 65 5. The Dark Tetrad and malevolent creativity Gayle T. Dow The Dark Tetrad Conclusion References 70 76 76 6. The nexus of morality and creativity vis-à-vis deception: a cognitive framework Jeffrey J. Walczyk and Natalie F. Cockrell Morality, deception, and creativity Activation-decision-construction-action theory 81 83
Contents Applying ADCAT to understand research on morality, creativity, and deception Conclusion References ЇХ 89 93 95 7. Creativity and morality in deception Simon Henderson Introduction The interpretation of deception hasreal consequences Defining deception The building blocks of deception The development of deceptive skills inchildren and adults Deception as a creative act The ethics of deceiving Practical implications for exploiting anenhancedunderstanding of deception Conclusions References 101 102 105 108 110 112 113 118 119 120 III Creativity, morality, and the self 8. The mixed moral implications of the creative identity: how the creative identity can lead to moral and immoral behavior Lynne C. Vincent Creativity and morality The creative identity and its content Moral implications of the creative identity Conclusion References 129 131 136 139 139 9. The intersections of creativity and complex moral emotions Radek Trnka and Iva Poláčková Šolcova Introduction Effect of sympathy on creative originality Effects of pride, embarrassment, and shame on creative performance Creativity, moral emotions, and social evaluation Empathy and creativity Creativity and complex moral emotions: future directions Acknowledgments References 145 146 147 149 151 153 155 155
x Contents 10. Monsters and the moral psychology of the “other” Bronwyn Monteiro, Bryan West, and David A. Pizarro Monsters and the moral psychology of the “other” Predatory monsters Monsters of contagion Conclusion References 161 162 165 171 171 11. The creativity-morality nexus: a complexity perspective Wangbing Shen, Yimeng Zhai, and Yuan Yuan Defining creativity and morality Multiple approaches to examine the creativity-morality nexus Main findings on the creativity-morality nexus Concluding remarks Acknowledgment References 176 178 181 187 188 188 IV Creativity, morality, and the arts 12. Can you or will you imagine? Ability and willingness to imagine fictional scenarios depend on the type of imaginary world Jessica E. Black and Jennifer L. Barnes What is most difficult to imagine, murder,magic, or illogicality? Study 1 discussion: it’s complicated Can’t or won’t? Study 2 discussion: it’sboth, and context matters General discussion Appendix References 201 205 207 210 212 215 218 13. Creating morality through play: digital games, moral perspective-taking, and empathy Karen Schrier, Sawsan Eskander, Gregory Beaudoin, Nicholas Fisher, Paul Harden, Samuel Levine, Katie Samečky, Alyssa Shaenfield, and Erin Alvarico Introduction Games and moralperspective-taking Games, creativity, and moralperspective-taking Case studies Conclusion References 221 224 226 229 246 249
Contents Xl V Creativity, morality, and organizations/technology 14. The relationship between creativity and (un)ethical behavior: a literature review and future directions Xin Qin, Xiaowei Dong, Wanlu Li, Chen Chen, and Manyi Wang Introduction How does an individual’s creativity influence his or her own (un)ethical behavior? How does an individual’s creativity influence others’(un)ethical behavior? How does an individual’s (un)ethical behavior influence his or her own creativity? How does an individual’s (un)ethical behavior influence others’ creativity? Discussion References 257 259 265 266 267 271 274 15. Creativity and morality in the world of technology: the intersection of creativity, design, and responsible problem-solving David Cropley Creativity and the role of ethics/morals Ethics and morals in creativity and design Creativity and engineering design Constraint versus freedom The role of constraints in engineering design Engineering design and ethical constraints Moral agency and corporate morality Engineering design: safety and risk Conclusion References Conclusion Index 283 285 288 291 291 292 296 296 300 301 303 305
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| adam_txt |
Contents Contributors Preface Acknowledgments xiii xv xvii I Introduction 1. Creativity, morality, and the AMORAL model Hansika Kapoor and James C. Kaufman A: antecedents Μ: mechanisms (individual) O: operants (environmental) R: realization A: aftereffects L: legacy References 5 5 6 7 8 8 9 2. Morality and creativity overlapping in beneficial and harmful ways: an interdisciplinary exploration Don Ambrose Creativity as multidimensional Ethics and morality as multifaceted Interdisciplinary inquiry illuminating the ethics-creativity overlap Can interdisciplinary exploration clarify the ethics-creativity overlap? Concepts from various disciplines: connections with creativity and morality Reductive megalomania and sterile certainty Creating mass deception to tear down democracy Macroproblems, panoramic scanning, and cognitive diversity Moral-legal overlap The chaos-order continuum Concluding thoughts References vìi 13 14 15 16 17 18 19 20 22 23 24 25
viii Contents 3. Positive creativity as the intersection between creativity, intelligence, and wisdom Robert J. Sternberg Positive, negative, and neutral creativity Teaching for positive creativity Discussion of why and how positive creativity helps the world and negative creativity hurts it Role modeling from your own life—positive and negative Positive contrasted with negative major real-world examples Projects Discussion of how to recognize positive versus negativecreativity Conclusion References 31 33 33 34 37 39 40 41 42 π Dark influences on creativity and morality 4. Malevolent creativity: personality, process, and the larger creativity field Kevin S. Mitchell and Roni Reiter-Palmon Creativity’s inner demons Creative personalities Processes for creativity Creative outcomes Conclusion References 49 52 58 61 63 65 5. The Dark Tetrad and malevolent creativity Gayle T. Dow The Dark Tetrad Conclusion References 70 76 76 6. The nexus of morality and creativity vis-à-vis deception: a cognitive framework Jeffrey J. Walczyk and Natalie F. Cockrell Morality, deception, and creativity Activation-decision-construction-action theory 81 83
Contents Applying ADCAT to understand research on morality, creativity, and deception Conclusion References ЇХ 89 93 95 7. Creativity and morality in deception Simon Henderson Introduction The interpretation of deception hasreal consequences Defining deception The building blocks of deception The development of deceptive skills inchildren and adults Deception as a creative act The ethics of deceiving Practical implications for exploiting anenhancedunderstanding of deception Conclusions References 101 102 105 108 110 112 113 118 119 120 III Creativity, morality, and the self 8. The mixed moral implications of the creative identity: how the creative identity can lead to moral and immoral behavior Lynne C. Vincent Creativity and morality The creative identity and its content Moral implications of the creative identity Conclusion References 129 131 136 139 139 9. The intersections of creativity and complex moral emotions Radek Trnka and Iva Poláčková Šolcova Introduction Effect of sympathy on creative originality Effects of pride, embarrassment, and shame on creative performance Creativity, moral emotions, and social evaluation Empathy and creativity Creativity and complex moral emotions: future directions Acknowledgments References 145 146 147 149 151 153 155 155
x Contents 10. Monsters and the moral psychology of the “other” Bronwyn Monteiro, Bryan West, and David A. Pizarro Monsters and the moral psychology of the “other” Predatory monsters Monsters of contagion Conclusion References 161 162 165 171 171 11. The creativity-morality nexus: a complexity perspective Wangbing Shen, Yimeng Zhai, and Yuan Yuan Defining creativity and morality Multiple approaches to examine the creativity-morality nexus Main findings on the creativity-morality nexus Concluding remarks Acknowledgment References 176 178 181 187 188 188 IV Creativity, morality, and the arts 12. Can you or will you imagine? Ability and willingness to imagine fictional scenarios depend on the type of imaginary world Jessica E. Black and Jennifer L. Barnes What is most difficult to imagine, murder,magic, or illogicality? Study 1 discussion: it’s complicated Can’t or won’t? Study 2 discussion: it’sboth, and context matters General discussion Appendix References 201 205 207 210 212 215 218 13. Creating morality through play: digital games, moral perspective-taking, and empathy Karen Schrier, Sawsan Eskander, Gregory Beaudoin, Nicholas Fisher, Paul Harden, Samuel Levine, Katie Samečky, Alyssa Shaenfield, and Erin Alvarico Introduction Games and moralperspective-taking Games, creativity, and moralperspective-taking Case studies Conclusion References 221 224 226 229 246 249
Contents Xl V Creativity, morality, and organizations/technology 14. The relationship between creativity and (un)ethical behavior: a literature review and future directions Xin Qin, Xiaowei Dong, Wanlu Li, Chen Chen, and Manyi Wang Introduction How does an individual’s creativity influence his or her own (un)ethical behavior? How does an individual’s creativity influence others’(un)ethical behavior? How does an individual’s (un)ethical behavior influence his or her own creativity? How does an individual’s (un)ethical behavior influence others’ creativity? Discussion References 257 259 265 266 267 271 274 15. Creativity and morality in the world of technology: the intersection of creativity, design, and responsible problem-solving David Cropley Creativity and the role of ethics/morals Ethics and morals in creativity and design Creativity and engineering design Constraint versus freedom The role of constraints in engineering design Engineering design and ethical constraints Moral agency and corporate morality Engineering design: safety and risk Conclusion References Conclusion Index 283 285 288 291 291 292 296 296 300 301 303 305 |
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| spelling | Creativity and morality edited by Hansika Kapoor (Monk Prayogshala, Mumbai, Maharastra, India - University of Connecticut, Storrs, CT, United States), James C. Kaufman (University of Connecticut, Storrs, CT, United States) London ; San Diego, CA ; Cambridge, MA ; Kidlington, Oxford Academic Press [2023] © 2023 XVII, 312 Seiten txt rdacontent n rdamedia nc rdacarrier Explorations in creativity research Kreativität (DE-588)4032903-3 gnd rswk-swf Ethik (DE-588)4015602-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kreativität (DE-588)4032903-3 s Ethik (DE-588)4015602-3 s DE-604 Kapoor, Hansika (DE-588)128091193X edt Kaufman, James C. 1974- (DE-588)138770042 edt Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034056990&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Creativity and morality Kreativität (DE-588)4032903-3 gnd Ethik (DE-588)4015602-3 gnd |
| subject_GND | (DE-588)4032903-3 (DE-588)4015602-3 (DE-588)4143413-4 |
| title | Creativity and morality |
| title_auth | Creativity and morality |
| title_exact_search | Creativity and morality |
| title_exact_search_txtP | Creativity and morality |
| title_full | Creativity and morality edited by Hansika Kapoor (Monk Prayogshala, Mumbai, Maharastra, India - University of Connecticut, Storrs, CT, United States), James C. Kaufman (University of Connecticut, Storrs, CT, United States) |
| title_fullStr | Creativity and morality edited by Hansika Kapoor (Monk Prayogshala, Mumbai, Maharastra, India - University of Connecticut, Storrs, CT, United States), James C. Kaufman (University of Connecticut, Storrs, CT, United States) |
| title_full_unstemmed | Creativity and morality edited by Hansika Kapoor (Monk Prayogshala, Mumbai, Maharastra, India - University of Connecticut, Storrs, CT, United States), James C. Kaufman (University of Connecticut, Storrs, CT, United States) |
| title_short | Creativity and morality |
| title_sort | creativity and morality |
| topic | Kreativität (DE-588)4032903-3 gnd Ethik (DE-588)4015602-3 gnd |
| topic_facet | Kreativität Ethik Aufsatzsammlung |
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