Women in classical video games:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Schriftenreihe: | Imagines - classical receptions in the visual and performing arts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xii, 271 Seiten Illustrationen, Diagramm |
| ISBN: | 9781350241916 |
Internformat
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Datensatz im Suchindex
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| adam_text |
CONTENTS List of Illustrations List of Contributors vii ix Introduction Kate Cook and Jane Draycott 1 Part I Commencing Classical Gaming 1 2 3 Playable Girls in Ancient Worlds: Athena (1986) Opens the Door Dunstan Lowe 15 A Historical Analysis of Women in Video Games Based on Classical Antiquity Jordy D. Orellana Figueroa 29 Dangerous Defaults: Demographics and Identities within and without Video Games Marcie Gwen Persyn 44 Part II Gods, Heroines and Monsters 4 5 6 The Maiden, the Mother and the Monster: The Monstrous-Feminine in Classical Video Games Dan Goad 61 Bringing Down the Divine Patriarchy Through Deicide in Apotheon (2015) AmyL.Norgard 75 Argonautic Women? Gender and Heroic Status in Rise of the Argonauts Sophie Ngan 90 7 Good Riddance: Refiguring Eurydice in Supergiant’s Hades Kira Jones 103 8 Reception and Representation of Graeco-Roman Goddesses in Smite: Battleground of the Gods Katherine Beydler 116 9 Opening Pandora’s Box: Aphrodite as the Representation of Women’s Sexuality in God of War HI Olivia Ciaccia 128 Part III Queens and Commoners 10 Women and Violence in Ancient Mediterranean Video Games Hannah-Marie Chidwick 147 11 Playing Cleopatra in Assassin’s Creed: Origins Jane Draycott 162
Contents 12 Playing Salammbô: Orientalism, Gender and Gaming with the Punic World Andrew Dufton 175 13 Kassandra’s Odyssey Richard Cole 191 14 ‘We do what we must to survive’: Female Sex Workers in Assassin’s Creed: Odyssey Roz Tuplin 208 15 ‘It’s the most freedom a woman can have’: Gender, Genre and Agency inChoices: A Courtesan ofRome Kate Cook 223 Bibliography Index 237 269 vi |
| adam_txt |
CONTENTS List of Illustrations List of Contributors vii ix Introduction Kate Cook and Jane Draycott 1 Part I Commencing Classical Gaming 1 2 3 Playable Girls in Ancient Worlds: Athena (1986) Opens the Door Dunstan Lowe 15 A Historical Analysis of Women in Video Games Based on Classical Antiquity Jordy D. Orellana Figueroa 29 Dangerous Defaults: Demographics and Identities within and without Video Games Marcie Gwen Persyn 44 Part II Gods, Heroines and Monsters 4 5 6 The Maiden, the Mother and the Monster: The Monstrous-Feminine in Classical Video Games Dan Goad 61 Bringing Down the Divine Patriarchy Through Deicide in Apotheon (2015) AmyL.Norgard 75 Argonautic Women? Gender and Heroic Status in Rise of the Argonauts Sophie Ngan 90 7 Good Riddance: Refiguring Eurydice in Supergiant’s Hades Kira Jones 103 8 Reception and Representation of Graeco-Roman Goddesses in Smite: Battleground of the Gods Katherine Beydler 116 9 Opening Pandora’s Box: Aphrodite as the Representation of Women’s Sexuality in God of War HI Olivia Ciaccia 128 Part III Queens and Commoners 10 Women and Violence in Ancient Mediterranean Video Games Hannah-Marie Chidwick 147 11 Playing Cleopatra in Assassin’s Creed: Origins Jane Draycott 162
Contents 12 Playing Salammbô: Orientalism, Gender and Gaming with the Punic World Andrew Dufton 175 13 Kassandra’s Odyssey Richard Cole 191 14 ‘We do what we must to survive’: Female Sex Workers in Assassin’s Creed: Odyssey Roz Tuplin 208 15 ‘It’s the most freedom a woman can have’: Gender, Genre and Agency inChoices: A Courtesan ofRome Kate Cook 223 Bibliography Index 237 269 vi |
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| author_facet | Draycott, Jane ca. 20./21. Jh Cook, Kate Draycott, Jane ca. 20./21. Jh Cook, Kate |
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