Romeo and Juliet, adaptation and the arts: 'cut him out in little stars'
Romeo and Juliet is the most produced, translated, and re-mixed of all of Shakespeare’s plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play’s dispersal into neighbouring art forms – including ballet, opera, television, and arc...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York
The Arden Shakespeare
2022
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Schriftenreihe: | Shakespeare and adaptation
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Schlagworte: | |
Zusammenfassung: | Romeo and Juliet is the most produced, translated, and re-mixed of all of Shakespeare’s plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play’s dispersal into neighbouring art forms – including ballet, opera, television, and architecture – and geographical locations, including Italy, Ireland, France, India, and Korea. Chapters trace Shakespeare’s own acts of adaptation and appropriation of sources and the play’s subsequent migrations into other media. Part One considers reworkings of Romeo and Juliet in Berlioz’s 1839 choral symphony and ballets choreographed by Sir Kenneth MacMillan and John Neumeier. Part Two explores the afterlives of Shakespeare’s lovers in the narrative forms of fiction, film, and serial television, including Joyce, Beckett, and HBO’s series Westworld. Part Three examines dramatic adaptations of the play into other languages, dialects, and cultural contexts. Authors consider Hindi translations and the complex and changing status of Shakespeare’s work in India, and productions of the play in Korea set against its evolving history. The volume ends with a first-person account of staging Romeo and Juliet at an HBCU (historically Black college/university), documenting the fundamentally alienating presence of Shakespeare for oppressed communities. |
Beschreibung: | Ursprünglich angekündigt mit dem abweichenden Titel: "Romeo and Juliet in diaspora" Includes index |
Beschreibung: | 1 Online-Ressource (300 Seiten) Illustrationen |
ISBN: | 9781350109223 9781350109230 |
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520 | 3 | |a Romeo and Juliet is the most produced, translated, and re-mixed of all of Shakespeare’s plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play’s dispersal into neighbouring art forms – including ballet, opera, television, and architecture – and geographical locations, including Italy, Ireland, France, India, and Korea. Chapters trace Shakespeare’s own acts of adaptation and appropriation of sources and the play’s subsequent migrations into other media. Part One considers reworkings of Romeo and Juliet in Berlioz’s 1839 choral symphony and ballets choreographed by Sir Kenneth MacMillan and John Neumeier. Part Two explores the afterlives of Shakespeare’s lovers in the narrative forms of fiction, film, and serial television, including Joyce, Beckett, and HBO’s series Westworld. Part Three examines dramatic adaptations of the play into other languages, dialects, and cultural contexts. Authors consider Hindi translations and the complex and changing status of Shakespeare’s work in India, and productions of the play in Korea set against its evolving history. The volume ends with a first-person account of staging Romeo and Juliet at an HBCU (historically Black college/university), documenting the fundamentally alienating presence of Shakespeare for oppressed communities. | |
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spelling | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' edited by Julia Reinhard Lupton, Ariane Helou Romeo and Juliet in diaspora London ; New York The Arden Shakespeare 2022 1 Online-Ressource (300 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Shakespeare and adaptation Ursprünglich angekündigt mit dem abweichenden Titel: "Romeo and Juliet in diaspora" Includes index Romeo and Juliet is the most produced, translated, and re-mixed of all of Shakespeare’s plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play’s dispersal into neighbouring art forms – including ballet, opera, television, and architecture – and geographical locations, including Italy, Ireland, France, India, and Korea. Chapters trace Shakespeare’s own acts of adaptation and appropriation of sources and the play’s subsequent migrations into other media. Part One considers reworkings of Romeo and Juliet in Berlioz’s 1839 choral symphony and ballets choreographed by Sir Kenneth MacMillan and John Neumeier. Part Two explores the afterlives of Shakespeare’s lovers in the narrative forms of fiction, film, and serial television, including Joyce, Beckett, and HBO’s series Westworld. Part Three examines dramatic adaptations of the play into other languages, dialects, and cultural contexts. Authors consider Hindi translations and the complex and changing status of Shakespeare’s work in India, and productions of the play in Korea set against its evolving history. The volume ends with a first-person account of staging Romeo and Juliet at an HBCU (historically Black college/university), documenting the fundamentally alienating presence of Shakespeare for oppressed communities. Shakespeare, William 1564-1616 Romeo and Juliet (DE-588)4099369-3 gnd rswk-swf Bearbeitung (DE-588)4120981-3 gnd rswk-swf Shakespeare, William / 1564-1616 / Romeo and Juliet Shakespeare, William / 1564-1616 / Adaptations / History and criticism Shakespeare, William / 1564-1616 Romeo and Juliet (Shakespeare, William) Literature / Adaptations (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 Romeo and Juliet (DE-588)4099369-3 u Bearbeitung (DE-588)4120981-3 s DE-604 Lupton, Julia Reinhard 1963- (DE-588)172610192 edt Helou, Ariane edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-10920-9 |
spellingShingle | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' Shakespeare, William 1564-1616 Romeo and Juliet (DE-588)4099369-3 gnd Bearbeitung (DE-588)4120981-3 gnd |
subject_GND | (DE-588)4099369-3 (DE-588)4120981-3 (DE-588)4143413-4 |
title | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' |
title_alt | Romeo and Juliet in diaspora |
title_auth | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' |
title_exact_search | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' |
title_exact_search_txtP | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' |
title_full | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' edited by Julia Reinhard Lupton, Ariane Helou |
title_fullStr | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' edited by Julia Reinhard Lupton, Ariane Helou |
title_full_unstemmed | Romeo and Juliet, adaptation and the arts 'cut him out in little stars' edited by Julia Reinhard Lupton, Ariane Helou |
title_short | Romeo and Juliet, adaptation and the arts |
title_sort | romeo and juliet adaptation and the arts cut him out in little stars |
title_sub | 'cut him out in little stars' |
topic | Shakespeare, William 1564-1616 Romeo and Juliet (DE-588)4099369-3 gnd Bearbeitung (DE-588)4120981-3 gnd |
topic_facet | Shakespeare, William 1564-1616 Romeo and Juliet Bearbeitung Aufsatzsammlung |
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