Signalling and performance: ancient rock art in Britain and Ireland
"Signalling and Performance: Ancient Rock Art in Britain and Ireland presents a state of the art survey of the ancient rock art of Britain and Ireland, bringing together new discoveries and new interpretations. Ancient rock art offers unique insights into the mindsets of its makers and the land...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford
Archaeopress Archaeology
[2022]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Signalling and Performance: Ancient Rock Art in Britain and Ireland presents a state of the art survey of the ancient rock art of Britain and Ireland, bringing together new discoveries and new interpretations. Ancient rock art offers unique insights into the mindsets of its makers and the landscapes in which they lived. The making of rock art was not just an aesthetic practice, but an activity informed by deep social and cultural meanings held by its makers - meanings that they were compelled to express on rocks in Britain and Ireland, through mostly abstract images, for thousands of years. For a long time, ancient rock art remained a topic on the fringes of Archaeology. Since the 1960s, however, there has been sustained recording and research into ancient rock art. Increased publicity has evoked growing interest in British and Irish rock art, with professional and amateur archaeologists and the public, with the latter being responsible for many discoveries.0In 2007, Aron Mazel, George Nash and Clive Waddington published the first edited volume focusing on ancient British rock art, entitled Art as Metaphor. Since then, there have been a number of publications covering this topic. Building on the increased interest in rock art, this lavishly illustrated volume constructed of thirteen thought-provoking chapters and an Introduction will do much to further enhance of understanding of this fascinating and meaningful resource. It will further establish ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study." |
Beschreibung: | vi, 331 Seiten Illustrationen, Diagramme, Karten (teilweise farbig) |
ISBN: | 9781803272511 |
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520 | 3 | |a "Signalling and Performance: Ancient Rock Art in Britain and Ireland presents a state of the art survey of the ancient rock art of Britain and Ireland, bringing together new discoveries and new interpretations. Ancient rock art offers unique insights into the mindsets of its makers and the landscapes in which they lived. The making of rock art was not just an aesthetic practice, but an activity informed by deep social and cultural meanings held by its makers - meanings that they were compelled to express on rocks in Britain and Ireland, through mostly abstract images, for thousands of years. For a long time, ancient rock art remained a topic on the fringes of Archaeology. Since the 1960s, however, there has been sustained recording and research into ancient rock art. Increased publicity has evoked growing interest in British and Irish rock art, with professional and amateur archaeologists and the public, with the latter being responsible for many discoveries.0In 2007, Aron Mazel, George Nash and Clive Waddington published the first edited volume focusing on ancient British rock art, entitled Art as Metaphor. Since then, there have been a number of publications covering this topic. Building on the increased interest in rock art, this lavishly illustrated volume constructed of thirteen thought-provoking chapters and an Introduction will do much to further enhance of understanding of this fascinating and meaningful resource. It will further establish ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study." | |
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Datensatz im Suchindex
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adam_text | Contents Author Biographies............................................................................................................... iii Introduction: Recording and Interpreting the Ancient Rock Art of Britain and Ireland............................................................................................................1 Aron Mazel and George Nash The Past, Present and Future of Rock Art Research in Scotland......................................10 Tertia Barnett, Joana Valdez-Tullett, Maya Hoole, Stuart Jeffrey, Guillaume Robin, Linda Marie Bjerketvedt and Frederick Alexander Marking the Earth: History of Research and the Distribution of Open-Air Neolithic and Early Bronze Age Panels and Motifs at Lordenshaw in Central Northumberland, United Kingdom Aron Mazel 67 East of Eden: Monumental Rock Art in Cumbria, North-West of England........................ 96 Kate E. Sharpe The Early Bronze Age Landscape of Burley Moor, West Yorkshire................................. 122 Keith Boughey The Carver and the Rock: The Physicality of Carving...................................................... 145 Vivien Deacon A Wirral Enigma: Understanding the Origins of the Willaston Stones.......................... 169 Ron Cowell, George Nash and Elizabeth Stewart A Reappraisal of the Cronk yn How Stone, Isle of Man.................................................... 191 George Nash Rewriting Landscapes: Exploring the Context, Regionality and Extended Chronologies of Irish Rock Art.......................................................................... 212 Rebecca Aroon Enlander
Conserving Rock Art in South-West Ireland..................................................................... 234 Clare Busher O’Sullivan і
A Single Panel Case Study in Kerry - Deconstructing a Rock Art Palimpsest.............. 255 Aoibheann Lambe Linear Art in the European Neolithic................................................................................. 282 Anne Teather The Discovery of Late Upper Palaeolithic Rock Art at Cathole Cave on the Gower Peninsula, South Wales................................................................................297 George Nash Prehistoric Rock Art in Glamorgan and Gwent................................................................. 316 Edith Evans ii
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adam_txt |
Contents Author Biographies. iii Introduction: Recording and Interpreting the Ancient Rock Art of Britain and Ireland.1 Aron Mazel and George Nash The Past, Present and Future of Rock Art Research in Scotland.10 Tertia Barnett, Joana Valdez-Tullett, Maya Hoole, Stuart Jeffrey, Guillaume Robin, Linda Marie Bjerketvedt and Frederick Alexander Marking the Earth: History of Research and the Distribution of Open-Air Neolithic and Early Bronze Age Panels and Motifs at Lordenshaw in Central Northumberland, United Kingdom Aron Mazel 67 East of Eden: Monumental Rock Art in Cumbria, North-West of England. 96 Kate E. Sharpe The Early Bronze Age Landscape of Burley Moor, West Yorkshire. 122 Keith Boughey The Carver and the Rock: The Physicality of Carving. 145 Vivien Deacon A Wirral Enigma: Understanding the Origins of the Willaston Stones. 169 Ron Cowell, George Nash and Elizabeth Stewart A Reappraisal of the Cronk yn How Stone, Isle of Man. 191 George Nash Rewriting Landscapes: Exploring the Context, Regionality and Extended Chronologies of Irish Rock Art. 212 Rebecca Aroon Enlander
Conserving Rock Art in South-West Ireland. 234 Clare Busher O’Sullivan і
A Single Panel Case Study in Kerry - Deconstructing a Rock Art Palimpsest. 255 Aoibheann Lambe Linear Art in the European Neolithic. 282 Anne Teather The Discovery of Late Upper Palaeolithic Rock Art at Cathole Cave on the Gower Peninsula, South Wales.297 George Nash Prehistoric Rock Art in Glamorgan and Gwent. 316 Edith Evans ii |
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spelling | Signalling and performance ancient rock art in Britain and Ireland edited by Aron Mazel, George Nash Oxford Archaeopress Archaeology [2022] © 2022 vi, 331 Seiten Illustrationen, Diagramme, Karten (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier "Signalling and Performance: Ancient Rock Art in Britain and Ireland presents a state of the art survey of the ancient rock art of Britain and Ireland, bringing together new discoveries and new interpretations. Ancient rock art offers unique insights into the mindsets of its makers and the landscapes in which they lived. The making of rock art was not just an aesthetic practice, but an activity informed by deep social and cultural meanings held by its makers - meanings that they were compelled to express on rocks in Britain and Ireland, through mostly abstract images, for thousands of years. For a long time, ancient rock art remained a topic on the fringes of Archaeology. Since the 1960s, however, there has been sustained recording and research into ancient rock art. Increased publicity has evoked growing interest in British and Irish rock art, with professional and amateur archaeologists and the public, with the latter being responsible for many discoveries.0In 2007, Aron Mazel, George Nash and Clive Waddington published the first edited volume focusing on ancient British rock art, entitled Art as Metaphor. Since then, there have been a number of publications covering this topic. Building on the increased interest in rock art, this lavishly illustrated volume constructed of thirteen thought-provoking chapters and an Introduction will do much to further enhance of understanding of this fascinating and meaningful resource. It will further establish ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study." Vor- und Frühgeschichte gnd rswk-swf Felsbild (DE-588)4016718-5 gnd rswk-swf Britische Inseln (DE-588)4090131-2 gnd rswk-swf Petroglyphs / Great Britain Petroglyphs / Ireland Great Britain / Antiquities Ireland / Antiquities (DE-588)4143413-4 Aufsatzsammlung gnd-content Britische Inseln (DE-588)4090131-2 g Felsbild (DE-588)4016718-5 s Vor- und Frühgeschichte z DE-604 Mazel, Aron (DE-588)1232681547 edt Nash, George 1959- (DE-588)172947898 edt Erscheint auch als Online-Ausgabe 9781803272528 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034054804&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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title | Signalling and performance ancient rock art in Britain and Ireland |
title_auth | Signalling and performance ancient rock art in Britain and Ireland |
title_exact_search | Signalling and performance ancient rock art in Britain and Ireland |
title_exact_search_txtP | Signalling and performance ancient rock art in Britain and Ireland |
title_full | Signalling and performance ancient rock art in Britain and Ireland edited by Aron Mazel, George Nash |
title_fullStr | Signalling and performance ancient rock art in Britain and Ireland edited by Aron Mazel, George Nash |
title_full_unstemmed | Signalling and performance ancient rock art in Britain and Ireland edited by Aron Mazel, George Nash |
title_short | Signalling and performance |
title_sort | signalling and performance ancient rock art in britain and ireland |
title_sub | ancient rock art in Britain and Ireland |
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