The many faces of art forgery: from the dark side to shades of gray
"The Many Faces of Art Forgery: From the Dark Side to Shades of Gray provides a broad treatment that delves into historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases"--
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Rowman & Littlefield
[2022]
|
Schlagworte: | |
Online-Zugang: | KUBA1 |
Zusammenfassung: | "The Many Faces of Art Forgery: From the Dark Side to Shades of Gray provides a broad treatment that delves into historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases"-- "Forgery is a provocative presence in the art world that captures attention in the press and inspires books about the exploits of famous fraudsters as well as scholarly articles and monographs. But missing until now has been a big-picture look at the phenomenon of art forgery. The Many Faces of Art Forgery provides a unique treatment that features historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases. Key features include: The story of art forgery from antiquity to the present, including 80 named forgers, the tricks of their trade, and the social forces that ensure the existence of their enterprise; how scientific analysis is both effective and limited in exposing art fakes; multiple definitions for the term "forgery" as applied to art; the effect on authenticity in legal terms, philosophical terms, and public opinion when an artwork undergoes extensive restoration, or artists hire surrogates to make their works, or they appropriate images from other artists or styles from indigenous cultures; forgers' mentalities: their motivations, rationalizations, and strategies; the ethics of art forgery: from criminality to esteem for fooling experts; the possibility and aesthetic worth of a "perfect fake." In all, readers will understand the substantial place forgery occupies in the realm of art, as well as that what constitutes authentic versus inauthentic is not always clear-cut, nor are legal and moral judgments about forgery. In conveying this message, the author provides a wealth of information in an accessible and engaging style suitable for experts and general readers alike." -- |
Beschreibung: | 1 Online-Ressource (vii, 271 Seiten) Illustrationen |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV048680271 | ||
003 | DE-604 | ||
005 | 20230202 | ||
007 | cr|uuu---uuuuu | ||
008 | 230127s2022 |||| o||u| ||||||eng d | ||
035 | |a (ZDB-30-PQE)EBC6866009 | ||
035 | |a (OCoLC)1369561129 | ||
035 | |a (DE-599)BVBBV048680271 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 | ||
100 | 1 | |a Casement, William |d 1947- |e Verfasser |0 (DE-588)1255728167 |4 aut | |
245 | 1 | 0 | |a The many faces of art forgery |b from the dark side to shades of gray |c William Casement |
264 | 1 | |a Lanham ; Boulder ; New York ; London |b Rowman & Littlefield |c [2022] | |
264 | 4 | |c © 2022 | |
300 | |a 1 Online-Ressource (vii, 271 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
505 | 8 | |a The presence of art forgery. Before the Renaissance ; Renaissance through the seventeenth century ; Eighteenth and nineteenth centuries ; Into the twentieth century ; Forgery's reach ; Celebrity forgers ; From the less notorious to the virtually unknown ; Confronting art forgery -- What is a forgery? What is authentic?. Semantic variations ; Intention ; Restoration ; Collaboration ; Appropriation ; Posthumous production ; Cultural appropriation -- A face-off of values. The mind of the forger ; Criminality ; Mitigated culpability and alternative economics -- Reflections on the big picture | |
520 | 3 | |a "The Many Faces of Art Forgery: From the Dark Side to Shades of Gray provides a broad treatment that delves into historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases"-- | |
520 | 3 | |a "Forgery is a provocative presence in the art world that captures attention in the press and inspires books about the exploits of famous fraudsters as well as scholarly articles and monographs. But missing until now has been a big-picture look at the phenomenon of art forgery. The Many Faces of Art Forgery provides a unique treatment that features historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases. Key features include: The story of art forgery from antiquity to the present, including 80 named forgers, the tricks of their trade, and the social forces that ensure the existence of their enterprise; how scientific analysis is both effective and limited in exposing art fakes; multiple definitions for the term "forgery" as applied to art; the effect on authenticity in legal terms, philosophical terms, and public opinion when an artwork undergoes extensive restoration, or artists hire surrogates to make their works, or they appropriate images from other artists or styles from indigenous cultures; forgers' mentalities: their motivations, rationalizations, and strategies; the ethics of art forgery: from criminality to esteem for fooling experts; the possibility and aesthetic worth of a "perfect fake." In all, readers will understand the substantial place forgery occupies in the realm of art, as well as that what constitutes authentic versus inauthentic is not always clear-cut, nor are legal and moral judgments about forgery. In conveying this message, the author provides a wealth of information in an accessible and engaging style suitable for experts and general readers alike." -- | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kunstfälschung |0 (DE-588)4166027-4 |2 gnd |9 rswk-swf |
653 | 0 | |a Art / Forgeries | |
653 | 0 | |a Art / Faux | |
653 | 0 | |a Art / Forgeries | |
653 | 6 | |a ART / History / General BUSINESS & ECONOMICS / Museum Administration & Museology TRUE CRIME / Con Artists, Hoaxes & Deceptions | |
689 | 0 | 0 | |a Kunstfälschung |0 (DE-588)4166027-4 |D s |
689 | 0 | 1 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-5381-5800-5 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-1-5381-5801-2 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-5381-5800-5 |
912 | |a ZDB-30-PQE | ||
940 | 1 | |q KUBA1-Ez-2023-PQE | |
940 | 1 | |q BSB_NED_20230127 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034054645 | ||
942 | 1 | 1 | |c 306.09 |e 22/bsb |
966 | e | |u https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=6866009 |l KUBA1 |p ZDB-30-PQE |q KHI |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804184851949027328 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Casement, William 1947- |
author_GND | (DE-588)1255728167 |
author_facet | Casement, William 1947- |
author_role | aut |
author_sort | Casement, William 1947- |
author_variant | w c wc |
building | Verbundindex |
bvnumber | BV048680271 |
collection | ZDB-30-PQE |
contents | The presence of art forgery. Before the Renaissance ; Renaissance through the seventeenth century ; Eighteenth and nineteenth centuries ; Into the twentieth century ; Forgery's reach ; Celebrity forgers ; From the less notorious to the virtually unknown ; Confronting art forgery -- What is a forgery? What is authentic?. Semantic variations ; Intention ; Restoration ; Collaboration ; Appropriation ; Posthumous production ; Cultural appropriation -- A face-off of values. The mind of the forger ; Criminality ; Mitigated culpability and alternative economics -- Reflections on the big picture |
ctrlnum | (ZDB-30-PQE)EBC6866009 (OCoLC)1369561129 (DE-599)BVBBV048680271 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04349nmm a2200505 c 4500</leader><controlfield tag="001">BV048680271</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230202 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230127s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC6866009</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1369561129</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048680271</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Casement, William</subfield><subfield code="d">1947-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1255728167</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The many faces of art forgery</subfield><subfield code="b">from the dark side to shades of gray</subfield><subfield code="c">William Casement</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Lanham ; Boulder ; New York ; London</subfield><subfield code="b">Rowman & Littlefield</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vii, 271 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The presence of art forgery. Before the Renaissance ; Renaissance through the seventeenth century ; Eighteenth and nineteenth centuries ; Into the twentieth century ; Forgery's reach ; Celebrity forgers ; From the less notorious to the virtually unknown ; Confronting art forgery -- What is a forgery? What is authentic?. Semantic variations ; Intention ; Restoration ; Collaboration ; Appropriation ; Posthumous production ; Cultural appropriation -- A face-off of values. The mind of the forger ; Criminality ; Mitigated culpability and alternative economics -- Reflections on the big picture</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The Many Faces of Art Forgery: From the Dark Side to Shades of Gray provides a broad treatment that delves into historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases"--</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Forgery is a provocative presence in the art world that captures attention in the press and inspires books about the exploits of famous fraudsters as well as scholarly articles and monographs. But missing until now has been a big-picture look at the phenomenon of art forgery. The Many Faces of Art Forgery provides a unique treatment that features historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases. Key features include: The story of art forgery from antiquity to the present, including 80 named forgers, the tricks of their trade, and the social forces that ensure the existence of their enterprise; how scientific analysis is both effective and limited in exposing art fakes; multiple definitions for the term "forgery" as applied to art; the effect on authenticity in legal terms, philosophical terms, and public opinion when an artwork undergoes extensive restoration, or artists hire surrogates to make their works, or they appropriate images from other artists or styles from indigenous cultures; forgers' mentalities: their motivations, rationalizations, and strategies; the ethics of art forgery: from criminality to esteem for fooling experts; the possibility and aesthetic worth of a "perfect fake." In all, readers will understand the substantial place forgery occupies in the realm of art, as well as that what constitutes authentic versus inauthentic is not always clear-cut, nor are legal and moral judgments about forgery. In conveying this message, the author provides a wealth of information in an accessible and engaging style suitable for experts and general readers alike." --</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstfälschung</subfield><subfield code="0">(DE-588)4166027-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Forgeries</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Faux</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Forgeries</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">ART / History / General BUSINESS & ECONOMICS / Museum Administration & Museology TRUE CRIME / Con Artists, Hoaxes & Deceptions</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunstfälschung</subfield><subfield code="0">(DE-588)4166027-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-5381-5800-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-1-5381-5801-2</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-5381-5800-5</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA1-Ez-2023-PQE</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230127</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034054645</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=6866009</subfield><subfield code="l">KUBA1</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">KHI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048680271 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:25:13Z |
indexdate | 2024-07-10T09:45:55Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034054645 |
oclc_num | 1369561129 |
open_access_boolean | |
owner | DE-Y3 |
owner_facet | DE-Y3 |
physical | 1 Online-Ressource (vii, 271 Seiten) Illustrationen |
psigel | ZDB-30-PQE KUBA1-Ez-2023-PQE BSB_NED_20230127 ZDB-30-PQE KHI |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Rowman & Littlefield |
record_format | marc |
spelling | Casement, William 1947- Verfasser (DE-588)1255728167 aut The many faces of art forgery from the dark side to shades of gray William Casement Lanham ; Boulder ; New York ; London Rowman & Littlefield [2022] © 2022 1 Online-Ressource (vii, 271 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The presence of art forgery. Before the Renaissance ; Renaissance through the seventeenth century ; Eighteenth and nineteenth centuries ; Into the twentieth century ; Forgery's reach ; Celebrity forgers ; From the less notorious to the virtually unknown ; Confronting art forgery -- What is a forgery? What is authentic?. Semantic variations ; Intention ; Restoration ; Collaboration ; Appropriation ; Posthumous production ; Cultural appropriation -- A face-off of values. The mind of the forger ; Criminality ; Mitigated culpability and alternative economics -- Reflections on the big picture "The Many Faces of Art Forgery: From the Dark Side to Shades of Gray provides a broad treatment that delves into historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases"-- "Forgery is a provocative presence in the art world that captures attention in the press and inspires books about the exploits of famous fraudsters as well as scholarly articles and monographs. But missing until now has been a big-picture look at the phenomenon of art forgery. The Many Faces of Art Forgery provides a unique treatment that features historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases. Key features include: The story of art forgery from antiquity to the present, including 80 named forgers, the tricks of their trade, and the social forces that ensure the existence of their enterprise; how scientific analysis is both effective and limited in exposing art fakes; multiple definitions for the term "forgery" as applied to art; the effect on authenticity in legal terms, philosophical terms, and public opinion when an artwork undergoes extensive restoration, or artists hire surrogates to make their works, or they appropriate images from other artists or styles from indigenous cultures; forgers' mentalities: their motivations, rationalizations, and strategies; the ethics of art forgery: from criminality to esteem for fooling experts; the possibility and aesthetic worth of a "perfect fake." In all, readers will understand the substantial place forgery occupies in the realm of art, as well as that what constitutes authentic versus inauthentic is not always clear-cut, nor are legal and moral judgments about forgery. In conveying this message, the author provides a wealth of information in an accessible and engaging style suitable for experts and general readers alike." -- Geschichte gnd rswk-swf Kunstfälschung (DE-588)4166027-4 gnd rswk-swf Art / Forgeries Art / Faux ART / History / General BUSINESS & ECONOMICS / Museum Administration & Museology TRUE CRIME / Con Artists, Hoaxes & Deceptions Kunstfälschung (DE-588)4166027-4 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-5381-5800-5 Erscheint auch als Online-Ausgabe, EPUB 978-1-5381-5801-2 Erscheint auch als Druck-Ausgabe 978-1-5381-5800-5 |
spellingShingle | Casement, William 1947- The many faces of art forgery from the dark side to shades of gray The presence of art forgery. Before the Renaissance ; Renaissance through the seventeenth century ; Eighteenth and nineteenth centuries ; Into the twentieth century ; Forgery's reach ; Celebrity forgers ; From the less notorious to the virtually unknown ; Confronting art forgery -- What is a forgery? What is authentic?. Semantic variations ; Intention ; Restoration ; Collaboration ; Appropriation ; Posthumous production ; Cultural appropriation -- A face-off of values. The mind of the forger ; Criminality ; Mitigated culpability and alternative economics -- Reflections on the big picture Kunstfälschung (DE-588)4166027-4 gnd |
subject_GND | (DE-588)4166027-4 |
title | The many faces of art forgery from the dark side to shades of gray |
title_auth | The many faces of art forgery from the dark side to shades of gray |
title_exact_search | The many faces of art forgery from the dark side to shades of gray |
title_exact_search_txtP | The many faces of art forgery from the dark side to shades of gray |
title_full | The many faces of art forgery from the dark side to shades of gray William Casement |
title_fullStr | The many faces of art forgery from the dark side to shades of gray William Casement |
title_full_unstemmed | The many faces of art forgery from the dark side to shades of gray William Casement |
title_short | The many faces of art forgery |
title_sort | the many faces of art forgery from the dark side to shades of gray |
title_sub | from the dark side to shades of gray |
topic | Kunstfälschung (DE-588)4166027-4 gnd |
topic_facet | Kunstfälschung |
work_keys_str_mv | AT casementwilliam themanyfacesofartforgeryfromthedarksidetoshadesofgray |