George Herbert and early modern musical culture:
Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, United Kingdom ; New York
Cambridge University Press
2023
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time |
Beschreibung: | Title from publisher's bibliographic system (viewed on 16 Nov 2022) Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms |
Beschreibung: | 1 Online-Ressource (xvi, 266 Seiten) |
ISBN: | 9781009106887 |
DOI: | 10.1017/9781009106887 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048676708 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230125s2022 |||| o||u| ||||||eng d | ||
020 | |a 9781009106887 |c Online |9 978-1-00-910688-7 | ||
024 | 7 | |a 10.1017/9781009106887 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781009106887 | ||
035 | |a (OCoLC)1369564927 | ||
035 | |a (DE-599)BVBBV048676708 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 780.9/032 | |
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Jackson, Simon |d 1983- |0 (DE-588)1279131470 |4 aut | |
245 | 1 | 0 | |a George Herbert and early modern musical culture |c Simon Jackson |
264 | 1 | |a Cambridge, United Kingdom ; New York |b Cambridge University Press |c 2023 | |
300 | |a 1 Online-Ressource (xvi, 266 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Title from publisher's bibliographic system (viewed on 16 Nov 2022) | ||
500 | |a Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms | ||
520 | |a Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time | ||
600 | 1 | 4 | |a Herbert, George / 1593-1633 / Knowledge / Music |
650 | 4 | |a Music / 17th century / History and criticism | |
650 | 4 | |a Music and literature / History / 17th century | |
650 | 4 | |a Music / Social aspects / History / 17th century | |
650 | 4 | |a Music / 17th century / Philosophy and aesthetics | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-00-909806-9 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781009106887 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034051155 | ||
966 | e | |u https://doi.org/10.1017/9781009106887 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781009106887 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804184845716291584 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Jackson, Simon 1983- |
author_GND | (DE-588)1279131470 |
author_facet | Jackson, Simon 1983- |
author_role | aut |
author_sort | Jackson, Simon 1983- |
author_variant | s j sj |
building | Verbundindex |
bvnumber | BV048676708 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781009106887 (OCoLC)1369564927 (DE-599)BVBBV048676708 |
dewey-full | 780.9/032 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.9/032 |
dewey-search | 780.9/032 |
dewey-sort | 3780.9 232 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.1017/9781009106887 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03073nmm a2200469zc 4500</leader><controlfield tag="001">BV048676708</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230125s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009106887</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-00-910688-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009106887</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009106887</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1369564927</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048676708</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.9/032</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jackson, Simon</subfield><subfield code="d">1983-</subfield><subfield code="0">(DE-588)1279131470</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">George Herbert and early modern musical culture</subfield><subfield code="c">Simon Jackson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom ; New York</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvi, 266 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 16 Nov 2022)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Herbert, George / 1593-1633 / Knowledge / Music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / 17th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and literature / History / 17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Social aspects / History / 17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / 17th century / Philosophy and aesthetics</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-00-909806-9</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009106887</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034051155</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009106887</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009106887</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV048676708 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:24:10Z |
indexdate | 2024-07-10T09:45:49Z |
institution | BVB |
isbn | 9781009106887 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034051155 |
oclc_num | 1369564927 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (xvi, 266 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2023 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Jackson, Simon 1983- (DE-588)1279131470 aut George Herbert and early modern musical culture Simon Jackson Cambridge, United Kingdom ; New York Cambridge University Press 2023 1 Online-Ressource (xvi, 266 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 16 Nov 2022) Measuring Well : Ethics and Incarnational Music -- Communities of Voices : Song Culture at Wilton House -- The Visual Music of the Masque -- Concord and Consent : The Music of Lord Herbert of Cherbury -- Double Motion : Attending to Church Music -- Singing the Psalms Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics (DE-588)4113937-9 Hochschulschrift gnd-content Erscheint auch als Druck-Ausgabe 978-1-00-909806-9 https://doi.org/10.1017/9781009106887 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Jackson, Simon 1983- George Herbert and early modern musical culture Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics |
subject_GND | (DE-588)4113937-9 |
title | George Herbert and early modern musical culture |
title_auth | George Herbert and early modern musical culture |
title_exact_search | George Herbert and early modern musical culture |
title_exact_search_txtP | George Herbert and early modern musical culture |
title_full | George Herbert and early modern musical culture Simon Jackson |
title_fullStr | George Herbert and early modern musical culture Simon Jackson |
title_full_unstemmed | George Herbert and early modern musical culture Simon Jackson |
title_short | George Herbert and early modern musical culture |
title_sort | george herbert and early modern musical culture |
topic | Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics |
topic_facet | Herbert, George / 1593-1633 / Knowledge / Music Music / 17th century / History and criticism Music and literature / History / 17th century Music / Social aspects / History / 17th century Music / 17th century / Philosophy and aesthetics Hochschulschrift |
url | https://doi.org/10.1017/9781009106887 |
work_keys_str_mv | AT jacksonsimon georgeherbertandearlymodernmusicalculture |